Phaeton with a Pair of Cream Ponies and a Stable-Lad
between 1780 and 1784
Not on view
2
George Stubbs, 1724–1806
Greenland Falcon
1780
Not on view
3
Joseph Wright of Derby, 1734–1797
William and Margaret from Percy's 'Reliques of Ancient English Poetry'
ca. 1785
Not on view
4
George Morland, 1763–1804
Winter Landscape with Figures
ca. 1785
Not on view
5
Joseph Wright of Derby, 1734–1797
A Grotto in the Gulf of Salerno, Sunset
1780 to 1781
Not on view
6
Joseph Wright of Derby, 1734–1797
A Lake by Moonlight
1780 to 1782
Not on view
7
Paul Sandby, 1731–1809
An Unfinished View of the West Gate, Canterbury
between 1780 and 1785
Not on view
8
Joseph Wright of Derby, 1734–1797
Matlock Dale, looking toward Black Rock Escarpment
between 1780 and 1785
Not on view
9
Gilbert Stuart, 1755–1828
Colonel Isaac Barre
ca. 1785
Not on view
10
unknown artist
Brown Horse in a Hilly Landscape
ca. 1785
Not on view
11
Alexander Nasmyth, 1758–1840
Loch Awe, Argyllshire
ca. 1785
Not on view
12
Arthur William Devis, 1762–1822
Portrait of a Gentleman and an Indian Servant
ca. 1785
Not on view
13
Thomas Luny, 1759–1837
A Packet Boat Under Sail in a Breeze off the South Foreland
1780
Not on view
14
Benjamin West, 1738–1820
Study of the Lamentation on the Dead Christ
ca. 1785
Not on view
15
Josiah Wedgwood, 1730–1795
Horse Frightened by a Lion (Episode A)
modeled 1780
Not on view
16
James Tassie, 1735–1799
David Garrick
1780
Not on view
17
George Stubbs, 1724–1806
Tygers at Play
1780
18
Joseph Mallord William Turner, 1775–1851
Fisherman's Cottage, Dover
ca. 1790s
19
Willey Reveley, 1760–1799
Views in the Levant: View of the domes and spires of Hagia Sophia, Istanbul
ca. 1785
20
Paul Sandby, 1731–1809
Views in the Levant: The Sacred Cave of Archidamus
ca. 1785
21
Paul Sandby, 1731–1809
James Gandon and Family
1780
22
Attributed to Thomas Harrison, 1744–1829
Laid Out Wall Plan of a Room for Clifton Castle
between 1780 and 1790
23
Attributed to Thomas Harrison, 1744–1829
Plan and Elevation for the Decoration of a Circular Dome for Clifton Castle, York
ca. 1780-1790
24
William Lewin, 1747–1795
Warbler: Reed Wren
before 1790
25
William Lewin, 1747–1795
Jackdaw
before 1790
26
Julius Tidd, active 1773–1779
A Bridal Pair (Figures copied from Hogarth's Rake's Progress)
1780
27
Richard Westall, 1765–1836
Wanstead House
undated
28
Paul Sandby, 1731–1809
Halfway House, Sadler's Wells
1780
29
Attributed to Thomas Harrison, 1744–1829
Variant Ceiling Plan for Clifton Castle
ca. 1780-1790
30
Attributed to Thomas Harrison, 1744–1829
Ceiling Plan for Clifton Castle
ca. 1780-1790
31
Attributed to Thomas Harrison, 1744–1829
Working Drawing for the Plasterwork of a Frieze for Clifton Castle
ca. 1780-1790
32
William Lewin, 1747–1795
Falcon: Hen Krestel
before 1790
33
William Lewin, 1747–1795
Hoopoe: Common Hoopoe
before 1790
34
William Lewin, 1747–1795
Roller: Garrulous Roller
before 1790
35
William Lewin, 1747–1795
Owl: Little Owl
before 1790
36
George Shepheard, ca. 1770–1842
Shepheard, Field and Haughton (fighting)
undated
37
Jacob More, 1740–1793
Naples from Posillipo
1780's
38
Nicholas Pocock, 1740–1821
The Ranger, Private Ship of War, with her Prizes
1780
39
Paul Sandby, 1731–1809
Group of Figures: A Dogfight
ca. 1785
40
James Miller, active 1773–1814
Fountain's Boarding School, Marylebone
1780
41
Robert Marris, 1750–1827
Waterfall near Lynton
1780
42
John Claude Nattes, 1765–1822
Blundeston near Lowestoft, Sussex
undated
43
unknown artist
Elevation of the Ordnance Office
after 1780
44
Thomas Hearne, 1744–1817
Goodrich Castle on the Wye
ca. 1785
45
William P. Sherlock, c.1780–1850
The Rape of Persephone
undated
46
Henry Tresham, 1751–1814
Playing at Dice, Trepani
between 1780 and 1790
47
Richard Westall, 1765–1836
A Landscape with a Portrait of a Lady, Full Length, Holding a Hat
undated
48
Richard Westall, 1765–1836
Greatheart's Battle with Grim
undated
49
Paul Sandby, 1731–1809
Italianate Landscape with Castle, Cascade and Anglers
between 1780 and 1790
50
Adam Callander, active 1780–1811
High Cliff Castle (Hants)
undated
51
Thomas Rowlandson, 1756–1827
