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Creator Gender male

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Credit Line Yale Center for British Art, Paul Mellon Fund

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Subject Terms statue

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The Great Exhibition of 1851
Creator:
James Duffield Harding, 1798–1863
Date:
1851
Materials & Techniques:
Oil on canvas
Dimensions:
14 × 21 inches (35.6 × 53.3 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
Classical Landscape
Creator:
William Taverner, 1703–1772
Date:
ca. 1760
Materials & Techniques:
Oil on canvas
Dimensions:
18 1/4 x 25 inches (46.4 x 63.5 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
The Education of Achilles
Creator:
James Barry, 1741–1806
Date:
ca. 1772
Materials & Techniques:
Oil on canvas
Dimensions:
40 1/2 x 50 3/4 inches (102.9 x 128.9 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Fund
On View:
Not on view
No cover image available
Creator:
George Romney, 1734–1802
Date:
1773
Materials & Techniques:
Pen and black ink, pen and brown ink, and graphite on thin, slightly textured, cream laid paper
Dimensions:
Spine: 6 1/2 inches (16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Place des Victoires, Paris
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1783
Materials & Techniques:
Watercolor in pen and black ink over graphite on medium, moderately textured, cream antique laid paper
Dimensions:
Sheet: 13 3/4 x 21 inches (34.9 x 53.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Theatrical Figures About a Throne
Creator:
Richard Westall, 1765–1836
Date:
undated
Materials & Techniques:
Watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 × 23 3/4 inches (48.3 × 60.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Veni Inebriemus Eum Vino Dormiamusque Cum Eo
Creator:
Print made by unknown artist
Date:
between 1681 and 1688
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 9 1/2 × 7 1/2 inches (24.1 × 19.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Landscape with Classical Ruins
Creator:
Print made by Lydia Bates, active 1784
Date:
1784
Materials & Techniques:
Etching on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 5/8 x 16 9/16 inches (29.5 x 42 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Sisters Contemplating on Mortality
Creator:
Print made by Robert Dunkarton, 1744–1811
Date:
1770
Materials & Techniques:
Mezzotint (first state) on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 × 14 1/4 inches (50.8 × 36.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Honourable Mrs. Beresford with the Marchioness Townshend and the Hon. Mrs. Gardiner Adoring a Term of Hymen
Creator:
Print made by Thomas Watson, 1743–1781
Date:
1776
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 23 3/16 × 28 1/2 inches (58.9 × 72.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Rabbi with a White Turban
Creator:
Print made by William Pether, ca. 1738–1821
Date:
1778
Materials & Techniques:
Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 24 7/8 × 17 15/16 inches (63.2 × 45.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
Creator:
Print made by James Gillray, 1756–1815
Date:
1805
Materials & Techniques:
Etching and aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 14 7/16 x 10 inches (36.7 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Trees in the Villa Negroni Planted by M. Angelo
Creator:
John Flaxman, 1755–1826
Date:
undated
Materials & Techniques:
Black ink and varnish on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 1/4 x 8 inches (15.9 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Lady Elizabeth Keppel and a Servant
Creator:
Print made by Edward Fisher, 1722–1785
Date:
1760s
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 24 1/2 × 15 5/8 inches (62.2 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund

15. Augustus

Augustus
Creator:
Print made by Jacob Gole, 1660–1737
Date:
undated
Materials & Techniques:
Mezzotint on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 1/16 x 7 9/16 inches (25.6 x 19.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Sketch from a Statue of a Dreamer
Creator:
Print made by John Bell, 1811–1895
Date:
between 1838 and 1850
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper with cream chine collé
Dimensions:
Sheet: 10 7/8 x 15 3/16 inches (27.6 x 38.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Print made by Bernard Lens II, 1659–1725
Date:
1680-1690s
Materials & Techniques:
Mezzotint, proof before inscriptions on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 11 3/8 × 7 3/4 inches (28.9 × 19.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
No cover image available
Creator:
Print made by Valentine Green, 1739–1813
Date:
1782
Materials & Techniques:
Mezzotint (first state) on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 25 1/8 × 15 1/4 inches (63.8 × 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund