Yale Center for British Art

Creator:
Joseph Mallord William Turner, 1775–1851, British
Title:
Vesuvius in Eruption
Date:
between 1817 and 1820
Materials & Techniques:
Watercolor, gum, scraping out on medium, slightly textured, cream wove paper, mounted on thick, smooth, cream wove paper
Dimensions:
Sheet: 11 1/4 x 15 5/8 inches (28.6 x 39.7 cm)
Inscription(s)/Marks/Lettering:
Inscribed in graphite, verso, on mount, center: "<37> (encircled)"; in graphite, verso, center: "Mount Vesuvius in Eruption | J M W Turner R.a 1817"
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1975.4.1857
Classification:
Drawings & Watercolors
Collection:
Prints and Drawings
Subject Terms:
landscape | smoke | mountain | boats | lava | science | volcano | geology | Grand Tour
Associated Places:
Napoli | Italy | Vesuvius | Europe | Campania
Currently On View:
Not on view
Exhibition History:
Eruptions: Pompeii and Santorini (Scuderie del Quirinale, 2019-10-05 - 2020-01-19)

The Critique of Reason : Romantic Art, 1760–1860 (Yale University Art Gallery, 2015-03-06 - 2015-07-26)

An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)

An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)

Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)

Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19)

Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20)

Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04)

Visions of Vesuvius (Museum of Fine Arts Boston, 1978-04-14 - 1978-07-16)

English Landscape (Paul Mellon Collection) 1630-1850 (Yale Center for British Art, 1977-04-19 - 1977-07-17)
Publications:
Art, Lux, et Veritas 2012, Personal Responses to Collections at Yale , Yale University Art Gallery, New Haven, 2012, pp. 38-41, V 2414:2

John Baskett, Paul Mellon's Legacy: a Passion for British Art: Masterpieces from the Yale Center for British Art, , Yale Center for British Art, New Haven, CT, 2007, p. 284, no. 89, pl. 89, N5220 M552 P38 2007 OVERSIZE (YCBA)

Martin Butlin, The paintings of J.M.W. Turner, The Paul Mellon Centre for Studies in British Art, New Haven, 1984, pp. 96-97, no. 132, pl. 136, NJ18 T85 B885 1984 OVERSIZE (YCBA)

Catalogue of the art treasures of the United Kingdom : collected at Manchester in 1857., Bradbury and Evans, London, p. 188, no. 319, N5056 .M35 M25 1857 (YCBA) Also available in Hathitrust

Emily Dickinson Museum, Angles of a Landscape, Emily Dickinson: Seeing New Englandly , 2010, Not Available at Yale

A. J. Finberg, The life of J. M. W. Turner, R.A. : with a supplment by Hilda F. Finberg, , Clarendon Press, Oxford, 1961, pp. 273-4, 482, no. 256, NJ18 T85 F55 1961 (YCBA)

Norbert Göttler, Eine rechte Malerluft, ein wahres Malerlicht, Künstlerkolonien, Malerorte und pittoreske Landpartien in Oberbayern , Bayerland, Dachau, 2011, pp. 8-10, Not Available at Yale

J. M. W. Turner : A selection of paintings and watercolors in the Yale Center for British Art, New Haven, 1983, pp. 10, 14, no. 12, pl. 10, NJ18 .T85 C68 + Oversize (YCBA)

Jonathan Mayne, Taste in Water-Colour, Apollo, v. 77, no. 14, April 1963, p. 293, fig. 6, N1 A54 + (YCBA) Second copy available in Vertical File : V1168

Painting in England 1700-1850 : collection of Mr. & Mrs. Paul Mellon : Exhibition at the Virginia Museum of Fine Arts, , 1,2, Virginia Museum of Fine Arts, Richmond, VA, 1963, p. 95, no. 142, ND466 V57 v.1-2 (YCBA)

Paul Mellon's Legacy : a passion for British art [large print labels], , Yale Center for British Art, New Haven, CT, 2007, v. 2, no. 89, N5220 M552 P381 2007 OVERSIZE (YCBA)

Eric Shanes, The life and masterworks of J.M.W. Turner, Parkstone Press, New York, 2008, p. 135, NJ18 T85 S441 2008 + OVERSIZE (YCBA)

The critique of reason : Romantic art, 1760-1860 : March 6-July 26, 2015, Yale University Art Gallery, Yale University Art Gallery, New Haven, 2015, [pp. 2-3], fig. 2, V 2574 (YCBA)

Walter Thornbury, Life of J.M.W. Turner , R.A. founded on letters and papers furnished by his friends and fellow-academicians, with 8 coloured illustrations after Turner's originals and 2 woodcuts , Chatto & Windus, London, 1904, p. 590, NJ18 T85 T38 1904 (YCBA)

Raleigh Trevelyan, The shadow of Vesuvius : Pompeii AD 79, London, 1976, pp. 82-3, 127, fig. 61, DG70 .P4 T73 (SML)

Ian Warrell, J.M.W. Turner : the making of a master, Tate Publishing, London, 2013, pp. 149, 152, fig. 53, NJ18.T85 T3652 2013 (YCBA)

Ian Warrell, J.M.W. Turner, Tate Publishing, London, 2007, p. 255, fig. 58, NJ18 T85 A12 2007 + (YCBA)

L. Pearce Williams, Album of science : The nineteenth century, Scribner, New York, 1978, pp. 141-3, fig. 217, Q125.6 .W54 1978 + Oversize (LSF)

Andrew Wilton, The life and work of J.M.W. Turner, Academy Editions, London, 1979, pp. 137, 381, No. 697, pl. 145, NJ18 T85 +W577 OVERSIZE (YCBA)
Gallery Label:
Joseph Mallord William Turner’s dramatic representation of Mount Vesuvius is one of numerous artistic iterations of erupting volcanoes from the late eighteenth to the early nineteenth century. Turner visited Naples and ascended Vesuvius in 1819; however, he never witnessed an eruption firsthand and this composition likely preceded his Italian sojourn. His imagined conception of the natural disaster reflects an interest in the aesthetics of the sublime as well as a subtle awareness of breakthroughs in geology. The study of volcanoes in the eighteenth century contributed to a paradigmatic shift in the scientific community, specifically surrounding the age of the earth and the evolution of its landmasses. Gallery label for the Critique of Reason: Romantic Art (Yale Center for British Art, 2015-03-06 - 2015-07-26)
Link:
https://collections.britishart.yale.edu/catalog/tms:5472