Materials & Techniques: wove paper / Height [cm]: 18 / Width [cm]: 23

Joseph Mallord William Turner, 1775–1851

Coast Scene with White Cliffs and Boats on Shore

undated

Joseph Mallord William Turner, 1775–1851

Villa in a Valley near Vietri sul Mare

ca. 1794

Print made by William Blake, 1757–1827

The Man Sweeping the Interpreter's Parlour

ca. 1822

Print made by William Blake, 1757–1827

William Cowper

1803-1804

Robert Smirke, 1752–1845

Allegorical Sketch of Victory

undated

Print made by David Lucas, 1802–1881

Castle Acre Priory

1830 to 1831

Print made by John Sell Cotman, 1782–1842

Tan-y-Bwlch, Merionethshire, North Wales

between 1810 and 1817

Print made by John Sell Cotman, 1782–1842

Castle Above a Rocky Gorge

undated

Print made by Samuel Cousins, 1801–1887

Master Henry Thomas Hope

1836

James Sowerby, 1756–1822

Quagga Zebra

ca. 1824

Charles Hamilton Smith, 1776–1859

River Landscape

undated

Print made by Robert Wallis, 1794–1878

Palais at Blois

1833

Print made by Robert Brandard, 1805–1862

Beaugency

1833

Print made by Thomas Jeavons, ca. 1800–1867

Canal of the Loire and Cher, near Tours

1833

Print made by Thomas Higham, 1796–1844

Orleans

1833

Print made by Robert Brandard, 1805–1862

Tours

1833

Print made by Robert Brandard, 1805–1862

Blois

1933

Print made by James Tibbits Willmore, 1800–1863

Saumur

1833

Print made by William Radclyffe, 1780–1855

St. Julian's, Tours

1833

Print made by Robert Wallis, 1794–1878

Tours, Looking Backwards

1833

Print made by Robert Brandard, 1805–1862

St. Florent

1833

Print made by Robert Brandard, 1805–1862

Rietz, near Saumur

1833

Print made by Robert Brandard, 1805–1862

Château Hamelin

1833

Print made by Robert Wallis, 1794–1878

Scene on the Loire

1833

Print made by Robert Wallis, 1794–1878

Coteaux de Mauves

1833

Print made by William Miller, 1796–1882

Between Clairmont and Mauves

1833

Print made by William Miller, 1796–1882

Château de Nantes

1833

James Duffield Harding, 1798–1863

Gorge du Mont Terrible

undated

Print made by Francesco Bartolozzi, 1728–1815

Funeral Card of Sir Joshua Reynolds

1792

Capt. Thomas Hastings, 1778–1854

Near Saint Lawrence, Isle of Wight, December 1826

1826

Capt. Thomas Hastings, 1778–1854

Looking over Crummock Water, August 1835

1835

Capt. Thomas Hastings, 1778–1854

Crummock Water, August 1835

1835

Print made by James Tibbits Willmore, 1800–1863

Montjen

1833

unknown artist

Hungerford Market

1805

Print made by Pierre Simonau, active 1815–1830

Battersea Church, South West

between 1830 and 1850

James Sowerby, 1756–1822

Two Weasels

undated

Print made by William Finden, 1787–1852

The Drachenfels

1832-1834

attributed to James Ward, 1769–1859

A Cottage Wall and Window

undated

Attributed to William Watts, 1752–1851

Cranbourne Lodge

undated

Henry Thomas Alken, 1785–1851

"Scraps", no. 22: Hunting, Unkennelling with Two Riders Watching

undated

Henry Thomas Alken, 1785–1851

"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds

1823

Henry Thomas Alken, 1785–1851

Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week

between 1818 and 1822

Henry Thomas Alken, 1785–1851

Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt

between 1818 and 1822

Henry Thomas Alken, 1785–1851

Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,

between 1822 and 1827

Henry Thomas Alken Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory.

Henry Thomas Alken, 1785–1851

Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory

between 1822 and 1827

Henry Thomas Alken, 1785–1851

Symptoms: of The Manager's Judgment, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed

between 1822 and 1827

Henry Thomas Alken, 1785–1851

Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,

between 1822 and 1827

Henry Thomas Alken Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark.

Henry Thomas Alken, 1785–1851

Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark

between 1822 and 1827

Samuel Howitt, 1756–1822

Coursing: Setting Out

1794

Samuel Howitt, 1756–1822

Coursing: The Kill

1794

Print made by James C. Allen, active 1821–1831

Penzance, Cornwall

1833

James Ward, 1769–1859

Hereford Boar

ca. 1803

Thomas Rowlandson, 1756–1827

A Saddled Cavalry Horse

undated

Print made by Ernest Stephen Lumsden, 1883–1948

Entrance to Altar of Heaven

1911

Print made by John Pye, 1782–1874

Pope's Villa

1811

Print made by Thomas Chambars, ca. 1724–1789

Robert van Voerst

1771

Alexander Bannerman, ca. 1730–1780

Van Son

1762

Print made by Edward Francis Finden, 1791–1857

Tomb of Cecilia Metella, Rome

1832-1834

Alexander Bannerman, ca. 1730–1780

Francis Wouters

undated

Alexander Bannerman, ca. 1730–1780

John Wyck and Thomas Wyck

undated

Print made by James Bretherton, ca. 1730–1806

Frederick Zincke and Liotard

1762

Alexander Bannerman, ca. 1730–1780

Gerard Zoust, Edema and Grifiere

undated

Thomas Daniell, 1749–1840

Architectural Ornaments

undated

Alexander Bannerman, ca. 1730–1780

Van Diest and Le Piper

undated

Print made by Thomas Chambars, ca. 1724–1789

William van der Velde, Junior

undated

Alexander Bannerman, ca. 1730–1780

La Soeur

undated

Print made by Thomas Chambars, ca. 1724–1789

Sir Antonio More

undated

Alexander Bannerman, ca. 1730–1780

George Jamesone

undated

Engraved by John Pye, 1782–1874

Pope's Villa

1810

Print made by Edward Francis Finden, 1791–1857

Temple of Minerva, Cape Colonna

ca. 1832

Print made by Edward Francis Finden, 1791–1857

Tomb of Cecilia Metella, Rome

1833

Print made by William Finden, 1787–1852

Rhodes

1833

Print made by William Finden, 1787–1852

The Drachenfels

1833

Conrad Gessner, 1764–1826

A Horse, Dog and Figures outside a Cottage

undated

John Linnell, 1792–1882

View from Mr. Sheppard's Window, The Ridge, Gloucestershire

undated

Dr. Thomas Monro, 1759–1833

Composition inspired by Richard Wilson's Paintings of Cader Idris

undated

Monro School

Santa Giustina at Padua

ca. 1820

Engraved by John Pye, 1782–1874

Pope's Villa

1810

Print made by John Greig, active 1803–1853

Windsor from the Forest, Berks

1804

Print made by James C. Allen, active 1821–1831

Addingham Mill on the Warfe

1821

Edward Francis Burney, 1760–1848

Norbury Park

undated

Edward Francis Burney, 1760–1848

View at Margate

undated