Download/Print Selected Image
- Title:
- The Education of Achilles [1772, Royal Academy of Arts, London, exhibition catalogue]
- Date:
- ca. 1772
- Materials & Techniques:
- Oil on canvas
- Dimensions:
- 40 1/2 x 50 3/4 inches (102.9 x 128.9 cm), Frame: 49 x 59 x 4 inches (124.5 x 149.9 x 10.2 cm)
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Copyright Status:
- Public Domain
- Accession Number:
- B1978.6
- Classification:
- Paintings
- Collection:
- Paintings and Sculpture
- Link to Frame:
- B1978.6FR
- Subject Terms:
- art | centaurs | child | children | costume | death | diagram | gesture | Greek | herm | horse (animal) | infant | inscription | landscape | lyre | mathematics | men | mother | music | mythology | religious and mythological subject | shadow | shield | spear | statue | teaching | war | woman
- Associated People:
- Achilles
Chiron - Access:
- Not on view
- Link:
- https://collections.britishart.yale.edu/catalog/tms:471
- Export:
- XML
- IIIF Manifest:
- JSON
Ireland - Art on a World Stage 1690-1840 (The Art Institute of Chicago, 2015-03-17 - 2015-06-07) [YCBA Objects in the Exhibition]
James Barry (1741-1806) The Great Historical Painter (Crawford Municipal Art Gallery, 2005-10-24 - 2006-03-02) [YCBA Objects in the Exhibition]
The Noble Horse (II) (The Bunkamaura Museum of Art, 2000-09-02 - 2000-10-22) [YCBA Objects in the Exhibition]
Noble Simplicity and Silent Greatness - Neoclassical Art from 1700 - 1900 (Yale University Art Gallery, 1991-04-26 - 1991-09-29) [YCBA Objects in the Exhibition]
James Barry - Tate (Tate Britain, 1983-02-09 - 1983-03-20) [YCBA Objects in the Exhibition]
Acquisitions : The First Decade 1977-1986, Yale Center for British Art , Yale Center for British Art, New Haven, CT, 1986, p. 10, no. 1, fig. 1, N590.2 A7 OVERSIZE (YCBA) [YCBA]
John Barrell, Birth of Pandora, and the Division of Knowledge , The Macmillan Company, 1992, pp. 202-203, no. 41, DA485 B26 1992 (YCBA) [YCBA]
James Barry, James Barry, 1741-1806, 'the great historical painter' , Crawford Art Gallery Gandon, Cork Kinsdale, 2005, pp. 11, 33, 38-39, 88-89, 178, 201, no. P11, NJ18 B2425 J35 2005 + (YCBA) [YCBA]
Susan Bennett, Cultivating the human faculties, James Barry (1741-1806) and the Society of Arts , Lehigh University Press, Bethlehem, Pa., 2008, p. 108, fig. 30, NJ18 B2425 C85 2008 + (YCBA) [YCBA]
David Bindman, Barry at the Tate, London, Burlington Magazine, vol. 125, April 1918, p. 241, N1 B87 OVERSIZE (YCBA) [YCBA]
Catalogues of Pictures Exhibited at the Rooms of the Royal Academy, Library of the Fine Arts, vol. 2, December 1831, p. 405, no. 14, Available online: British Periodicals database [ORBIS]
Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 20-21, N590.2 A83 (YCBA) [YCBA]
Fintan Cullen, Visual Politics : the Representation of Ireland 1750-1930, , Cork University Press, Cork [Ireland], 1997, pp. 27-29, 37. 40, no. 13, N6782 C85 1997 + (YCBA) [YCBA]
L. Perry Curtis, Review of Visual Politics: The Representation of Ireland 1750-1930 by Fintan Cullan, , Victorian Studies, vol. 43, Autumn 2000, p. 162, Available online: JSTOR [ORBIS]
Tom Dunne, Cultural Role of the Visual, Irish Review, Autumn-Winter 1997, pp. 136-139, Available online: JSTOR [ORBIS]
Tom Dunne, James Barry, 1741-1806, history painter , Ashgate Publishing, Farnham, Surrey, England Burlington, VT, 2010, pp. 4, 78, NJ18.B2425 J34 2010 (YCBA) [YCBA]
Catherine M. Gordon, British paintings Hogarth to Turner, Frederick Warne, London, 1981, p. 1, ND466 G67 (YCBA) [YCBA]
William Hauptman, Michel-Vincent Brandoin and Kauffman's 'Acontio', Notes in the History of Art, vol. 15, Spring 1996, pp. 14-19, 15, Available online: JSTOR [ORBIS]
