A Muntjac and Fawn with a Pair of Paradise Flycatchers (T.p. paradisi) in Ceylon
between 1808 and 1811
3615
Robert Dighton, 1752–1814
Coits Played opposite the Horns, Kennington Common
ca. 1784
3616
Robert Dighton, 1752–1814
Foot Ball played at Market Place, Barnet
ca. 1784
3617
Robert Dighton, 1752–1814
Cricket played by the Gentlemens Club, Whiteconduit House
1784
3618
Robert Dighton, 1752–1814
Fives played at the Tennis court Leicester Fields
ca. 1784
3619
Robert Dighton, 1752–1814
Four Corners Played at the Swan, Chelsea
ca. 1784
3620
Robert Dighton, 1752–1814
Trap Ball Played at the Black Prince, Newington, Butts
ca. 1784
3621
Samuel Howitt, 1756–1822
Leopards at Play Among Fallen Trees and Rocks
ca. 1807
3622
Sir Edwin Henry Landseer, 1802–1873
An Irish Wolfhound
undated
3623
Attributed to John Leech, 1817–1864
The Hunting Doctor
undated
3624
Philip William May, 1864–1903
A Man and a Boy Riding on a Beach
undated
3625
Thomas Rowlandson, 1756–1827
Providence—The Protection of Drunken Men
ca. 1784
3626
John Ruskin, 1819–1900
Study of an Oak Leaf
undated
3627
Gangaram Chintaman Navgire Tambat, active 1790s
A Rhinoceros in the Peshwa's Menagerie at Poona
1790
3628
Sir David Wilkie, 1785–1841
King Charles Spaniel
1835
3629
David Cox, 1783–1859
Landscape with a Man Washing His Feet at a Fountain, after Poussin
ca. 1821
3630
John Glover, 1767–1849
St. Davids Head, Pembrokeshire
ca. 1805
3631
Thomas Rowlandson, 1756–1827
The Launching of a Ship
ca. 1800
3632
Rev. James Bulwer, 1794–1879
[One from] A Volume of Drawings and Prints
1837
3633
George Birch, 1842–1904
Sections of Room under Painted Chamber
1827
3634
Thomas Rowlandson, 1756–1827
The Vicar Selling his Horse
ca. 1817
3635
unknown artist
The Pottery Shop
undated
3636
Thomas Rowlandson, 1756–1827
The Enraged Vicar
undated
3637
Willey Reveley, 1760–1799
Views in the Levant: The Colossus of Barletta
ca. 1785
3638
Thomas Rowlandson, 1756–1827
A Dead Horse on a Knacker's Cart
undated
3639
Thomas Rowlandson, 1756–1827
Women Drinking Punch
undated
3640
Thomas Rowlandson, 1756–1827
Jack Bannister in his Dressing Room
1783
3641
Thomas Rowlandson, 1756–1827
A Legal Wrangle
undated
3642
Robert Smirke, 1752–1845
Illustration for an Eastern Romance, possibly "The Arabian Nights", with Kneeling Female Figure at Right)
undated
3643
Robert Smirke, 1752–1845
Olivia and Maria
1822
3644
Robert Smirke, 1752–1845
Illustration for Shakespeare's " A Winter's Tale" or '"Cymbeline"
undated
3645
Thomas Rowlandson, 1756–1827
A Park Scene
undated
3646
Thomas Rowlandson, 1756–1827
A Mother and Child
undated
3647
Sir Richard Colt Hoare, 1758–1838
One from a volume of 66 in "Views Drawn from Nature in the Neighborhood of Rome and Abruzzo etc. by Sir Richard Colt Hoare Bart. In the Years 1786 to 1790"
between 1773 and 1838
3648
Thomas Rowlandson, 1756–1827
Modern Grace...The Ballet of Alonzo e Cara
1796
3649
