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1. David Garrick and his wife Eva Maria Garrick (née Veigel) by his Temple to Shakespeare at Hampton
- Date:
- ca. 1762
- Materials & Techniques:
- Oil on canvas
- Dimensions:
- 43 1/4 x 53 inches (109.9 x 134.6 cm)
- Collection:
- Paintings and Sculpture
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- On View:
- Not on view
- Date:
- 1755
- Materials & Techniques:
- Oil on canvas
- Dimensions:
- 84 x 82 inches (213.4 x 208.3 cm)
- Collection:
- Paintings and Sculpture
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- On View:
- Not on view
- Date:
- 1746
- Materials & Techniques:
- Oil on canvas
- Dimensions:
- 36 x 28 1/2 inches (91.4 x 72.4 cm)
- Collection:
- Paintings and Sculpture
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- On View:
- Not on view
- Date:
- 1790
- Materials & Techniques:
- Oil on canvas
- Dimensions:
- 36 1/4 x 48 1/2 inches (92.1 x 123.2 cm)
- Collection:
- Paintings and Sculpture
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- On View:
- Not on view
- Date:
- ca. 1857
- Materials & Techniques:
- Oil on canvas
- Dimensions:
- 36 x 48 inches (91.4 x 121.9 cm)
- Collection:
- Paintings and Sculpture
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- On View:
- Not on view
- Date:
- ca. 1850
- Materials & Techniques:
- Oil on millboard
- Dimensions:
- 10 3/8 x 12 1/4 inches (26.4 x 31.1 cm)
- Collection:
- Paintings and Sculpture
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- On View:
- Not on view
- Date:
- between 1804 and 1806
- Materials & Techniques:
- Oil on canvas
- Dimensions:
- 22 x 16 inches (55.9 x 40.6 cm)
- Collection:
- Paintings and Sculpture
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- On View:
- Not on view
- Date:
- between 1777 and 1778
- Materials & Techniques:
- Pen and brown ink, brown wash, and graphite on medium, slightly textured, cream laid paper
- Dimensions:
- Sheet: 12 3/4 x 16 1/4 inches (32.4 x 41.2 cm)
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund