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Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Rev. William Gilpin The Sun here gets more force, and beams along the surface of the ground; but the Day is setting in cloudy, and obscure (Design for Plate 3)
Rev. William Gilpin, 1724–1804
The Sun here gets more force, and beams along the surface of the ground; but the Day is setting in cloudy, and obscure (Design for Plate 3)
undated
Walter Sneyd Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Walter Sneyd, 1809–1888
Sneyd's Illustrations to [Henry Fielding's] Tom Jones
Rev. William Gilpin The Sun still gets more power, and objects begin to appear more distinctly (Design for Plate 4)
Rev. William Gilpin, 1724–1804
The Sun still gets more power, and objects begin to appear more distinctly (Design for Plate 4)
undated
Rev. William Gilpin The same idea is continued; only here the Sun rises with a fainter and more wan lustre (Design for Plate 2)
Rev. William Gilpin, 1724–1804
The same idea is continued; only here the Sun rises with a fainter and more wan lustre (Design for Plate 2)
undated
Rev. William Gilpin The same idea is continued, only the atmosphere is somewhat more hazy (Design for Plate 6)
Rev. William Gilpin, 1724–1804
The same idea is continued, only the atmosphere is somewhat more hazy (Design for Plate 6)
undated
Rev. William Gilpin The Sun is clouded; but as there is not much haziness in the atmosphere, the several parts of the country appear very distinctly (Design for Plate 7)
Rev. William Gilpin, 1724–1804
The Sun is clouded; but as there is not much haziness in the atmosphere, the several parts of the country appear very distinctly (Design for Plate 7)
undated
Rev. William Gilpin As the Day advances, the Morning gets clearer. The Sun shines out; but without much strength (Design for Plate 9)
Rev. William Gilpin, 1724–1804
As the Day advances, the Morning gets clearer. The Sun shines out; but without much strength (Design for Plate 9)
undated
Rev. William Gilpin The Sun is obscured, and the atmosphere inclines to rain (Design for Plate 10)
Rev. William Gilpin, 1724–1804
The Sun is obscured, and the atmosphere inclines to rain (Design for Plate 10)
undated
Rev. William Gilpin As it is now high noon, which always affords an unfavourable light to the painter ... It here shines wanly and hazily upon the cliffs (Design for Plate 12)
Rev. William Gilpin, 1724–1804
As it is now high noon, which always affords an unfavourable light to the painter ... It here shines wanly and hazily upon the cliffs (Design for Plate 12)
undated
Rev. William Gilpin As it is now high noon, which always affords an unfavourable light to the painter, he avoids, as much as he can, the vertical rays of the Sun... The same effect is here exhibited in a lake scene (Design for Plate 14)
Rev. William Gilpin, 1724–1804
As it is now high noon, which always affords an unfavourable light to the painter, he avoids, as much as he can, the vertical rays of the Sun... The same effect is here exhibited in a lake scene (Design for Plate 14)
undated
unknown artist No.2, Lympstone, Topsham, Exeter Cathedral & Country around Exeter
unknown artist
No.2, Lympstone, Topsham, Exeter Cathedral & Country around Exeter
1815-1816
Rev. Edward Thomas Daniell Twelve Etchings Album
Rev. Edward Thomas Daniell, 1804–1842
Twelve Etchings Album
1882
unknown artist The Sun. Monday, July 9, 1838. 11the Edition of Thursday, June 28, 1838, 4pp. folio. Coronation Edition printed in gold.
unknown artist
The Sun. Monday, July 9, 1838. 11the Edition of Thursday, June 28, 1838, 4pp. folio. Coronation Edition printed in gold
1838
J. M. Kronheim Children in Rural Scenes
Print made by J. M. Kronheim, 1810–1896
Children in Rural Scenes
J. M. Kronheim Hunting Scenes
J. M. Kronheim, 1810–1896
Hunting Scenes
J. M. Kronheim Poster fro J. Brown & Co. Emperor Scotch Whisky
J. M. Kronheim, 1810–1896
Poster fro J. Brown & Co. Emperor Scotch Whisky
J. M. Kronheim Illustrations for a French Book for Children
J. M. Kronheim, 1810–1896
Illustrations for a French Book for Children
J. M. Kronheim Red Cap
J. M. Kronheim, 1810–1896
Red Cap
J. M. Kronheim Eleven undivided sheets of proofs of various subjects pulled in monchroms of the key plates before colour printing.
