The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)
Date:
1794
Materials & Techniques:
Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Inscription(s)/Marks/Lettering:
Inscribed in graphite, lower left: "11"
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1978.43.1429
Classification:
Prints
Collection:
Prints and Drawings
Subject Terms:
sitting | shackle | men | nudes | flames | text | chain | skeleton | hammer | literary theme | blood | fire
Currently On View:
Not on view
Exhibition History:
British Vision - Observation and Imagination in British Art (Museum of Fine Arts Ghent, 2007-10-06 - 2008-01-13)William Blake (Tate Britain, 2000-11-02 - 2001-02-04)The Human Form Divine - William Blake from the Paul Mellon Collection (Yale Center for British Art, 1997-04-02 - 1997-07-06)William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)
Publications:
William Blake, Libros profe´ticos, vol. 1, Atalanta, Vilau¨r, Spain, 2013, p. 304, PR4142 .S35 2013Robert Hoozee, British vision : observation and imagination in British art, 1750-1950, , Mercatorfonds Museum voor Schone Kunsten, Brussels , Ghent, 2007, pp. 23-24, 345, no. 236, fig. 236, N6767 B78 2007 + OVERSIZE (YCBA)Peter Otto, Multiplying worlds, romanticism, modernity, and the emergence of virtual reality , Oxford University Press, Oxford, 2011, p. 198,199, fig. 8.1, PN769 R7 O77 2011 (YCBA)