Pen and brown ink, black ink, brown wash, gray wash, and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 12 7/8 × 9 3/4 inches (32.7 × 24.8 cm)
Inscription(s)/Marks/Lettering:
Inscribed in graphite, verso, center: "No 17 | Hogarth sitting to Ronbeliac for | his Bust"
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1975.3.805
Classification:
Drawings & Watercolors
Collection:
Prints and Drawings
Subject Terms:
genre subject | sculptor | model | depiction | artist | interior | busts
Currently On View:
Not on view
Exhibition History:
Fame and Friendship : Pope , Roubiliac , and the Eighteenth-Century Portrait Bust (Yale Center for British Art, 2014-02-20 - 2014-05-19)Fame and Friendship : Pope , Roubiliac , and the Eighteenth-Century Portrait Bust (Waddesdon (NT), 2014-06-18 - 2014-10-26)
Publications:
Malcolm Baker, The marble index : Roubiliac and sculptural portraiture in eighteenth-century Britain, The Paul Mellon Centre for Studies in British Art, New Haven, 2014, pp. 42, 187, 188, fig. 205, NB466 .B355 2014 OVERSIZE (YCBA)Diana Dethloff, Burning bright : essays in honour of David Bindman, [ Electronic Resource ] , UCL Press, London, 2015, pp. 36, 37, fig. 4.1, Available Online (ORBIS) https://discovery.ucl.ac.uk/id/eprint/1470833/Karen Junod, Writing the lives of painters, biography and artistic identity in Britain 1760-1810 , Oxford University Press, Oxford, 2011, pp. 127,131..., fig. 22, CT21 J85 2011 (YCBA)Tessa Violet Murdoch, A glimpse of the apprentice William Hogarth engraving his master's shop-bill : the sign of the angel, Silver Studies, vol. 31, 2015, pp. 63-65, V 2571 (YCBA)