Thomas Rowlandson, 1756–1827
Parisian Street Figures
1786
3650
Thomas Rowlandson, 1756–1827
A Phaeton and Six
undated
3651
Thomas Rowlandson, 1756–1827
A View at Blackwall
undated
3652
Thomas Rowlandson, 1756–1827
A Group of Five Bulls about to Fight
ca. 1810
3653
Thomas Rowlandson, 1756–1827
The Riding School
undated
3654
Thomas Rowlandson, 1756–1827
Southhampton, the Watergate and Globe Inn
undated
3655
Thomas Rowlandson, 1756–1827
The Preacher
1800 to 1810
3656
Thomas Rowlandson, 1756–1827
Female Dancer with a Tambourine
between 1790 and 1795
3657
Thomas Rowlandson, 1756–1827
'Slender Billy' Taking Refreshment
undated
3658
Thomas Rowlandson, 1756–1827
Taunting with Smoke from a Pipe
1823
3659
Thomas Rowlandson, 1756–1827
Horsemen Colliding
between 1785 and 1790
3660
Thomas Rowlandson, 1756–1827
A Maiden Aunt Smelling Fire
1804
3661
Thomas Rowlandson, 1756–1827
Mr. Drummond's Cottage, East Cowes, Isle of Wight
between 1797 and 1800
3662
Thomas Rowlandson, 1756–1827
A Gibbet
undated
3663
Thomas Rowlandson, 1756–1827
View of the Market Place at Juliers in Westphalia
1791
3664
Thomas Rowlandson, 1756–1827
The Ivory Coast, West Africa
between 1810 and 1815
3665
Thomas Rowlandson, 1756–1827
Bodmin Moor
ca. 1825
3666
Thomas Rowlandson, 1756–1827
New Shoes
undated
3667
Thomas Rowlandson, 1756–1827
George Moser
ca. 1815
3668
Thomas Rowlandson, 1756–1827
Three Horses in Stalls
undated
3669
Thomas Rowlandson, 1756–1827
A Waggoner
undated
3670
Thomas Rowlandson, 1756–1827
The Toll-Gate
undated
3671
Thomas Rowlandson, 1756–1827
Studies of George III and Statesmen
undated
3672
Thomas Rowlandson, 1756–1827
Dr. Syntax Visits a Boarding School for Young Ladies
1821
3673
Thomas Rowlandson, 1756–1827
Dr. Syntax Bound to a Tree by Highwaymen
1820
3674
Thomas Rowlandson, 1756–1827
Caernarfon Castle
undated
3675
Thomas Rowlandson, 1756–1827
Dr Syntax outside the Halfway House
1821
3676
Thomas Rowlandson, 1756–1827
Gypsies Cooking on an Open Fire
undated
3677
Thomas Rowlandson, 1756–1827
Cottage in a Forest Clearing
undated
3678
Thomas Rowlandson, 1756–1827
Visitors Inspecting Abbey Ruins
undated
3679
Thomas Rowlandson, 1756–1827
Reflections, or the Music Lesson
undated
3680
Thomas Rowlandson, 1756–1827
River Scene with Small Boats
undated
3681
Thomas Rowlandson, 1756–1827
Limbourg, Belgium
between 1791 and 1792
3682
Thomas Rowlandson, 1756–1827
A Potter Going Out
between 1815 and 1820
3683
Thomas Rowlandson, 1756–1827
Ladies at Tea
between 1790 and 1795
3684
Thomas Rowlandson, 1756–1827
The South Gate, Exeter
undated
3685
Thomas Rowlandson, 1756–1827
The Farmyard
undated
3686
Thomas Rowlandson, 1756–1827
Scene outside the Half-Moon Inn
undated
3687
Thomas Rowlandson, 1756–1827
Loading a Stage-Coach
undated
3688
Thomas Rowlandson, 1756–1827
Ploughing
undated
3689
Thomas Rowlandson, 1756–1827
'The Doctor is so Severely Bruised that Cupping is Judged Necessary'