Etched by Joseph Mallord William Turner, 1775–1851, BritishEngraved by Robert Dunkarton, 1744–1811, Britishafter Joseph Mallord William Turner, 1775–1851, British
Title:
Hind Head Hill
Date:
1811
Materials & Techniques:
Etching and mezzotint, printed in brown ink on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 11 × 16 1/8 inches (27.9 × 41 cm)
Inscription(s)/Marks/Lettering:
Inscribed in graphite, upper right: "17 | 12"; lower left: "25.I"; inscribed on verso in graphite, upper left: "334"; lower left: "25. I"; lower center: "Cotswold Gallery 1824. ea G.E.Blood."
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1977.14.8131
Classification:
Prints
Collection:
Prints and Drawings
Subject Terms:
sheep | landscape | hills
Currently On View:
Not on view
Exhibition History:
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)
Publications:
Timothy J. Barringer, Picturesque and sublime : Thomas Cole's trans-Atlantic inheritance, Yale University Press, New Haven and London, 2018, pp. 110-113, no. 11, NJ18 .C67 B37 2018 (YCBA)Eric M. Lee, Translations : Turner and printmaking, Yale Center for British Art, New Haven, 1993, p. 15, no. 21, NJ18 .T85 L44 1993 (YCBA)