J. M. Kronheim, 1810–1896
Eleven undivided sheets of proofs of various subjects pulled in monchroms of the key plates before colour printing
J. M. Kronheim Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before colour printing
J. M. Kronheim, 1810–1896
Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before colour printing
J. M. Kronheim Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before colour printing
J. M. Kronheim, 1810–1896
Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before colour printing
J. M. Kronheim Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before colour printing
J. M. Kronheim, 1810–1896
Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before colour printing
J. M. Kronheim Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before colour printing
J. M. Kronheim, 1810–1896
Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before colour printing
J. M. Kronheim Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before colour printing
J. M. Kronheim, 1810–1896
Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before colour printing
J. M. Kronheim Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before colour printing
J. M. Kronheim, 1810–1896
Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before colour printing
J. M. Kronheim The Village School
J. M. Kronheim, 1810–1896
The Village School
Augustus Hare From my Second Rooms
Augustus Hare, 1834–1903
From my Second Rooms
1853 to 1857
Augustus Hare St. Helens, Abingdon
Augustus Hare, 1834–1903
St. Helens, Abingdon
1853 to 1857
Augustus Hare Stanton Harcourt
Augustus Hare, 1834–1903
Stanton Harcourt
1853 to 1857
Augustus Hare Pope's Tower, Staunton Harcourt
Augustus Hare, 1834–1903
Pope's Tower, Staunton Harcourt
1853 to 1857
Augustus Hare Godstowe Nunnery, North Oxford
Augustus Hare, 1834–1903
Godstowe Nunnery, North Oxford
1853
Augustus Hare Water-Eaton Manor, North Oxford
Augustus Hare, 1834–1903
Water-Eaton Manor, North Oxford
1853 to 1857
Augustus Hare Tomb of Lord Camoys, Dorchester Abbey
Augustus Hare, 1834–1903
Tomb of Lord Camoys, Dorchester Abbey
1853 to 1857
Augustus Hare [One from a] Volume of 46 Oxford Drawings
Augustus Hare, 1834–1903
[One from a] Volume of 46 Oxford Drawings
1853 to 1857
Augustus Hare Cumnor, North Oxford
Augustus Hare, 1834–1903
Cumnor, North Oxford
1853 to 1857
Augustus Hare Brazenore Hall, Oxford (1567)
Augustus Hare, 1834–1903
Brazenore Hall, Oxford (1567)
1854
Augustus Hare New College
Augustus Hare, 1834–1903
New College
1853 to 1857
Augustus Hare St. Aldgate's, Oxford
Augustus Hare, 1834–1903
St. Aldgate's, Oxford
1854
Augustus Hare Iffley Church, North Oxford
Augustus Hare, 1834–1903
Iffley Church, North Oxford
1853 to 1857
Augustus Hare Iffley Church, North Oxford
Augustus Hare, 1834–1903
Iffley Church, North Oxford
1853 to 1857
Augustus Hare Broad Street Oxford
Augustus Hare, 1834–1903
Broad Street Oxford
1853 to 1857
Augustus Hare High Street Oxford
Augustus Hare, 1834–1903
High Street Oxford
1853 to 1857
Augustus Hare View from Ratcliffe
Augustus Hare, 1834–1903
View from Ratcliffe
1853 to 1857
Augustus Hare High Street, Oxford
Augustus Hare, 1834–1903
High Street, Oxford
1853 to 1857
Augustus Hare All-Souls Quad
Augustus Hare, 1834–1903
All-Souls Quad
1853 to 1857
Augustus Hare New College
Augustus Hare, 1834–1903
New College
1853 to 1857
Augustus Hare Schools Quad
Augustus Hare, 1834–1903
Schools Quad
1853 to 1857
Augustus Hare New College Gate, Oxford
Augustus Hare, 1834–1903
New College Gate, Oxford
1853 to 1857
Augustus Hare New College, Posterm Gate and Town Wall
Augustus Hare, 1834–1903
New College, Posterm Gate and Town Wall
1853 to 1857
Augustus Hare New College Tower and Town Wall
Augustus Hare, 1834–1903
New College Tower and Town Wall
1853 to 1857
Augustus Hare Latimer's Pulpit, Magdelen
Augustus Hare, 1834–1903
Latimer's Pulpit, Magdelen
1853 to 1857
Augustus Hare The Martyr's Tower, where Latimer and Ridley were Tortured
Augustus Hare, 1834–1903
The Martyr's Tower, where Latimer and Ridley were Tortured
1853 to 1857
Augustus Hare Chapel Door Magdalen
Augustus Hare, 1834–1903
Chapel Door Magdalen
1853 to 1857
