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John Constable A Church in the Trees
Attributed to John Constable, 1776–1837
A Church in the Trees
ca. 1800
Not on view
John Constable A Cloud Study, Sunset
John Constable, 1776–1837
A Cloud Study, Sunset
ca. 1821
Not on view
John Constable Cloud Study
John Constable, 1776–1837
Cloud Study
ca. 1821
Not on view
John Constable Hampstead Heath looking towards Harrow
John Constable, 1776–1837
Hampstead Heath looking towards Harrow
1821 to 1822
Not on view
Joseph Mallord William Turner Stormy Sea Breaking on a Shore
Joseph Mallord William Turner, 1775–1851
Stormy Sea Breaking on a Shore
between 1840 and 1845
Not on view
Spencer Frederick Gore Design for Deer Hunting Mural in the Cabaret Theatre Club
Spencer Frederick Gore, 1878–1914
Design for Deer Hunting Mural in the Cabaret Theatre Club
1912
Not on view
Samuel Colman The Rock of Salvation
Samuel Colman, 1780–1845
The Rock of Salvation
1837
Not on view
John Martin Landscape, Possibly the Isle of Wight or Richmond Hill
John Martin, 1789–1854
Landscape, Possibly the Isle of Wight or Richmond Hill
1815
Not on view
Sir James Thornhill Jacob's Dream
Sir James Thornhill, 1675–1734
Jacob's Dream
1705
Not on view
Henry Wallis The Death of Chatterton
Henry Wallis, 1830–1916
The Death of Chatterton
ca. 1856
Not on view
Alan Reynolds Abstract Landscape (Dark Fir Shoreham II Morning)
Alan Reynolds, 1926–2014
Abstract Landscape (Dark Fir Shoreham II Morning)
ca. 1952
Not on view
Anthony Fry Dancing Figures, No. 4
Anthony Fry, 1927–2016
Dancing Figures, No. 4
ca. 1957
Not on view
James Ward Cattle at a Pool at Sunrise
James Ward, 1769–1859
Cattle at a Pool at Sunrise
1827
Not on view
John Wootton Classical Landscape: Evening
John Wootton, 1682–1764
Classical Landscape: Evening
between 1740 and 1745
Not on view
Renos Loizou Red Earth
Renos Loizou, 1948–2013
Red Earth
1986
Not on view
Mark Leonard Constable Working Study, October 2011
Mark Leonard, born 1954
Constable Working Study, October 2011
October, 2011
Not on view
Thomas Creswick St. Michael's Mount, Cornwall
Thomas Creswick, 1811–1869
St. Michael's Mount, Cornwall
ca. 1838
Not on view
John Martin The Deluge
John Martin, 1789–1854
The Deluge
1834
Not on view
Richard Wilson A View of the Tiber with Rome in the Distance
Richard Wilson, 1713/4–1782
A View of the Tiber with Rome in the Distance
ca. 1775
Not on view
Richard Wilson Italian Landscape (Morning)
Richard Wilson, 1713/4–1782
Italian Landscape (Morning)
between 1760 and 1765
Not on view
Mark Leonard Constable Study I, November 2011
Mark Leonard, born 1954
Constable Study I, November 2011
November, 2011
Not on view
Walter Richard Sickert Glover's Island from Richmond Hill
Walter Richard Sickert, 1860–1942
Glover's Island from Richmond Hill
1932
Not on view
Robert Polhill Bevan Found!
Print made by Robert Polhill Bevan, 1865–1925
Found!
