Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
1789
3
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
1789
4
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
1789
5
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
1794
6
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
1789
7
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
1789
8
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
1789
9
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
1789
10
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
1794
11
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
1794
12
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)
1794
13
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)
1794
14
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)
1794
15
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
1794
16
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
1789
17
Samuel Prout, 1783–1852
A Stiff Breeze
ca. 1805
18
Sir David Wilkie, 1785–1841
Shopping in the Rows, Chester
1837
19
Sir David Wilkie, 1785–1841
Scene from Quentin Durward
1833
20
Conrad Gessner, 1764–1826
A Horse, Dog and Figures outside a Cottage
undated
21
Theodor von Holst, 1810–1844
A Sheet of Sketches - Theatrical Studies
undated
22
William Henry Harriott, active 1811, died 1839
Fish Market, Hastings
1824
23
Michel Jean Cazabon, 1813–1888
Avenue and Entrance to St. James Barracks
1857
24
unknown artist
Port
undated
25
unknown artist
Church Interior
undated
26
unknown artist
Three Men
undated
27
Sir David Young Cameron, 1865–1945
Via ai Prati, Genoa [North Italian Set: No. 8]
1896
28
Print made by Charles William Cain, 1893–1962
Loading Dates
undated
29
Cornelius Varley, 1781–1873
A Horse pulling a Drag
undated
30
George Fennell Robson, 1788–1833
The Murder of Banquo
ca. 1830
31
Michael "Angelo" Rooker, 1746–1801
The Market Square, Bury St. Edmunds
undated
32
Attributed to Sir David Wilkie, 1785–1841
On the Pier, Calais
ca. 1810
33
George Sidney Shepherd, 1784–1862
The Times and Evening Mail Office
1811
34
Sir Walter Westley Russell, 1867–1949
Judgement Day at the RA
undated
35
Print made by Robert Spence, 1871–1964
George Fox Talks to the People About Dreams
between 1890 and 1911
36
Thomas Rowlandson, 1756–1827
Scene Outside an Inn
undated
37
Thomas Rowlandson, 1756–1827
A Village Scene outside a Church
undated
38
Alexander Bannerman, ca. 1730–1780
Talman, Sir Ralph Cole, and Marco Ricci
undated
39
Charles Grignion, 1717–1810
Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV
undated
40
Alexander Bannerman, ca. 1730–1780
Sevonyans and Herbert Tuer
1762
41
Alexander Bannerman, ca. 1730–1780
John van Belcamp and Geldorp
undated
42
Leopold Flameng, 1831–1911
Van Dyck et Son Protecteur le Comte de Bristol
undated
43
Lionel Edwards, 1878–1966
`Now then! Are you ready?'
1905
44
Print made by Robert Spence, 1871–1964
George Fox Is Stoned by the Crowd at Walney Island
between 1890 and 1911
45
Print made by Robert Spence, 1871–1964
George Fox and Captain Keat
between 1890 and 1911
46
Print made by Sir Charles D'Oyly, 1781–1845
A Punca Bearer
ca. 1830
47
Upper print made by unknown artist
King Leopold's Public Entry into Brussels and Weighing Cotton at Bombay for the English Market; Page from Illustrated London News
1862
48
unknown artist
Boscastle Pier on the Coast of Cornwall
after 1814
49
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
50
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
51
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
52
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
undated
53
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
54
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
55
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
56
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
57
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
58
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark
between 1822 and 1827
59
Charles Cooper Henderson, 1803–1877
A Hay Wagon Drawn by Four Horses
undated
60
Samuel Howitt, 1756–1822
Coursing: Setting Out