Augustus Hare [One from a] Volume of 46 Oxford Drawings
Augustus Hare, 1834–1903
[One from a] Volume of 46 Oxford Drawings
1853 to 1857
Augustus Hare St. Albans Hall
Augustus Hare, 1834–1903
St. Albans Hall
1853 to 1857
Augustus Hare Magdalen from the Botanical Gardens
Augustus Hare, 1834–1903
Magdalen from the Botanical Gardens
1853 to 1857
Augustus Hare Evesham Abbey Tower
Augustus Hare, 1834–1903
Evesham Abbey Tower
1853 to 1857
Augustus Hare Abbot Reynolds Gateway Evesham
Augustus Hare, 1834–1903
Abbot Reynolds Gateway Evesham
1853 to 1857
Augustus Hare Holywell Manor
Augustus Hare, 1834–1903
Holywell Manor
1853 to 1857
Augustus Hare Holywell Manor
Augustus Hare, 1834–1903
Holywell Manor
1853 to 1857
Augustus Hare St. Johns College from the Green
Augustus Hare, 1834–1903
St. Johns College from the Green
1853 to 1857
Mary Howard Legend of Montrose
Mary Howard, 19th century
Legend of Montrose
John Leech [One from] An Album of 204 drawings for "The Cosmic History of England"
John Leech, 1817–1864
[One from] An Album of 204 drawings for "The Cosmic History of England"
John Leech [One from] An Album of 204 drawings for "The Cosmic History of England"
John Leech, 1817–1864
[One from] An Album of 204 drawings for "The Cosmic History of England"
Augustus Hare Iffley Interior
Augustus Hare, 1834–1903
Iffley Interior
1853 to 1857
Augustus Hare Old Buildings, Exeter College
Augustus Hare, 1834–1903
Old Buildings, Exeter College
1853 to 1857
J. M. Kronheim Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before colour printing
J. M. Kronheim, 1810–1896
Eleven undivided sheets of proofs of various subjects pulled in monochrome of the key plates before colour printing
Thomas Ryder Midsummer Night's Dream: Act IV, Scene I
after Thomas Ryder, 1746–1810
Midsummer Night's Dream: Act IV, Scene I
1803
Peter Simon Tempest, Act I, Scene II. The Enchanted Island.
Peter Simon, 1750–1810
Tempest, Act I, Scene II. The Enchanted Island
1803
Peter Simon As You Like It: Act V Scene IV: Rosalind and Orlando
Peter Simon, 1750–1810
As You Like It: Act V Scene IV: Rosalind and Orlando
1791
Peter Simon Much Ado About Nothing. Act IV, Scene 1
Peter Simon, 1750–1810
Much Ado About Nothing. Act IV, Scene 1
1803
Thomas Harvey Cattle
Thomas Harvey, 1748–1820
Cattle
Charles Grignion History of England, Subscription Receipt
Print made by Charles Grignion, 1717–1810
History of England, Subscription Receipt
1750
Gérard Jean-Baptiste Scotin II Alfred in the Isle of Athelny
Print made by Gérard Jean-Baptiste Scotin II, 1698–after 1755
Alfred in the Isle of Athelny
1751
Gérard Jean-Baptiste Scotin II Vortigren and Rowena, or the Settlement of the Saxons in England
Print made by Gérard Jean-Baptiste Scotin II, 1698–after 1755
Vortigren and Rowena, or the Settlement of the Saxons in England
1751
Samuel Middiman As You Like It: Act II Scene 1. Jacques and the Wounded Stag.
Samuel Middiman, ca. 1750–1831
As You Like It: Act II Scene 1. Jacques and the Wounded Stag
1791
Kenneth Hobson Spithead: Two Captured Danish Ships entering Portsmouth Harbour
Print made by Kenneth Hobson, 1897–1972
Spithead: Two Captured Danish Ships entering Portsmouth Harbour
1928
William Bernard Cooke Text for Picturesque Views on the Southern Coast
Print made by William Bernard Cooke, 1778–1855
Text for Picturesque Views on the Southern Coast
1823 to 1827
William Bernard Cooke Wrapper and Advertisements and Text (unbound) for Rivers of England (Number two)
Print made by William Bernard Cooke, 1778–1855
Wrapper and Advertisements and Text (unbound) for Rivers of England (Number two)
1823 to 1827
William Bernard Cooke Wrapper for Rivers of England (Number One)
Print made by William Bernard Cooke, 1778–1855
Wrapper for Rivers of England (Number One)
1823 to 1827
William Bernard Cooke Wrapper for Rivers of England (Number Two)
Print made by William Bernard Cooke, 1778–1855
Wrapper for Rivers of England (Number Two)
1823 to 1827
William Bernard Cooke Wrapper and Advertisements for Rivers of England (Number Four)
Print made by William Bernard Cooke, 1778–1855
Wrapper and Advertisements for Rivers of England (Number Four)
1823 to 1827