https://collections.britishart.yale.edu/catalog/tms:276|A Family Conversation Piece|Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:830|A Woman and her Child, Probably Olive Sharpe (née Cartwright) and her son John|Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:831|An Unknown Man|Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:275|An Unknown Man in Black|Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:829|Charles Penruddocke|Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:832|Sketch of a Young Girl|Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:843|Study for a Group Portrait|Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:850|The Angel of Mercy|Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:58|The Harlowe Family, from Samuel Richardson's "Clarissa"|Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:833|The Head of a Young Boy|Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:31390|A Perspective view of the East Front of Hampton Court, taken from the Park Gate|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:31389|An Oblique View of the East Front of Hampton Court, with part of garden|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:23707|Caroline (Queen of George II)|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:30763|Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:30764|Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:30765|Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:30766|Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:30768|Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:30769|Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:30770|Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:30771|Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:30773|Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:30774|Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:30776|Illustrations to Samuel Richardson's 'The Life of Pamela', illustrated by Joseph Highmore|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:54073|Mr. B. Expostulating with Pamela in the Summer house after some liberties taken Mrs. Jervis (who is seen through the window) having just before left her.|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:54072|Pamela asking the Blessing of Sr. Jacob Swinford, Mr. B's unkle, a rough old fox hunter, who after the most obstinate resolution to the contrary, relents, and becomes her great admirer, Mr. B. behind, whispering Lady Davers she having conceived the...|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:54075|Pamela dressed in order to meet Mr. B. at Sir Simon Darnford's, is prevented by the sudden arrival of Lady Davers, who forceibly detains her, & loads her with the bitterest reproaches that rage & disdain could suggest, her Nephew is looking over...|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:52143|Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;...|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:18213|Pamela is represented in this first Piece, writing in her late Lady's dressing room, her History being known only by her letters. She is here surprised by Mr. B. who improves this occasion to further his designs|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:54074|Pamela on her knees before her Father, whom she had discovered behind the door having overturned the card table in the way. Sr. Simon Darnford his Lady & c. observing her with eagerness and admiration Mr. B struck with this scene is waiting the issue.|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:52144|Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:38044|Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:54071|Pamela undressing herself (Mrs Jewkes being first got to bed) while Mr. B. disguised in the maids clothes, with the apron thrown over his face, is impatiently waiting for the execution of his plot.|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:52147|Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:52145|Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:22808|Samuel Richardson|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:31387|Sir James Thornhill|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:49156|Sir James Thornhill|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:49163|Sir James Thornhill|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:24097|Teresia Constantia Phillips|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:31388|The Diagonal Walk, fountain and canal in the Garden of Hampton Court|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:52146|The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:31393|The Pavilion Belonging to the Bowling Green at the end of the Terras Walk, at Hampton Court|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:31391|The South Front of Hampton Court with part of the garden|after Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:38699|Figures in a Tavern or Coffee House|attributed to Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:844|A Club of Gentlemen|formerly Joseph Highmorehttps://collections.britishart.yale.edu/catalog/tms:12762|Woman wearing a Feathered Headdress|formerly Joseph Highmore