https://collections.britishart.yale.edu/catalog/tms:926|An Unknown Man|Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:66199|Seated Woman with a Book|Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:176|Sir Edward Hales, Baronet, of Hales Place, Hackington, Kent|Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:4987|The Sense of Hearing|Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:178|The Sense of Sight|Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:177|The Sense of Smell|Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:179|The Sense of Taste|Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:180|The Sense of Touch|Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22567|A Girl Spinning Thread|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:52062|A Girl Spinning Thread|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22574|A Scene in "The Recruiting Officer"|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:23154|A Scene in the Recruiting Officer|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22577|A School of Boys|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22579|A School of Girls|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22580|A School of Girls|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22563|A Venetian Courtesan|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22757|Boy Spinning Top|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22952|Correspondence|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22583|Cupid in the Character of Bacchus|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:31736|Domestic Amusement: Playing on the Guitar|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22421|Domestic Employment: Needlework|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:31737|Domestic Employment: Washing|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:23138|Domestick Amusement: Playing the Guitar|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:23754|Domestick Employment Washing|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22657|Evening|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:9896|Head of a Woman, Study for The Bible Lesson|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:23669|Her Royal Highness, the Princess Amelia|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:23705|Her Royal Higness the Princess Carolina|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22578|Kitty Clive as Lady Easy in "The Careless Husband"|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:24036|Lady taking tea|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22570|Lady with Glass|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22267|Love Me, Love My Cat|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22947|Miss and her Kitten (Rural Life)|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22765|Mittag|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22654|Morning|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22655|Morning|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22658|Night|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22656|Noon|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:31738|Oysterinda (Native Meltons)|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:52047|Philippe Mercier|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22582|Prodigal Son with Harlots|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22948|Rural Life|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22754|Sleepy Maid|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22584|The Choice|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22565|The Dairymaid's Occupation|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22566|The Housewife's Employment|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22569|The Housewife's Employment|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:52063|The Housewife's Employment|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:23005|The Masqueraders|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22581|The Morning Rose, What Shall Poor Harpax Do!|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:23673|The Princess Royal (Princess Ann, eldest daughter of George II)|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22576|The Scytheman's Refreshment|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:31739|The Scytheman's Refreshment|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22945|The Seamstress|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22564|The Swain's Amusement|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:52065|The Swain's Amusement|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:52064|Young Male Shearing a Sheep|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:22568|Youth Playing Bagpipes|after Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:7904|A Lady and a Gentleman|formerly attributed to Philippe Mercierhttps://collections.britishart.yale.edu/catalog/tms:927|The Practical Joke|formerly attributed to Philippe Mercier