1898-1899
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
1880-1883
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
Samuel Palmer The Bellman
Print made by Samuel Palmer, 1805–1881
The Bellman
1879
Samuel Palmer The Herdsman's Cottage
Print made by Samuel Palmer, 1805–1881
The Herdsman's Cottage
1850
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Samuel Palmer Moeris and Galatea
Print made by Samuel Palmer, 1805–1881
Moeris and Galatea
plate etched between 1880 and 1883; impression printed in 1924
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Joseph Mallord William Turner Glaucus and Scylla
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
between 1813 and 1823
Joseph Mallord William Turner Glaucus and Scylla
Etched by Joseph Mallord William Turner, 1775–1851
Glaucus and Scylla
1813 to 1823
Joseph Mallord William Turner Basle
Etched by Joseph Mallord William Turner, 1775–1851
Basle
1807
George Romney Richard Cumberland Frontispiece
George Romney, 1734–1802
Richard Cumberland Frontispiece
undated
William Blake Illustrations of Imitation of Eclogue I, Page 14
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 14
1821
William Blake Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 7, "Till at Death's toll, whose restless iron tounge"
ca. 1797
William Blake The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 77, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 77, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 81, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 81, "The Descent of Odin."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 83, "The Descent of Odin."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
between 1797 and 1798
William Blake Jerusalem, Plate 100
Print made by William Blake, 1757–1827
Jerusalem, Plate 100
1804 to 1820
William Blake Jerusalem, Plate 28 Proof Impression
Print made by William Blake, 1757–1827
Jerusalem, Plate 28 Proof Impression
ca. 1820
William Blake Jerusalem, Plate 19, "His children exil'd from his breast...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 19, "His children exil'd from his breast...."
1804 to 1820
William Blake Jerusalem, Plate 2, Title Page
Print made by William Blake, 1757–1827
Jerusalem, Plate 2, Title Page
1804 to 1820
William Blake Jerusalem, Plate 20, "But when they saw Albion...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 20, "But when they saw Albion...."
1804 to 1820
William Blake Jerusalem, Plate 25, "And there was heard...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 25, "And there was heard...."
1804 to 1820
William Blake Jerusalem, Plate 39, "By Satans Watch-fiends...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 39, "By Satans Watch-fiends...."
1804 to 1820
William Blake Jerusalem, Plate 85, "Became a Space & an Allegory...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 85, "Became a Space & an Allegory...."
1804 to 1820
William Blake Jerusalem, Plate 91, "It is easier to forgive an enemy...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 91, "It is easier to forgive an enemy...."
1804 to 1820
William Blake Jerusalem, Plate 94, "Albion cold lays on his Rock...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 94, "Albion cold lays on his Rock...."
1804 to 1820
William Blake Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
1804 to 1820
William Blake Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
1804 to 1820
William Blake Jerusalem, Plate 50, "The Atlantic Mountains...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 50, "The Atlantic Mountains...."
1804 to 1820
William Blake Jerusalem, Plate 53, "Jerusalem / Chap. 3"
Print made by William Blake, 1757–1827
Jerusalem, Plate 53, "Jerusalem / Chap. 3"
1804 to 1820
William Blake Jerusalem, Plate 63, "Jehovah stood among the Druids...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 63, "Jehovah stood among the Druids...."
1804 to 1820
William Blake Jerusalem, Plate 72, "And the Thirty-two Counties...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 72, "And the Thirty-two Counties...."
1804 to 1820
William Blake Jerusalem, Plate 78, "The Spectres of..."
William Blake, 1757–1827
Jerusalem, Plate 78, "The Spectres of..."
1804 to 1820
William Blake Jerusalem, Plate 36, "Reuben returnd to his place...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 36, "Reuben returnd to his place...."
1804 to 1820
William Blake Jerusalem, Plate 37, "And One stood forth...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 37, "And One stood forth...."
1804 to 1820
William Blake Jerusalem, Plate 54, "In Great Eternity...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 54, "In Great Eternity...."
1804 to 1820
William Blake Jerusalem, Plate 64, "Of the Mundane Shell...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 64, "Of the Mundane Shell...."
1804 to 1820
William Blake Jerusalem, Plate 70, "And this the form of mighty Hand...."
Print made by William Blake, 1757–1827
Jerusalem, Plate 70, "And this the form of mighty Hand...."
1804 to 1820
William Blake The Poems of Thomas Gray, Design 59, "The Bard."