William Laffan, Ireland : crossroads of art and design, 1690-1840, The Art Institute of Chicago, Chicago, 2015, pp. 141, 142, 225, no. 11, fig. 4 (p. 142), N6787 .I74 2015 OVERSIZE (YCBA) [YCBA]
Liam Lehihan, The writings of James Barry and the genre of history painting, 1775-1809, Ashgate Publishing, Burlington, VT, 2014, pp. 7-9, fig. no. I.1, NJ18.B2425 L46 2014 (YCBA) [YCBA]
Huon Mallalieu, Dutch Mannerist Painting is Sold for £32,000, The Times (London), London, 15 March 1977, p. 18, Available online: The Times Digital Archive Also available on Microfilm: Film An T482 (SML) [ORBIS]
Peter Murray, Review of Visual Politics: The Representation of Ireland 1750-1930, , Irish Arts Review Yearbook, vol. 15, 1999, pp. 174-175, Available Online :JSTOR [ORBIS]
Noble Simplicity and Silent Greatness, Neoclassical Art, 1700-1900 , Yale University Art Gallery, New Haven, 1991, p. 6, no. 6, N6425 N4 N63 1991 (YCBA) [YCBA]
Anna Ottani Cavina, Appunti : James Barry, un libro e una mostra , Paragone: Rivista mensile di arte figurative e letteratura fondata d Roberto Longhi, vol. 34, March 1983, p. 70, fig. 48, N4 P37 (HAAS) [ORBIS]
William L. Pressly, James Barry's murals at the Royal Society of Arts : envisioning a new public art, Cork University Press, Cork, Ireland, 2014, pp. 191, 197-205, 228, 307, fig. 30, NJ18.B2425 P725 2014 OVERSIZE (YCBA) [YCBA]
William L. Pressly, James Barry, The Artist as Hero , Tate Publishing, London, 1983, pp. 55-56, no. 4, NJ18 B2425 P72 (YCBA) [YCBA]
William L. Pressly, Life and Art of James Barry, Yale University Press, New Haven, 1981, pp. 35-36, 40, 48, 54, 230, no. 10, pl. II, NJ18 B2425 P73 (YCBA) [YCBA]
Report on the Papers of Ozias Humphry, R.A. (1743-1810) in the Custody of the Royal Academy of Arts, Burlington House, Piccadilly, London W1V ODS, Yale University Press, New Haven, 2004, p. 29, cat. HU/7/1, NJ18 H913 G74 OVERSIZE (YCBA) [YCBA]
Duncan Robinson, Acquisitions : The First Decade 1977 - 1986, , Burlington Magazine, vol. 128, October 1986, p. 10, no. 1, fig. 1, N1 B87 128:3 OVERSIZE (YCBA) [YCBA]
Royal Academy of Arts, Exhibition Catalogue. 1772. 4th, Exhibition of the Royal Academy of Arts, no. 4, London, 1772, p. 4, no. 14, N5054 A53 (YCBA) [YCBA]
Walter G. Strickland, A dictionary of Irish artists, Maunsel & company, limited, Dublin London, UK, 1913, p. 43 (v. 1), N6782 S76 (YCBA) [YCBA]
The Noble Horse, From Pegasus to Thoroughbred , Television Tokyo Channel 12, Ltd., 2000, pp. 30, 113, English Catalogue p. 3, no. 8, pl. 8, N7668 H6 N6 2000 (YCBA) [YCBA]
The works of James Barry, Esq. Historical painter, ... Containing his correspondence from France and Italy with Mr. Burke - His lectures on painting delivered at the Royal Academy - Observations on differnt works of art in Italy and France - Critical remarks on the principal paintings of the Orleans Galle , John M'Creery, London, 1809, (vol 1) pp. 111, 241, N7445.2 B27 (YCBA) + [YCBA]
To James B___y, Morning Chronicle and London Advertiser, 3 May 1773, p. 2, Available online: 17th and 18th Century Burney Collection [ORBIS]
To the Printer of the Middlesex Journal, Middlesex Journal, London, 23-25 April 1772, p. 4, Available online: 17th and 18th Century Burney Collection [ORBIS]
Malcolm Warner, Stubbs and the Horse, Yale University Press, New Haven and London, 2004, pp. 69-70, fig. 67, NJ18 St915 W37 (YCBA) [YCBA]
Ellis Waterhouse, Dictionary of British 18th Century Painters in Oils and Crayons, Antique Collectors' Club, Woodbridge, Suffolk, 1981, p. 42, ND466 +W38 Oversize (YCBA) [YCBA]
Iris Wien, Joshua Reynolds : Mythos und Metapher, Wilhelm Fink, Munchen, 2009, p. 387, fig. 120, NJ18.R36 W54 2009 [ORBIS]
Mick Wilson, Review of Visual Politics: the Representation of Ireland 1750-1930, , Circa Art Magazine, vol 81, Autumn 1997, p. 61, Available Online: JSTOR [ORBIS]