The Poems of Thomas Gray, Design 49, "The Progress of Poesy."
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Inscription(s)/Marks/Lettering:
Inscribed in gray ink upper right: "9"; in graphite center: "x"; on verso in black ink upper left: "10"; in graphite center: "x"
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1992.8.11(25)
Classification:
Drawings & Watercolors
Collection:
Prints and Drawings
Subject Terms:
vase | infant | water | women | men | nude | girl | snakes | flames | science | children | lyre | child | mother | vessel | rainbow | keys | religious and mythological subject | key | literary theme | fairies | text | shawls | shawl | meteorology
Currently On View:
Not on view
Exhibition History:
Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (The State Hermitage Museum, 2007-10-23 - 2008-01-13)Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Virginia Museum of Fine Arts, 2007-07-11 - 2007-09-30)
Publications:
Colin Cross, Blake revealed, William Blake : Discovery of a Masterwork , Observer, vol. 12, November 21, 1971, pp. 19-23, V 1245 Detached from Observer colour magazineArnold Fawcus, Unknown Watercolours by William Blake, Illustrated London News, vol. 259, No. 6881, December 25, 1971, pp. 45-46, 49-51, Illustrated London News Historical ArchiveYale Center for British Art, Great British watercolors : from the Paul Mellon Collection, Yale University Press, New Haven, 2007, pp. 72-75, nos. 30 A & B, ND1928 .Y35 2007 (LC)+ Oversize (YCBA)
Gallery Label:
This sheet, one of the fifty-eight that Blake provided for Nancy Flaxman, illustrates Gray’s “Progress of Poesy.” On one side Blake depicts Nature emerging from the moon, lifting the veil off her face to stare into the eyes of the infant Shakespeare and present him with the golden keys that unlock the human passions. In the foreground stands a figure representing the river Avon which flows through Shakespeare’s birthplace of Stratford. On the reverse John Dryden, a poet for whom Blake had little time, receives inspiration from “Bright-eyed Fancy.” Gallery label for Great British Watercolors from the Paul Mellon Collection at the Yale Center for British Art (Yale Center for British Art, 2008-06-09 - 2008-08-17)