Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B2001.2.241
Classification:
Paintings
Collection:
Paintings and Sculpture
Subject Terms:
people | sky | flames | smoke | landscape | rural | buildings | cows | green (color) | grasses
Associated Places:
Greater London | Hampstead | England | London | United Kingdom | Europe
Currently On View:
Not on view
Exhibition History:
The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)Paul Mellon - A Cambridge Tribute (The Fitzwilliam Museum, 2007-06-12 - 2007-09-23)The Paul Mellon Bequest : Treasures of a Lifetime (Yale Center for British Art, 2001-02-17 - 2001-04-29)
Publications:
John Baskett, Paul Mellon's Legacy: a Passion for British Art: Masterpieces from the Yale Center for British Art, , Yale Center for British Art, New Haven, CT, 2007, p. 288, no. 99, ol. 99, N5220 M552 P38 2007 OVERSIZE (YCBA)Algernon Graves, Century of Loan Exhibitions 1813-1912, 5 v., London, 1913 - 1915, vol. 1, p. 199, Grosvenor Gallery 1889 no. 292, N5051 G73 OVERSIZE (YCBA)Paul Mellon's Legacy : a passion for British art [large print labels], , Yale Center for British Art, New Haven, CT, 2007, v. 3, N5220 M552 P381 2007 OVERSIZE (YCBA)Graham Reynolds, The later paintings and drawings of John Constable, Yale University Press, New Haven, CT, 1984, pp. 110-11(v.1), no. 22.49, pl. 370 (v.2), NJ18 C74 R485 + (YCBA)Duncan Robinson, Paul Mellon: a Cambridge tribute, , The Fitzwilliam Museum, Cambridge [England], 2007, pp. 31, 52, N5220 M552 P36 2007 (YCBA)Malcolm Warner, The Paul Mellon Bequest : treasures of a lifetime, , Yale Center for British Art, New Haven, CT, 2001, p. 35, N5247 M385 P28 2001 (YCBA)
Gallery Label:
From 1819 onwards Constable, his wife Maria, and their growing family spent part of every year living near Hampstead Heath, an open area of uncultivated land northwest of London. This setting spurred Constable on to a new phase of experimentation: he perfected the representation of dramatic meteorological effects, which were visible from the high ground of the Heath. To emphasize the relatively untamed wildness of the Heath, Constable often included tiny figures in the landscape. In the present example these figures are rendered with a startling economy of touch—they are composed of little more than flicks of black paint.\n\n Gallery label for An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)