Peter Gaspar Scheemakers, 1691–1781, Flemish, active in Britain (from ca. 1720)
Title:
Alexander Pope
Date:
ca. 1740
Materials & Techniques:
Marble
Dimensions:
Overall: 27 x 18 x 9 inches (68.6 x 45.7 x 22.9 cm)
Inscription(s)/Marks/Lettering:
Chiseled on front of socle: "POPE."
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1977.14.29
Classification:
Sculptures
Collection:
Paintings and Sculpture
Subject Terms:
portrait | man
Currently On View:
On view
Exhibition History:
In a New Light: 500 Years of British Art (Yale Center for British Art, 2025-04-01 - 2026-01-30)Fame and Friendship : Pope , Roubiliac , and the Eighteenth-Century Portrait Bust (Yale Center for British Art, 2014-02-20 - 2014-05-19)Fame and Friendship : Pope , Roubiliac , and the Eighteenth-Century Portrait Bust (Waddesdon (NT), 2014-06-18 - 2014-10-26)The World of Alexander Pope (Yale Center for British Art, 1988-04-08 - 1988-05-29)
Publications:
Malcolm Baker, Literary Figures, Apollo, 179, June 2014, p. 76, N1 A54+ 179:2Prof. Maynard Mack, The World of Alexander Pope, Yale University Press, New Haven, no. 20, Z8704 M37
Gallery Label:
This is one of many portrait busts produced within the lifetime of poet and translator Alexander Pope, the leading literary celebrity of his day. From his position of privilege and detachment from contemporary politics, Pope used his talents to satirize the increasingly materialistic world he inhabited. --- Scheemakers had studied antique sculpture in Rome and rendered Pope, who was also a translator of Homer’s Iliad, in a classical form, equating the eighteenth-century writer with his Greek and Roman predecessors. Imitating classical forms in both literature and art was in keeping with the Augustan fashions of the day, which saw Britain’s colonial empire mirror the omnipotence of ancient Rome. Gallery label for installation of YCBA collection, 2025