An American's Passion for British Art - Paul Mellon's Legacy (Yale Center for British Art, 2007-04-18 - 2007-07-29)An American's Passion for British Art - Paul Mellon's Legacy (Royal Academy of Arts, 2007-10-20 - 2008-01-27)Paul Mellon's Legacy : A Passion for British Art (Yale Center for British Art, 2007-04-18 - 2007-07-29)Thomas Rowlandson from the Paul Mellon Collection (National Sporting Library and Museum, 2005-04-14 - 2005-06-10)The Line of Beauty : British Drawings and Watercolors of the Eighteenth Century (Yale Center for British Art, 2001-05-19 - 2001-08-05)The Burlington Fine Art and Antique Dealers' Fair Ltd. (Royal Academy of Arts, 1982-03-12 - 1982-03-21)Bernard Berenson and the Connoisseurship of Early Italian Painting (National Gallery of Art, 1979-01-21 - 1979-05-13)Rowlandson Drawings from the Paul Mellon Collection (Yale Center for British Art, 1977-11-16 - 1978-01-15)Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)English Drawings and Watercolors from the collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)
Publications:
A loan exhibition of English drawings and watercolours from the collection of Mr and Mrs Paul Mellon of Upperville, Virginia, P. & D. Colnaghi & Co., London, 1964, cat. no. 26, N5247.M385 L62 (YCBA)Archibald Alison, Essays on the nature and principles of taste, Dublin, 1790, p. 1, Available online in OrbisJohn Baskett, Paul Mellon's Legacy: a Passion for British Art: Masterpieces from the Yale Center for British Art, , Yale Center for British Art, New Haven, CT, 2007, p. 273, no. 66, pl. 66, N5220 M552 P38 2007 OVERSIZE (YCBA)Ann Bermingham, The consumption of culture, 1600-1800, Image, object, text , Routledge (Taylor & Francis Group), New York, 1995, p. 503, DA485 C667 1995 (YCBA)John Brewer, The pleasures of the imagination : English culture in the eighteenth century, HarperCollins, London, 1997, pp. 279-81, fig. 101, DA485 .B74 1997 (YCBA)David Alan Brown, Berenson and the connoisseurship of Italian painting : A handbook to the exhibition, National Gallery of Art, Washington, DC, 1979, p. 31, no. 66, ND615 .B46 (YCBA)Vic Gatrell, The first bohemians, life and art in London's golden age , Allen Lane, London, 2013, p. 218, pl. 14, NX544.L6 G37 2013 (YCBA)Kay Dian Kriz, Slavery, sugar, and the culture of refinement: picturing the British West Indies, 1700-1840, Yale University Press, New Haven, CT, p. 92, fig. 45, N8214.5.W38 K75 2008 (LC) (YCBA)Paul Mellon's Legacy : a passion for British art [large print labels], , Yale Center for British Art, New Haven, CT, 2007, v. 2, no. 66, N5220 M552 P381 2007 OVERSIZE (YCBA)Ronald Paulson, Rowlandson : A new interpretation, Oxford University Press, New York, 1972, pp. 83-5, ill. 48, NJ18 .R79 P38 (YCBA)Deanna Petherbridge, The primacy of drawing : Histories and theories of practice, , Yale University Press, New Haven, 2010, pp. 370-71, pl. 274, NC53 P48 2010 + (YCBA)John Riely, Rowlandson drawings from the Paul Mellon Collection, Yale Center for British Art, New Haven, 1977, pp. 27-8, no. 37, pl. XXII, NJ18 .R79 R68 (LC) (YCBA)Scott Wilcox, Line of beauty : British drawings and watercolors of the eighteenth century, , Yale Center for British Art, New Haven, CT, 2001, p. 181, no. 154, NC228 W53 2001 (YCBA)Yale University Art Gallery, English drawings and watercolors, from the collection of Mr. and Mrs. Paul Mellon, April 15 - June 20, 1965 , New Haven, 1965, cat. no. 26, NC228 Y34 (YCBA)