https://collections.britishart.yale.edu/catalog/tms:20133|Etchings for the Art Club of London by the Etching Club: Undercliff, Number 15|Richard Redgravehttps://collections.britishart.yale.edu/catalog/tms:20135|Etchings for the Art Union of London by the Etching Club: Silver Thames, Number 17|Richard Redgravehttps://collections.britishart.yale.edu/catalog/tms:55792|Ile de la Cité, the Pont au Change, and the Conciergerie, Paris, 1837|Richard Redgravehttps://collections.britishart.yale.edu/catalog/tms:38389|School Master in Classroom [But Knowledge to their eyes her ample page rich with the spoils of time did ne'er unfold. Elegy, 1847]|Richard Redgravehttps://collections.britishart.yale.edu/catalog/tms:998|Self-Portrait|Richard Redgravehttps://collections.britishart.yale.edu/catalog/tms:1247|The Deserter's Home|Richard Redgravehttps://collections.britishart.yale.edu/catalog/tms:38388|The False Lover|Richard Redgravehttps://collections.britishart.yale.edu/catalog/tms:486|The Moorhen's Haunt|Richard Redgravehttps://collections.britishart.yale.edu/catalog/tms:2770|The Reduced Gentleman's Daughter|Richard Redgravehttps://collections.britishart.yale.edu/catalog/tms:13793|Hammersmith Suspension Bridge, The first Stone laid 7th May, 1825 by H.R.H. the Duke of Sussex, and opened [by him], [ ] Oct. 1827|after Richard Redgrave