- Title:
- Cloud Study [2007, Paul Mellon's Legacy: a Passion for British Art: Masterpieces from the Yale Center for British Art, exhibition catalogue]
- Former Title(s):
- Stratocumulus Cloud [1984, Reynolds, The later paintings and drawings of John Constable, catalogue raisonné]
- Date:
- 1821
- Materials & Techniques:
- Oil on paper laid on board
- Dimensions:
- 9 3/4 x 11 7/8 inches (24.8 x 30.2 cm), Frame: 13 1/2 × 15 5/8 × 1 3/8 inches (34.3 × 39.7 × 3.5 cm)
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B1981.25.155
- Classification:
- Paintings
- Collection:
- Paintings and Sculpture
- Link to Frame:
- B1981.25.155FR
- Subject Terms:
- birds | blue | brush strokes | clouds | flat | gray | meteorology | motion | science | study (visual work) | texture | white
- Access:
- Not on view
- Link:
- https://collections.britishart.yale.edu/catalog/tms:666
- Export:
- XML
- IIIF Manifest:
- JSON
The Triumph of Landscape - Turner to Monet (National Gallery of Australia, 2008-03-14 - 2008-06-09) [YCBA Objects in the Exhibition]
An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27) [YCBA Objects in the Exhibition]
An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29) [YCBA Objects in the Exhibition]
Canaletto to Constable: Paintings of Town and Country from the Yale Center for British Art (Ferrara Galleries of Modern & Contemporary Art, 2001-02-25 - 2001-05-20) [YCBA Objects in the Exhibition]
Canaletto to Constable: Paintings of Town and Country from the Yale Center for British Art (The Grand Rapids Art Museum, 1999-10-22 - 2000-01-02) [YCBA Objects in the Exhibition]
Canaletto to Constable: Paintings of Town and Country from the Yale Center for British Art (Wadsworth Atheneum Museum of Art, 1998-02-08 - 1998-04-26) [YCBA Objects in the Exhibition]
Gentle, Rural and Sublime - English Landscape Paintings and Watercolors, 1750-1850 (Denver Art Museum, 1993-12-11 - 1994-02-06) [YCBA Objects in the Exhibition]
John Constable (Tate) (Tate Britain, 1991-06-13 - 1991-09-15) [YCBA Objects in the Exhibition]
John Constable - A Selection of Paintings from the Collection of Mr. and Mrs. Paul Mellon (National Gallery of Art, 1969-04-30 - 1969-11-01) [YCBA Objects in the Exhibition]
Katharine Baetjer, Glorious nature, British landscape painting, 1750-1850 , Zwemmer publisher, London, 1993, pp. 31, 196-7, no. 58, ND1354.4 B34 1993 (YCBA) [YCBA]
John Baskett, Paul Mellon's Legacy: a Passion for British Art: Masterpieces from the Yale Center for British Art, , Yale Center for British Art, New Haven, CT, 2007, pp 287-8, no. 98, pl. 98, N5220 M552 P38 2007 OVERSIZE (YCBA) [YCBA]
Charlotte Burns, Key Lots, Old Masters , The Art Newspaper, vol. 19, July/August 2010, p. 48, Available online at Art Full Text (H.W. Wilson) Also available at the Lewis Walpole Library. [ORBIS]
Canaletto to Constable : paintings of town and country from the Yale Center for British Art, , Yale Center for British Art, New Haven, Conn., 1998, pp. 17-18, 107, pl. 41, ND1354.4 Y25 1998 (YCBA) [YCBA]
Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 60-61, N590.2 A83 (YCBA) [YCBA]
Christine Dixon, Turner to Monet, the triumph of landscape painting , National Gallery of Australia, Canberra Seattle, WA, 2008, pp. 66-7, cat. 11, ND1349.5 D59 2008 + (YCBA) [YCBA]
Mark Evans, Constable's Skies: Paintings and Sketches by John Constable, Thames & Hudson, New York, New York, p. 66-67, fig. 26, NJ18.C74 E93 2018 (LC) (YCBA) [YCBA]
Luke Herrmann, Nineteenth century British painting, Giles de la Mare, London, 2000, p. 129, col. pl. 25, ND467 H47 2000 (YCBA) [YCBA]
Robert Hoozee, L'opera completa di Constable, 98, Rizzoli, Milano, Italy, 1979, p. 118, no, 309, NJ18 C74 A12 +H66 (YCBA) [YCBA]
Mary Jacobus, Cloud studies : The visible invisible, Gramma : Journal of Theory and Culture, vol. 14, Accessed February 11, 2023, pp. 238-9, fig. 6, Freely Accessible Arts & Humanities Journals [ORBIS]
John Constable : a selection of paintings from the Collection of Mr. and Mrs. Paul Mellon, , National Gallery of Art, Washington, DC, 1969, pp. 42-43, no. 43, NJ18 C74 U5 (YCBA) [YCBA]
Leslie Parris, Constable : pictures from the exhibition, , Tate Publishing, London, UK, 1991, p. 43, pl. 39, NJ18 C74 P373 1991 (YCBA) [YCBA]
Leslie Parris, Constable, Tate Publishing, London, UK, 1991, pp. 230-1, no. 121, pl. 121, NJ18 C74 P372 1991 + (YCBA) [YCBA]
Paul Mellon's Legacy : a passion for British art [large print labels], , Yale Center for British Art, New Haven, CT, 2007, v. 3, N5220 M552 P381 2007 OVERSIZE (YCBA) [YCBA]
Graham Reynolds, The later paintings and drawings of John Constable, Yale University Press, New Haven, CT, 1984, p. 83 (v. 1), no. 21.57, pl. 262, NJ18 C74 R485 + (YCBA) [YCBA]
Michael Rosenthal, Constable, the painter and his landscape, Yale University Press, New Haven, CT, 1983, p. 167, NJ18 C74 R68 OVERSIZE (YCBA) [YCBA]
Peter D. Smith, Constable, Crown Publishers, New York, 1981, p. 49, NJ18 C74 S64 + (YCBA) [YCBA]
Basil Taylor, Constable : paintings, drawings and watercolours, , Phaidon, London, UK, 1973, p. 199, note 30, no. 63, NJ18 C74 T39 + (YCBA) [YCBA]
The Grosvenor Gallery Winter Exhibition 1889 : A second series of a century of British art from 1737 to 1837, Accessed January 10, 2023, p. 100, no. 238, HathiTrust [ORBIS]
John E. Thornes, John Constable's skies : a fusion of art and science, , University of Birmingham Press, Birmingham, UK, 1999, pp. 238-39, no. 23, pl. 105, NJ18 C74 T56 1999 (YCBA) [YCBA]
William Vaughan, John Constable, Tate Publishing, London, 2002, pp. 58, 60, no. 52, NJ18 C74 V28 2002 (YCBA) [YCBA]
William Vaughan, John Constable, Tate Publishing, London, 2015, pp. 76-78, fig. 52, NJ18.C74 V28 2015 (YCBA) [YCBA]
Pierre Wat, Constable: entre ciel et terre, Herscher, Paris, 1994, pp. 42-3, NJ18 C74 W36 1994 [ORBIS]
Giles Waterfield, Mr. Mellon, RA : the magazine for the Friends of the Royal Academy, No. 96, Autumn 2007, pp. 68-69, V 1905 (YCBA) [YCBA]