Joseph Mallord William Turner, 1775–1851, Britishand Thomas Girtin, 1775–1802, Britishafter John Robert Cozens, 1752–1797, British
Title:
A River View near Grindelwald, Looking towards the Wetterhorn
Date:
ca. 1794–7
Materials & Techniques:
Watercolor, graphite, and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 1/2 x 14 7/8 inches (24.1 x 37.8 cm)
Inscription(s)/Marks/Lettering:
Inscribed on verso in graphite, upper right: "44"; lower right: "TURNER, J. : | GRINDELWALD"; lower right: "Near Grindelwald"
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1975.3.1246
Classification:
Drawings & Watercolors
Collection:
Prints and Drawings
Subject Terms:
landscape | mountains | hills | rivers | clouds
Associated Places:
Switzerland | Grindelwald | Bern | Europe
Currently On View:
On view
Exhibition History:
J.M.W. Turner: Romance & Reality (Yale Center for British Art, 2025-03-29 - 2025-07-27)Thomas Girtin (Yale Center for British Art, 1986-01-21 - 1986-03-30)The Art of Alexander and John Robert Cozens (Yale Center for British Art, 1980-09-17 - 1980-11-16)
Publications:
John Gage, J.M.W. Turner : "A wonderful range of mind", Yale University Press, New Haven, CT, 1987, p. 29, fig. 40, NJ18 T85 G36 (LC) (YCBA)Susan Morris, Thomas Girtin, 1775-1802, Yale Center for British Art, New Haven, 1986, p. 49, no. 115, NJ18 .G44 M67 (LC) (YCBA)Andrew Wilton, The Art of Alexander and John Robert Cozens, Yale Center for British Art, New Haven, 1980, p. 60, no. 170, pl. 58, NJ18 C83 W55 OVERSIZE (YCBA)
Gallery Label:
These watercolors are copies of works by John Robert Cozens, perhaps the most accomplished of the previous generation of landscape watercolorists, and another unknown artist. They are collaborative productions, created under the supervision of Dr. Thomas Monro, who owned the originals. Seeking to make use of the particular talents of the artists he employed, Monro asked Turner’s contemporary Thomas Girtin to draw the outlines and Turner himself to add definition and tone through elaborate watercolor washes. These examples clearly show Cozens’s influence in their increasing use of carefully graduated color to give more richness and subtlety of effect to the landscapes depicted. Gallery label for J. M. W. Turner: Romance and Reality (Yale Center for British Art, March - 29, 2025 - July 27, 2025)