Hendrick van Steenwyck the Younger, ca. 1580–1649, Flemish, active in Britain from 1617
Title:
The Liberation of St Peter
Date:
1617
Materials & Techniques:
Oil on copper
Dimensions:
13 3/4 × 16 1/8 inches (34.9 × 41 cm)
Inscription(s)/Marks/Lettering:
signed and dated on the wall, beneath the candle, center left: "H.V.S / 1617"
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Copyright Status:
Public Domain
Accession Number:
B2017.2
Classification:
Paintings
Collection:
Paintings and Sculpture
Subject Terms:
apostle | miracle | religious and mythological subject | New Testament | angel
Currently On View:
Not on view
Exhibition History:
Captive Bodies: British Prisons, 1750-1900 (Yale Center for British Art, 2018-08-27 - 2018-12-17)
Publications:
Katie Bank, Reviewed work : Composing community in late Medieval music : Self-reference, pedagogy, and practice, by Jane D. Hatter, Fortes Artis Musicae, vol. 67, Accessed January 28, 2023, p. 259, Academic Search PremierChristie's sale catalogue : Old pictures . . . ancient and modern paintings and drawings. . . : 29 April 1949, Christie's, April 29, 1949, p. 6, lot 39, Fiche B51 (YCBA)Jeremy Howarth, The Steenwyck family as masters of perspective : Hendrick Van Steenwyck the Elder (c. 1550-1603), Hendrick Van Steenwyck the Younger (1580 / 82-1649), Susanna Van Steenwyck (dates unknown--active 1639-c.1660), Turnhout, Brepols, 2009, pp. 214, 489, no. II.C21, NJ18 .St354 H69 2009 (YCBA)Sir Oliver Millar, Abraham van der Doort's catalogue of the collection of Charles I, Volume of the Walpole Society, vol. 37, 1958-1960, p. 84, no. 41, N12 .W35 A1 Oversize (YCBA)Nancy Mintz, In the eye of the beholder : Northern Baroque paintings from the collection of Henry H. Weldon, New Orleans Museum of Art, New Orleans, 1997, pp. 134-5, no. 52, N6415 .B3 M55X 1997 + Oversize (LSF)Reviewed work The Steenwyck Family as Masters of Perspective. . . by Jeremy Howarth, Sixteenth Century Journal, vol. 42, Accessed January 28, 2023, p. 166, Single JournalsKeith Roberts, London, Burlington Magazine, vol. 113, December 1971, p. 754, N1 .B87 Oversize (YCBA)
Gallery Label:
This painting depicts an episode from the Acts of the Apostles (12:3–19) when St. Peter, imprisoned by Herod Agrippa in Jerusalem, was miraculously freed by an angel. The tiny figure of St. Peter can just be seen making his escape in the background, eluding the sleeping guards. This story provided Hendrick van Steenwyck with the opportunity to depict complex architectural forms dramatically illuminated by candle and firelight; in this case an imagined prison with a repeating groin-vaulted ceiling. The Liberation of St Peter was Steenwyck’s most popular subject, and the artist made over seventy versions for connoisseurs connected to the court of James I. This picture is dated 1617, the year that Steenwyck arrived in London from the Netherlands. He soon established his reputation and was one of the first artists in Britain to sustain a career making works of art in genres other than portraiture. Gallery label for A Decade of Gifts and Acquisitions (Yale Center for British Art, 2017-06-01 - 2017-08-13)