Watercolor and scratching out on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 5 1/2 x 7 3/8 inches (14 x 18.7 cm)
Inscription(s)/Marks/Lettering:
Inscribed on back in graphite lower left: "Turner | Corsica"; in graphite lower right: "J 3545"
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1986.29.235
Classification:
Drawings & Watercolors
Collection:
Prints and Drawings
Subject Terms:
clouds | city | cliffs | island | pink (color) | reflection | Grand Tour
Associated Places:
Europe | France | Corsica | Mediterranean Sea
Currently On View:
On view
Exhibition History:
J.M.W. Turner: Romance & Reality (Yale Center for British Art, 2025-03-29 - 2025-07-27)Behold the Sea (Yale Center for British Art, 2003-06-14 - 2003-09-07)Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
Publications:
Eric M. Lee, Translations : Turner and printmaking, Yale Center for British Art, New Haven, 1993, p. 43, no. 186, NJ18 .T85 L44 1993 (YCBA)
Gallery Label:
These watercolors were produced during two different European tours, one when Turner was consolidating his mature technique around 1810, and the other when this was giving way to his final, more overtly expressive style in the late 1830s. Upper Fall of the Reichenbach: Rainbow illustrates Turner’s use of special techniques for conveying visual effects. Particularly notable is the way he has used scratching out to highlight the dramatic spray of the vertiginous waterfall. This was done by scraping through drying paints, usually with his thumbnail, which he kept specially sharpened for the purpose. Monaco at Sunset from the Southwest was produced on a tour of the Mediterranean coast. The vivid palette and dense bodycolor are typical of the artist’s later watercolors but have few parallels in the works of his contemporaries. Gallery label for J. M. W. Turner: Romance and Reality (Yale Center for British Art, March - 29, 2025 - July 27, 2025)