Print Selected Image
- Title:
- Assembling Reminders for a Particular Purpose
- Part Of:
- Date:
- 1965
- Materials & Techniques:
- Screen print on H.P. J. Green 133 lbs. white wove paper
- Dimensions:
- Sheet: 38 × 26 inches (96.5 × 66 cm), Image: 32 1/4 × 20 1/8 inches (81.9 × 51.1 cm)
- Inscription(s)/Marks/Lettering:
Inscribed in graphite, lower left:"36/65" Image includes the words: 'PHILOSOPHICAL INVESTIGATIONS | 126. Die Phillosophie stellt eben alles blos hin, und eklart und fogert nichts.- Da alles offen dalieght is auch nichts zu eklarten. Den, was etwa verbogen its, interessiert uns nicht. | "Philosophie" konnte man auch des nennen was voe allen neuen Entdeckungen und Erfindugen moglich ist. | 127. Die Arbeit des Philosophen ist ein Zusammentragen von Erinnerugen zu einiem bestimmen Zweck. | LUDWID WITTGENSTEIN | 126. Philosophy simply puts everything before us, and neither explains nor deduces anything.- Since everything lies open to view there is nothing to explain. For what is hidden, for example, is of no | interest to us. One might also give the name "philosophy" to what is possible beyond all new discoveries and inventions. | 127. The work of a philosopher consists in assembling reminders for a particular purpose. | JANUARY 1965.'
Studio mark: Editions Alecto
Signed and dated in graphite, lower right: "Eduardo Paolozzi 1965"
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Copyright Status:
- Under Copyright
- Accession Number:
- B1995.3.9
- Classification:
- Prints
- Collection:
- Prints and Drawings
- Access:
- Accessible by appointment in the Study Room [Request]
Note: The Study Room is open by appointment. Please visit the Study Room page on our website for more details. - Link:
- https://collections.britishart.yale.edu/catalog/tms:4820
- Export:
- XML
- IIIF Manifest:
- JSON
Just what was it that made British Pop so different, so appealing? (Yale Center for British Art, 2004-01-26 - 2004-05-09) [YCBA Objects in the Exhibition] [Exhibition Description]