Bucks of the First Head
ca. 1785
52
Print made by John Raphael Smith, 1752–1812
A Man-Trap
c.1780
53
Thomas Rowlandson, 1756–1827
George Morland
between 1780 and 1799
54
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
55
Thomas Rowlandson, 1756–1827
An Audience Watching a Play at Drury Lane Theatre
ca. 1785
56
Francis Towne, 1740–1816
The Foot Bridge
1780
57
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1780
58
Samuel Drummond, 1765–1844
Portrait Study of a Naval Officer
undated
59
Joseph Farington, 1747–1821
Palace on a Cliff Above a River
1780-1789 (?)
60
Thomas Gainsborough, 1727–1788
Open Landscape with Horsemen and Covered Cart
between 1780 and 1788
61
Prince Hoare, 1755–1834
Head of a Young Girl
1780
62
Joseph Farington, 1747–1821
Landscape with Trees by a Lake
1780-1789
63
Thomas Daniell, 1749–1840
William Daniell, the Artist's Nephew, Sketching a Ruined Temple at Zafarabad on the Gumti River
ca. 1785
64
Thomas Daniell, 1749–1840
Boats near a Dutch Folly Fort, Canton
ca. 1785
65
Willey Reveley, 1760–1799
Views in the Levant: The Colossus of Barletta
ca. 1785
66
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
67
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
68
Thomas Bowles, ca. 1712–died 1753
A View of Amsterdam on each side the Old Rampart as seen from the Harbor
between 1780 and 1815
69
Thomas Bowles, ca. 1712–died 1753
A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
between 1780 and 1815
70
Thomas Bowles, ca. 1712–died 1753
A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
between 1780 and 1815
71
J. Couse, active 1750
The City of Lisbon as before the dreadful Earthquake of November 1st 1755;..
between 1780 and 1815
72
Thomas Bowles, ca. 1712–died 1753
A View of Little St. Mark's Place at Venice to the Sea
between 1780 and 1815
73
Remi Parr, active 1723–1750
A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
between 1780 and 1815
74
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
75
Thomas Colley, active 1780s
The English Lion Dismember'd
1780
76
William Hodges, 1744–1797
Original Drawings for Choix de Vues de L'Inde and Others, Volume III
between 1780 and 1788
77
William Hodges, 1744–1797
Original Drawings for Choix de Vues de L'Inde and Others, Volume I
between 1780 and 1788
78
William Hodges, 1744–1797
Original Drawings for Choix de Vues de L'Inde and Others, Volume II
between 1780 and 1788
79
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
80
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
81
Engraved by unknown artist
The Ladies' Shooting Poney
1780
82
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
83
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1780
84
Print made by Francesco Bartolozzi, 1728–1815
Angelica Kauffman
1780
85
Thomas Bowles, ca. 1712–died 1753
A Perspective View of the Town and Fortifications of Malta
between 1780 and 1815
86
John Bowles, 1701–1779
A Perspective View of Venice
between 1780 and 1815
87
unknown artist
A View of the Palace of Triano towards the Flower Garden
between 1780 and 1815
88
Nathaniel Parr, active 1742–1751
A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
between 1780-1815
89
Nathaniel Parr, active 1742–1751
The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark
between 1780-1815
90
J. Carwitham, active 1720–1740
A South-East View of the City of Boston in North America
undated
91
James Gillray, 1756–1815
National Discourse
1780
92
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
93
Richard Cooper the Younger, 1740–1814
Classical Landscape
ca. 1785
94
Richard Cooper the Younger, 1740–1814
Classical Italian Landscape with Temples and a Ruined Aquaduct
ca. 1785
95
Attributed to Sir Joseph Ayloffe, 1709–1781
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
1780
96
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
1780
97
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
1780
98
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
1780
99
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
1780
100
Engraved by James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)