https://collections.britishart.yale.edu/catalog/tms:38734|A 42nd Highlander Attending a General of the 7th Hussars, possibly Henry William Bayly, first earl of Uxbridge, later first Marquess of Anglesey: a study for 'The Battle of Waterloo'|George Joneshttps://collections.britishart.yale.edu/catalog/tms:47008|A Camel Moving to the Right; a Sketch of a Camel's Head, Bottom Right|George Joneshttps://collections.britishart.yale.edu/catalog/tms:47007|A Camel Resting|George Joneshttps://collections.britishart.yale.edu/catalog/tms:47005|A Camel Resting, Side View to the Right|George Joneshttps://collections.britishart.yale.edu/catalog/tms:47003|A Camel, Facing Left, Sept. 1856|George Joneshttps://collections.britishart.yale.edu/catalog/tms:47009|A Camel, Facing Left, Sept. 3, 1850|George Joneshttps://collections.britishart.yale.edu/catalog/tms:47004|A Male Lion, Lying Down and Half Facing Right|George Joneshttps://collections.britishart.yale.edu/catalog/tms:47006|A Polar Bear, Asleep, Front View|George Joneshttps://collections.britishart.yale.edu/catalog/tms:47002|An Elephant|George Joneshttps://collections.britishart.yale.edu/catalog/tms:10726|Chantrey's Studio|George Joneshttps://collections.britishart.yale.edu/catalog/tms:47010|Figures on an Elephant and Other Elephant Studies|George Joneshttps://collections.britishart.yale.edu/catalog/tms:10725|Fire on the Thames|George Joneshttps://collections.britishart.yale.edu/catalog/tms:47012|Head of a Donkey|George Joneshttps://collections.britishart.yale.edu/catalog/tms:10724|Interior of a Blacksmith's Forge|George Joneshttps://collections.britishart.yale.edu/catalog/tms:20548|La Nuit et Le Jour (Volume of 102 lithographs)|George Joneshttps://collections.britishart.yale.edu/catalog/tms:10730|Lady Westmorland (Priscilla Anne Fane, Countess of Westmorland, nee Wellesley-Pole)|George Joneshttps://collections.britishart.yale.edu/catalog/tms:46492|Magdalen Tower and Bridge, Oxford|George Joneshttps://collections.britishart.yale.edu/catalog/tms:10729|Portentous Things|George Joneshttps://collections.britishart.yale.edu/catalog/tms:1776|Ross Castle, Killarney, Sept. 4, 1812|George Joneshttps://collections.britishart.yale.edu/catalog/tms:39108|Studies of Military Accoutrements: a study for `The Battle of Waterloo'|George Joneshttps://collections.britishart.yale.edu/catalog/tms:38723|Studies of Royal Horse Artillery Uniform, and of an A.D.C. to the Commander-in-Chief: a study for 'The Battle of Waterloo'|George Joneshttps://collections.britishart.yale.edu/catalog/tms:867|Study for 'Battle of Waterloo'|George Joneshttps://collections.britishart.yale.edu/catalog/tms:10728|Study of J.M.W. Turner Sketching|George Joneshttps://collections.britishart.yale.edu/catalog/tms:10723|Study of Sailing Ships|George Joneshttps://collections.britishart.yale.edu/catalog/tms:10720|The Blacksmith|George Joneshttps://collections.britishart.yale.edu/catalog/tms:203|The Passing of the Great Emancipation Act|George Joneshttps://collections.britishart.yale.edu/catalog/tms:47011|Two Horses Feeding: Each Seen Three-Quarters From the Rear, Facing Left|George Joneshttps://collections.britishart.yale.edu/catalog/tms:36003|Arena of Astley's Amphiteatre, Surrey Road|after George Joneshttps://collections.britishart.yale.edu/catalog/tms:35447|Arena of Astley's Amphitheatre, Surrey Road|after George Joneshttps://collections.britishart.yale.edu/catalog/tms:31498|Circe|after George Joneshttps://collections.britishart.yale.edu/catalog/tms:31499|Helen|after George Joneshttps://collections.britishart.yale.edu/catalog/tms:35963|Proscenium of the Opera House|after George Joneshttps://collections.britishart.yale.edu/catalog/tms:35964|Proscenium of the Opera House ...|after George Joneshttps://collections.britishart.yale.edu/catalog/tms:10727|Cliffs and a Cove|attributed to George Jones