- Title:
- British Gentlemen in Rome
- Former Title(s):
Connoisseurs in Rome [1992, Sites & sensibilities: five centuries of Roman views, exhibition catalogue]
British Mi'Lords in Rome
English Connoisseurs in Rome [1964-1965, Royal Academy of Arts, London, exhibition catalogue]- Date:
- ca. 1750
- Materials & Techniques:
- Oil on canvas
- Dimensions:
- 37 1/4 × 53 inches (94.6 × 134.6 cm), Frame: 45 1/2 × 61 × 3 inches (115.6 × 154.9 × 7.6 cm)
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- B1981.25.272
- Classification:
- Paintings
- Collection:
- Paintings and Sculpture
- Link to Frame:
- B1981.25.272FR
- Subject Terms:
- arch | architectural subject | connoisseurship | conversation piece | genre subject | Grand Tour | hats | men | portrait | rocks (landforms) | sitting | swords
- Associated Places:
- Arch of Constantine | Colosseum | Italy | Lazio | Roma | Rome
- Associated People:
- Turner, Sir Charles (1727–1783), 1st Baronet, of Kirkleatham, Yorkshire
Steavans, Thomas (ca. 1728–?1759)
Lowther, Sir William (1727–1756), 3rd Baronet, of Marske, Yorkshire
Caulfeild, James, first earl of Charlemont (1728–1799), politician
Brudenell-Bruce, Thomas (1729–1814), 1st Earl of Ailesbury - Access:
- Not on view
- Link:
- https://collections.britishart.yale.edu/catalog/tms:767
- Export:
- XML
- IIIF Manifest:
- JSON
Rome! (La Boverie, 2018-04-24 - 2018-08-26) [YCBA Objects in the Exhibition]
Rome : The Legacy of an Eternal City (The University of Arizona Museum of Art, 2015-09-12 - 2016-01-24) [YCBA Objects in the Exhibition]
Giuseppe Vasi's Rome - Lasting Impressions from the Age of the Grand Tour (Jordan Schnitzer Museum of Art, 2010-09-25 - 2011-01-02) [YCBA Objects in the Exhibition]
Milltown (National Gallery of Ireland, 1997-10-15 - 1997-12-14) [YCBA Objects in the Exhibition]
Grand Tour - The Lure of Italy in the Eighteenth Century (Palazzo delle Esposizioni, Rome, 1997-02-05 - 1997-04-07) [YCBA Objects in the Exhibition]
Grand Tour - The Lure of Italy in the Eighteenth Century (Tate Britain, 1996-10-10 - 1997-01-06) [YCBA Objects in the Exhibition]
Sites and Sensibilities - Views of Rome 1500-1992 (Mount Holyoke College Art Museum, 1992-09-01 - 1992-11-08) [YCBA Objects in the Exhibition]
The Anglo-American Artist in Italy 1750-1820 (University Art Museum, Santa Barbara, 1982-04-07 - 1982-05-09) [YCBA Objects in the Exhibition]
The Pursuit of Happiness - A View of Life in Georgian England (Yale Center for British Art, 1977-04-19 - 1977-09-18) [YCBA Objects in the Exhibition]
Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20) [YCBA Objects in the Exhibition]
Andaleeb Badiee Banta, Making her mark : a history of women artists in Europe, 1400-1800, Goose Lane Editions, Fredericton, NB, 2023, pp. 144, 208, no. 107, fig. 8, N8354 .M34 2023 (YCBA) [YCBA]
Sergio Benedetti, The Milltowns, a family reunion , National Gallery of Ireland, Dublin, 1997, pp. 48-9, no. 18, fig. 18, N5247 L447 B45 1997 (YCBA) [YCBA]
Ilaria Bignamini, Digging and dealing in eighteenth-century Rome, Yale University Press, New Haven, Conn., London, 2010, p. 18, fig. 17, DG65 .B54 2010 + [ORBIS]
Jeremy Black, Italy and the grand tour, Yale University Press, New Haven, 2003, p. 156, fig. 34, DG424 B63 2003 (YCBA) [YCBA]
British paintings & works on paper, Lowell Libson Ltd., London, 2013, p. 68, 70, DealerCat Lowell Libson Ltd. (YCBA) [YCBA]
Duncan Brown, Viva Roma!: Artists and the Trip to Rome, Snoeck Publishers, Ghent, p. 77, cat. 44, N8214.5.I8 V59 2018 (LC) Oversize (YCBA) [YCBA]
Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 36-37, N590.2 A83 (YCBA) [YCBA]
English taste in the eighteenth century, from Baroque to neo-classic : winter exhibition, 1955-56. , Royal Academy of Arts, London, 1956, p. 88, no. 320, N6766 E541 (YCBA) [YCBA]
Anthony Fletcher, Gender, sex, and subordination in England 1500-1800, Yale University Press, New Haven, 1995, fig. 24, HQ1075.5 E5 F54 1995 (YCBA) [YCBA]
Lachlan Goudie, The Story of Scottish Art, Thames & Hudson, New York, p. 142, NX545.A1 G68 2020 (YCBA) [YCBA]