William Blake, 1757–1827
The Poems of Thomas Gray, Design 59, "The Bard."
between 1797 and 1798
William Blake Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As if the sun could envy, check'd his beam"
ca. 1797
William Blake Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun beheld it -- No, the shocking Scene"
ca. 1797
William Blake Aged Ignorance; Plate 13
Print made by William Blake, 1757–1827
Aged Ignorance; Plate 13
1793
William Blake Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
1793
William Blake Visions of the Daughters of Albion, Plate 1, Frontispiece
William Blake, 1757–1827
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
William Blake For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
1826
William Blake Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
1797
William Blake Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
1797
William Blake Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
1797
William Blake Europe. A Prophecy, Plate 1, Frontispiece
Print made by William Blake, 1757–1827
Europe. A Prophecy, Plate 1, Frontispiece
1794
William Blake For the Sexes: The Gates of Paradise, Plate 1, Title Page
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 1, Title Page
1826
William Blake For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
1826
John Browne Evening
Print made by John Browne, 1741–1801
Evening
ca. 1797
John Browne Evening
Print made by John Browne, 1741–1801
Evening
ca. 1797
John Browne Morning
Print made by John Browne, 1741–1801
Morning
ca. 1797
Samuel Wale An Eclipse in Harvest Time
Samuel Wale, 1721–1786
An Eclipse in Harvest Time
undated
William Pitts Helios
William Pitts, 1790–1840
Helios
undated
Paul Nash Landscape
Paul Nash, 1889–1946
Landscape
undated
Albert Goodwin Off Hastings
Albert Goodwin, 1845–1932
Off Hastings
undated
Sir David Young Cameron A Valley of the Ardennes [Belgian Set: No. 10]
Sir David Young Cameron, 1865–1945
A Valley of the Ardennes [Belgian Set: No. 10]
1907
Thomas Lindsay Sky Study, No. 8
Attributed to Thomas Lindsay, 1793–1861
Sky Study, No. 8
undated
William Callow Landscape with Sheep
William Callow, 1812–1908
Landscape with Sheep
undated
John Martin Joshua Commanding the Sun to Stand Still
John Martin, 1789–1854
Joshua Commanding the Sun to Stand Still
1818
John Michael Rysbrack A Scene on Mount Olympus
John Michael Rysbrack, 1694–1770
A Scene on Mount Olympus
undated
Mark Leonard Constable Sketch I, October 2011
Mark Leonard, born 1954
Constable Sketch I, October 2011
October, 2011
Yinka Shonibare CBE Fake Death Picture (Death of Chatterton - Henry Wallis)
Yinka Shonibare CBE, born 1962
Fake Death Picture (Death of Chatterton - Henry Wallis)
2011
Wyndham Lewis Sketch at the Bottom of a Letter
Wyndham Lewis, 1882–1957
Sketch at the Bottom of a Letter
1921 to 1922
Francesco Bartolozzi Noon
Print made by Francesco Bartolozzi, 1728–1815
Noon
undated
John E. Kashdan Sun and a Surrey Aspect
John E. Kashdan, 1917–2001
Sun and a Surrey Aspect
1962
Sir William Chambers Monument to Shakespeare
Sir William Chambers, 1723–1796
Monument to Shakespeare
ca. 1763
Edward Thompson Davis Erne River, Ireland
Edward Thompson Davis, 1833–1867
Erne River, Ireland
undated
Eric Gill The Mystery of the Faith
Eric Gill, 1882–1940
The Mystery of the Faith
undated
Alfred W. Cooper The Farmer's Boy
Print made by Alfred W. Cooper, active 1850–1901
The Farmer's Boy
undated
John Harris The Barfleur a Second Rate, carrying 90 Guns, and 680 Men, with a View of the Squadron Commanded by Lord Torrington in the Mediterranean
John Harris, active 1686–1740
The Barfleur a Second Rate, carrying 90 Guns, and 680 Men, with a View of the Squadron Commanded by Lord Torrington in the Mediterranean