1794
61
Samuel Howitt, 1756–1822
Coursing: The Kill
1794
62
Print made by George Cruikshank, 1792–1878
Jack Sheppard Committing the Robbery in Willesden Church
1839
63
Print made by George Cruikshank, 1792–1878
Audacity of Jack Sheppard
1839
64
Print made by George Cruikshank, 1792–1878
Jack Sheppard Tricking Shotbolt, the Gaoler
1839
65
Print made by George Cruikshank, 1792–1878
Jonathan Wild Seizing Jack Sheppard at his Mother's Grave in Willesden Church Yard
1839
66
Print made by George Cruikshank, 1792–1878
The Last Scene: 'Jack Sheppard's Farewell to Mr Wood / Blueskin cutting down Jack Sheppard / The Body of Jack Sheppard carried off by the Mob'
1839
67
Print made by George Cruikshank, 1792–1878
Mr. Wood Offers to Adopt Little Jack Sheppard
1835
68
Print made by George Cruikshank, 1792–1878
The Murder on the Thames
1839
69
Print made by George Cruikshank, 1792–1878
Jack Sheppard's Escape from the Cage at Willesden
1839
70
Print made by George Cruikshank, 1792–1878
Jack Sheppard Accuses Thames Darrell of the Theft
1839
71
Print made by George Cruikshank, 1792–1878
Jack Sheppard's Irons Knocked off in the Stone Hall at Newgate
1839
72
William Hamilton, 1751–1801
The Return from Coursing
undated
73
Print made by George Cruikshank, 1792–1878
Jack Sheppard Exhibits a Vindictive Character
1835
74
Print made by George Cruikshank, 1792–1878
"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"
1839
75
Print made by George Cruikshank, 1792–1878
Jonathan Wild Throwing Sir Rowland Trenchard Down the Well-Hole
1839
76
Print made by George Cruikshank, 1792–1878
The Name on the Beams
1839
77
Print made by George Cruikshank, 1792–1878
Jack Sheppard and Blueskin in Mr. Woods Bedroom
1839
78
Alexander Bannerman, ca. 1730–1780
Sir Toby Matthews
undated
79
Alexander Bannerman, ca. 1730–1780
Peter Vander Meulen
undated
80
Alexander Bannerman, ca. 1730–1780
Van Diest and Le Piper
undated
81
Henry Thomas Alken, 1785–1851
"Scraps", no. 22: Hunting, Unkennelling with Two Riders Watching
undated
82
Henry Thomas Alken, 1785–1851
"Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
undated
83
Henry Thomas Alken, 1785–1851
Symptoms: of a Few Neat Ones going to a Mill, of Returning from the Epping Hunt
between 1818 and 1822
84
Henry Thomas Alken, 1785–1851
Symptoms: of Being Bang Up, of a Fine Woman, of Being Bang Down, Of a Quiet One
between 1818 and 1822
85
Henry Thomas Alken, 1785–1851
Symptoms: of Full Pay, of Half pay, of a strong attachment in the Dog, of anything but go, of no strong attachment to the Horse
between 1818 and 1822
86
Henry Thomas Alken, 1785–1851
Symptoms: of Taking Lessons, of Having Had Enough, of Earnest, of Fun
between 1822 and 1827
87
Henry Thomas Alken, 1785–1851
Symptoms: of Promising a Vote, of Reminding an Elector, of a Bang up Drive in a Lunday, of Spoiling a Chicken, of Breaking a Hunter, of Reminding a Member, of a Convenient Memory
between 1822 and 1827
88
Henry Thomas Alken, 1785–1851
Symptoms: of a Great One, of a Fine One, of a Queer One, of a Save All, of a View on Brighton Cliff, of Just Got Over a Gate,
between 1822 and 1827
89
Henry Thomas Alken, 1785–1851
Morning Ride
between 1822 and 1823
90
Hablot Knight Browne, 1815–1882
"Hark": Startled Horse and Alert Rider
undated
91
Print made by George Cruikshank, 1792–1878
Jack Sheppard Gets Drunk and Orders his Mother off
1839
92
Thomas Rowlandson, 1756–1827
Picking Mulberries
undated
93
Print made by George Cruikshank, 1792–1878
Frontispiece: The Progress of a Midshipman
1820
94
attributed to Sir David Wilkie, 1785–1841
Studies of Heads
undated
95
William Gauci, active 1825–1854
Dundry Tower, Leigh Wood, Hotwell House, Clifton
undated
96
George Chinnery, 1774–1852
Equestrian Studies of an English Officer
undated
97
William Alexander, 1767–1816
Natives of Cochin Playing Shuttlecock in China
1792 to 1794
98
William Alexander, 1767–1816
View in China: Figures with Pagoda and Mountain
1792 to 1794
99
Richard Corbould, 1757–1831
Autumn
undated
100
Richard Dadd, 1817–1886
Reminiscence of Mountain Scenery in Caria, near Mylasa, Asia Minor