Yale Center for British Art

Creator:
Joseph Mallord William Turner, 1775–1851, British
Title:
Christ Church Gate, Canterbury
Date:
ca. 1792–1794
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 7/8 x 10 3/4 inches (22.5 x 27.3 cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1986.29.494
Classification:
Drawings & Watercolors
Collection:
Prints and Drawings
Subject Terms:
genre subject | buildings | gates | architectural subject | clouds | horses (animals)
Associated Places:
Canterbury | Kent | United Kingdom | England | Europe
Currently On View:
On view
Exhibition History:
J.M.W. Turner: Romance & Reality (Yale Center for British Art, 2025-03-29 - 2025-07-27)

Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)

Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)

Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
Publications:
Graham Reynolds, Turner, Thames & Hudson, London, 2020, fig. 12, NJ18.T85 R49 2020 (YCBA)

Andrew Wilton, The life and work of J.M.W. Turner, Academy Editions, London, 1979, pp. 306-307, no. 54, NJ18 T85 +W577 OVERSIZE (YCBA)

Yale Center for British Art, Great British watercolors : from the Paul Mellon Collection, Yale University Press, New Haven, 2007, pp. 101-103, no. 43, ND1928 .Y35 2007 (LC)+ Oversize (YCBA)
Gallery Label:
These watercolors are among Turner’s earliest finished works, made just a few years after he began his formal training. Their dark outlines and delicate washes are typical of the topographical techniques Turner learned. But they demonstrate a unique responsiveness to surface textures, exceptional variety of line, and a strong sense of light and shade. This is even more apparent in A Great Tree, a careful study of an ancient oak in the grounds of a cottage belonging to his early patron, Dr. Thomas Monro. Gallery label for J. M. W. Turner: Romance and Reality (Yale Center for British Art, March - 29, 2025 - July 27, 2025)
Link:
https://collections.britishart.yale.edu/catalog/tms:2135