Mark Hallett, Reynolds : portraiture in action, The Paul Mellon Centre for Studies in British Art, New Haven, 2014, p. 75, 80, fig. no. 61, NJ18.R36 H35 2014 OVERSIZE (YCBA) [YCBA]
John T. Hayes, British Patrons and Landscape Painting 3: The Response to Nature in the Eighteenth Century, Apollo, v. 83, no. 52, June 1966, p. 444, fig. 1, N1 A54 + (YCBA) [YCBA]
Christopher Hibbert, The Grand Tour, Thames Methuen, London, 1987, p. 178, fig. 110, D907 H54 1987 (YCBA) [YCBA]
John Ingamells, A dictionary of British and Irish travellers in Italy, 1701-1800, compiled from the Brinsley Ford archive , Yale University Press, New Haven, 1997, p. 831, DG424 D53 1997 (YCBA) [YCBA]
Kirkleatham, a history of the village estate and Old Hall Museum. , Langbaurgh on Tees Museum Service, Kirkleatham [England], 1991, p. 9, DA664 K555 K57 1991 (YCBA) [YCBA]
Richard D. Leppert, Music and image, domesticity, ideology, and socio-cultural formation in eighteenth-century England , Cambridge University Press, Cambridge [Cambridgeshire] New York, 1988, p. 34, fig. 8, ML3795 L36 1988 (YCBA) [YCBA]
Michael J. McCarthy, Lord Charlemont and his circle, essays in honour of Michael Wynne , 1, Four Courts Press, Dublin Portland, OR, 2001, fig. 5.1, DA948.3 C2 L67 2001 (YCBA) [YCBA]
Margery Morgan, British Connoisseurs in Rome : Was it painted by Katherine Read?, British Art Journal, vol. 7, no. 1, Spring/Summer 2006, p. 40-44, fig. 1, N6761 B74 + (YCBA) [YCBA]
Painting in England 1700-1850 from the Collection of Mr. and Mrs. Paul Mellon, The Royal Academy of Arts Winter Exhibition 1964-65., , Royal Academy of Arts, London, UK, 1964, p. 63 (v.1), no. 229, ND466 R68 1964/65 (YCBA) [YCBA]
J. H. Plumb, The pursuit of happiness : a view of life in Georgian England : an exhibition selected from the Paul Mellon collection, , Yale Center for British Art, New Haven, 1977, pp. 36, 82, no. 30, N6766 Y34 1977 (YCBA) [YCBA]
Maria Delores Sanchez-Jauregul, The English prize, the capture of the Westmorland, an episode of the grand tour , Yale University Press, New Haven, 2012, pp. 50, 51, fig. 29, N9135 .E54 2012 + OVERSIZE (YCBA) [YCBA]
Sotheby's sale catalogue : Fine Eighteenth and Nineteenth Century Drawings and Paintings : 29 May 1963, Sotheby's, London, May 29, 1963, p. 37, lot 93, Auction Catalogues (YCBA) [YCBA]
Sotheby's sale catalogue : Fine paintings, etc. comprising English 18th century pictures . . . : 23 March 1949, Sotheby's, March 23, 1949, p. 6, lot 42, Film B12 (YCBA) [YCBA]
James Stourton, The British as art collectors, from the Tudors to the present , Scala Publishers, London, 2012, pp. 12, 13, fig. 8, N5245 S595 2012 + OVERSIZE (YCBA) [YCBA]
Roy C. Strong, The spirit of Britain, a narrative history of the arts , Hutchinson, London, 1999, p. 397, NX543 S763 1999 (YCBA) [YCBA]
Helmut Swozilek, Memorie istoriche di Maria Angelica Kauffmann Zucchi riguardanti l'arte della pittura da lei professata scritte da G.C.Z. (Giiuseppe Carlo Zucchi) Venezia MDCCLXXXVIII ¢, Bd. 2, Vorarlberger Landesmuseum, Bregenz, 1999, p. 100, fig. 38, NJ18 K218 S86 1999 + (YCBA) [YCBA]
James T. Tice, Giuseppe Vasi's Rome, lasting impressions from the age of the grand tour , Jordan Schnitzer Museum of Art, Eugene, Or. Lanham, Md., 2010, p. 184, no. 106, NJ18 V442 A12 2010 + (YCBA) [YCBA]
John L. Varriano, Sites & sensibilities, five centuries of Roman views , Mount Holyoke College Art Museum, South Hadley, MA, 1992, V 0170 (YCBA) [YCBA]
Corlette Rossiter Walker, The Anglo-American artist in Italy, 1750-1820, University Art Museum, University of California, Santa Barbara, 7 March through 9 May 1982 , University Art Museum, Santa Barbara, Santa Barbara, 1982, p. 140, no. 13, N6917 W35 (YCBA) [YCBA]
Andrew Wilton, The Grand tour, the lure of Italy in the eighteenth century , Tate Publishing, London, 1996, p. 88, no. 43, N8214.5 I8 G7 1996 + OVERSIZE (YCBA) [YCBA]
Yale University Art Gallery, Painting in England, 1700-1850, from the collection of Mr. and Mrs. Paul Mellon : [exhibition at] Yale University Art Gallery, April 15-June 20, 1965, , vol. 1, W. Clowes and sons, New Haven, 1965, pp. 1-2 (v.1), no. 4, ND466 Y35 (YCBA) [YCBA]