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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionDate 1821
Remove constraint Date: 1821Search Results
1
- Cloud Study, Early Morning, Looking East from Hampstead
- 1821
- Not on view
2
- Parham Mill, Gillingham
- ca. 1826
- Not on view
3
- Cloud Study
- 1821
- Not on view
4
- Hampstead Heath looking towards Harrow
- 1821 to 1822
- Not on view
5
- Cloud Study with Trees
- 1821
- Not on view
6
- Cloud Study
- 1821
- Not on view
7
- Cloud Study
- 1821
- Not on view
8
- Fire in London, Seen from Hampstead
- ca. 1826
- Not on view
9
- Study of Hollyhocks
- ca. 1826
- Not on view
10
- Hampstead Heath Looking Towards Harrow
- 1821
- Not on view
11
- Bologna
- ca. 1826
- Not on view
12
- A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
- ca. 1826
- Not on view
13
- The Erechtheum, Athens, with Figures in the Foreground
- 1821
- Not on view
14
- An Unknown Man
- 1821
- Not on view
15
- Robert Stewart, Viscount Castlereagh
- 1821
- Not on view
16
- William Howley, Bishop of London (1766-1848)
- 1821
- Not on view
17
- At Hailsham, Sussex: a Storm Approaching
- 1821
18
- Harvest under a Crescent Moon
- ca. 1826
19
- Ship in a Storm
- ca. 1826
20
- Illustrations of Imitation of Eclogue I, Page 17
- 1821
21
- Illustrations of Imitation of Eclogue I, Page 18
- 1821
22
- Illustrations of Eclogue I, Introductory, The Giant Polypheme
- 1821
23
- Epicurus
- 1821
24
- Theocritus
- 1821
25
- Octavius Augustus Cæsar
- 1821
26
- From Antique Coins
- 1821
27
- Illustrations of Imitation of Eclogue I, Page 16
- 1821
28
- Illustrations of Imitation of Eclogue I, Page 15
- 1821
29
- Illustrations of Imitation of Eclogue I, Page 14
- 1821
30
- Caius Julius Cæsar
- 1821
31
- Illustrations of Imitation of Eclogue I, Frontispiece
- 1821
32
- Publius Virgilius Maro
- 1821
33
- The Pastorals of Virgil, London, 1821
- 1821, reprinted 1977
34
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
- 1821, reprinted 1977
35
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
- 1821, reprinted 1977
36
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'
- 1821, reprinted 1977
37
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'
- 1821, reprinted 1977
38
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'
- 1821, reprinted 1977
39
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'
- 1821, reprinted 1977
40
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'
- 1821, reprinted 1977
41
- Each creature, Thenot, to his task is born
- 1821, reprinted 1977
42
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
- 1821, reprinted 1977
43
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
- 1821, reprinted 1977
44
- Or blasting winds o'er blossom'd hedge-rows pass
- 1821, reprinted 1977
45
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
- 1821, reprinted 1977
46
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'
- 1821, reprinted 1977
47
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
- 1821, reprinted 1977
48
- My sheep quite spent through travel and ill fare
- 1821, reprinted 1977
49
- And now behold the sun's departing ray
- 1821, reprinted 1977
50
- The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '
- 1821, reprinted 1977
51
- Description of the Celebrated Suspended Wooden Bridge
- 1821
52
- The Three Swords
- 1821
53
- Plymouth Citadel
- 1821
54
- Aske Hall
- 1821
55
- Fall of the Tees
- 1821
56
- Fall of the Tees
- 1821
57
- Brignall Church
- 1821
58
- Weathercote Cave when Half Filled with Water
- 1821
59
- Weathercote Cave when Half Filled with Water
- 1821
60
- Weathercote Cave when Half Filled with Water
- 1821
61
- Coutances Cathedral
- undated
62
- View of Gibraltar
- undated
63
- Mr. Thomas Hope's Picture Gallery, Duchess Street, London
- 1821
64
- Mansion of Thomas Hope Esqr. Flemish Picture Gallery
- 1821
65
- Mansion of Thomas Hope Esqr. Flemish Picture Gallery
- 1821
66
- Hay Barge in a Calm Sea
- undated
67
- Anne Page and Slender
- 1821
68
- Prospero and Ariel
- 1821
69
- Thatched Cottage near Henley
- 1821
70
- The Arms and Seals of the Priory and Convent of St. Saviour at Bermondsey
- 1821
71
- Part of the Choir wiith the remains of the South Transept of St. Barts the Great
- 1821
72
- A Picnic on Richmond Hill
- undated
73
- An unidentified Gothic Mansion: Side View of the House with Garden
- undated
74
- Torbay from Brixham
- 1821
75
- Parnassus
- 1821
76
- Sheerness and The Isle of Sheppey, with the Junction of The Thames and Medway from the Nore
- 1821
77
- Addingham Mill on the Warfe
- 1821
78
- Crook of the Lune, Looking towards Hornby Castle
- 1821
79
- Weathercote Cave when Half Filled with Water
- 1821
80
- Weathercote Cave when Half Filled with Water
- 1821
81
- View of Mont St. Michel with Figures on the Beach
- undated
82
- Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
- 1821
83
- A Market Scene in Venice
- undated
84
- Travelers on a Road above a River
- 1821
85
- Plymouth Sound
- 1821
86
- Portia and Bassanio
- ca. 1826
87
- Dr Syntax outside the Halfway House
- 1821
88
- Dr Syntax & Dairymaid
- 1821
89
- Cavalrymen, etc
- 1821
90
- Interior View of the hall at Longleat; the Seat of the Marquis of Bath
- 1821
91
- Design for Bridge over Great Western Road
- ca. 1826
92
- Cavalrymen, etc
- 1821
93
- Cavalrymen, etc
- 1821
94
- Cavalrymen, etc
- 1821
95
- Cavalrymen, etc
- 1821
96
- Cavalrymen, etc
- 1821
97
- Cavalrymen, etc
- 1821
![James Pollard Racing [set of four]: 3. Preparing to Start](https://media.collections.yale.edu/thumbnail/ycba/15dea068-c60c-45d4-82e0-d2ffc4b30ab7)
98
- Racing [set of four]: 3. Preparing to Start
- 1821
99
- Set of six: 2. Cart Horse
- 1821
100
- Set of six: 3. Hunter
- 1821