Etched by Joseph Mallord William Turner, 1775–1851, BritishEngraved by Charles Turner, 1774–1857, Britishafter Joseph Mallord William Turner, 1775–1851, British
Title:
Norham Castle on the Tweed
Date:
1816
Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm)
Inscription(s)/Marks/Lettering:
Inscribed in graphite, lower left: "Col | 57/I"; lower right: "1"; inscribed on verso in graphite, lower left: "57. I"; lower center: "Cotswold Gallery 424. ea G.E.Blood."; lower right: "a/8"
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1977.14.8173
Classification:
Prints
Collection:
Prints and Drawings
Currently On View:
Not on view
Exhibition History:
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04)Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29)Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05)
Publications:
Timothy J. Barringer, Picturesque and sublime : Thomas Cole's trans-Atlantic inheritance, Yale University Press, New Haven and London, 2018, pp. 110-113, no. 12, NJ18 .C67 B37 2018 (YCBA)Eric M. Lee, Translations : Turner and printmaking, Yale Center for British Art, New Haven, 1993, p. 15, no. 26, NJ18 .T85 L44 1993 (YCBA)