Yale Center for British Art

Creator:: Tobias Stranover, 1684–after 1735, German, active in Britain
Title:: Scarlet Macaw, Yellow-naped Amazon, Eurasian Bullfinch, Blue Tit, Eurasian Jay, and Red Squirrel with Fruit
Date:: between 1710 and 1724
Materials & Techniques:: Oil on canvas
Dimensions:: 44 1/2 x 62 1/2 inches (113 x 158.8 cm)
Inscription(s)/Marks/Lettering:: Signed, lower right: "T. Stranover"
Credit Line:: Yale Center for British Art, Paul Mellon Collection
Copyright Status:: Public Domain
Accession Number:: B1981.25.614
Classification:: Paintings
Collection:: Paintings and Sculpture
Subject Terms:: botany | science | food | forest | woods | basket | parrots | animals | pears | hazelnuts | pomegranate | apples | grapes | fruits | mango | leaves | birds | squirrel
Currently On View:: On view
Exhibition History:: In a New Light: 500 Years of British Art (Yale Center for British Art, 2025-04-01 - 2026-01-30)
Love, Life, Death, and Desire: An Installation of the Center's Collections (Yale Center for British Art, 2020-10-01 - 2021-02-28)
Publications:: Malcolm Cormack, Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 216-217, N590.2 .A83 (YCBA)
Gallery Label:: Stranover’s imagined scene places British flora and fauna alongside imported species. The South American parrots are joined by animals common to Britain, all perched among fruits from the English countryside as well as the Mediterranean and the Middle East. Stranover showcases his painterly skill to create an idyllic vision of an integrated, prosperous world. In reality, however, imported commodities such as parrots and pomegranates were the fruits of exploitative systems of colonialism and capitalist trade, and were available only to the wealthiest members of the British elite. Gallery label for installation of YCBA collection, 2025
Link:: https://collections.britishart.yale.edu/catalog/tms:1079