Creator Gender: male - YCBA Collections Search Search Results

Thomas Gainsborough, 1727–1788

Wooded Landscape with Herdsmen and Cattle, Buildings on a Hill, and Rustic Lovers

ca. 1770

George Hicks, 1824–1914

The Sinews of Old England

1857

Edward Morton, active 1841–1850

George Godwin

1847

Terence Tenison Cuneo, 1907–1996

Track Laying by Night

1948

E. H. Spencer, active 1964

York: See Britain by Train

after 1948

Kerry Lee, born 1904

Cambridge

1953

William Bowyer, 1926–2015

Cornwall

after 1948

J. P. Sayer, active 1920

The Cambrian Coast & Dee Valley

ca. 1920

David Gentleman, born 1930

Visitor's London

1956

John Finnie, born 1935

Waterways

1965

George Chapman, 1908–1993

Competition: Sculpture Guessing: Make the most of your public transport

1955

D. Newsome, active 1935

See India: Travancore State

ca. 1935

Tom Eckersley, 1914–1997

The London Museum

1963

Robert Tavener, active 1958

Country Walks: Summer

1958

Patrick Procktor, 1936–2003

Untitled (Roses)

1973

Print made by James Heath, 1757–1834

Tortoise

1789

William Heath, 1795–1840

A Model for Patriots or An Independent Legislator

1810

Thomas Rowlandson, 1756–1827

The Fall of Dagon - or Rare News for Leadenhall Street

1784

John Cawse, 1779–1862

Old Hat or a Serious Divertisment as Performed at the Chappel Royal

1800

William Heath, 1795–1840

The Cries of Westminster - No 1 Newcastle Salmon

1829

Thomas Rowlandson, 1756–1827

The Famous Black Coal Heaver, Black Charley, Looking into the mouth of the wondeful Coal Pit

1805

unknown artist

Information for the Public

undated

James Gillray, 1756–1815

Taking Physic

1800

Thomas Rowlandson, 1756–1827

Melpomene in the Dumps; or, Child's Play Defended by Theatrical Monarchs

1804

James Gillray, 1756–1815

Brisk Cathartic

1804

James Gillray, 1756–1815

Charming Well Again

1804

James Gillray, 1756–1815

A Standing dish at Boodles

1800

James Gillray, 1756–1815

Breathing a Vein

1804

John Cawse, 1779–1862

Boreas Effecting what Health & Modesty could not

1800

James Gillray, 1756–1815

Brisk Cathartic

1804

James Gillray, 1756–1815

Visiting the Sick

1806

Isaac Cruikshank, 1764–1811

General Sorrow, touring the French Directory into Russia

1799

Thomas Rowlandson, 1756–1827

Single Combat in Moor fields or Mag'nanimous Paol O' Challenging All O

1801

Isaac Cruikshank, 1764–1811

Resignation the Greatest of all Virtues

1792

Isaac Cruikshank, 1764–1811

The Maid of Bath or Mac in her Teens

1792

Richard Newton, 1777–1798

The Ins and Outs or the Jesuits treatment of his friends

1797

James Gillray, 1756–1815

A Masonic Anecdote

1786

Isaac Cruikshank, 1764–1811

Royal Recreation

1795

James Gillray, 1756–1815

A Block for the Whigs - or, The new State Whirligig (Poor John Bull's House Plundered at Noon Day)

1783

James Gillray, 1756–1815

A Block for the Whigs - or, The new State Whirligig (Poor John Bulls House Plundered at Noon Day)

1783

Isaac Cruikshank, 1764–1811

Table D'Hote

1821

Charles Williams, active 1796–1830

Close Shaveing or the will our own way

1802

James Gillray, 1756–1815

Britania's Assassination or The Republican's Amusement

1782

Thomas Rowlandson, 1756–1827

The Westminster Watchman

1784

Print made by unknown artist

[ Caricature of two men and a woman, one of the men blowing smoke ]

ca. 1823

James Gillray, 1756–1815

Pigs Meat; - or - The Swine Flogg'd Out of the Farm-Yard

1798

unknown artist

Greater Sulphur Crested Cockatoo

ca. 1832

Print made by Arthur Pond, ca. 1705–1758

Self-portrait of Arthur Pond

1739

Thomas Rowlandson, 1756–1827

The Fall of Dagon or Rare News for Leadenhall Street

1784

Print made by Richard Earlom, 1743–1822

Angelica and Medoro

1768

Print made by Thomas Cook, 1744–1818

David Garrick in the Character of Richard III

1798

Print made by Auguste Boulard, 1852–1927

A Difference of Opinion

1897

James Gillray, 1756–1815

The Nabob Rumbled or a Lord Advocates Amusement

1783

Print made by John Smith, the mezzotinter, 1652–1743

William, Duke of Gloucester

ca. 1700

unknown artist

Baudins Cockatoo

1832

L. Truchy Pamela asking the Blessing of Sr. Jacob Swinford, Mr. B's unkle, a rough old fox hunter, who after the most obstinate resolution to the contrary, relents, and becomes her great admirer, Mr. B. behind, whispering Lady Davers she having conceived the...

L. Truchy, 1721–1764

Pamela asking the Blessing of Sr. Jacob Swinford, Mr. B's unkle, a rough old fox hunter, who after the most obstinate resolution to the contrary, relents, and becomes her great admirer, Mr. B. behind, whispering Lady Davers she having conceived the..

1745

L. Truchy Pamela undressing herself (Mrs Jewkes being first got to bed) while Mr. B. disguised in the maids clothes, with the apron thrown over his face, is impatiently waiting for the execution of his plot.

L. Truchy, 1721–1764

Pamela undressing herself (Mrs Jewkes being first got to bed) while Mr. B. disguised in the maids clothes, with the apron thrown over his face, is impatiently waiting for the execution of his plot

1745

L. Truchy Mr. B. Expostulating with Pamela in the Summer house after some liberties taken Mrs. Jervis (who is seen through the window) having just before left her.

L. Truchy, 1721–1764

Mr. B. Expostulating with Pamela in the Summer house after some liberties taken Mrs. Jervis (who is seen through the window) having just before left her

L. Truchy Pamela on her knees before her Father, whom she had discovered behind the door having overturned the card table in the way. Sr. Simon Darnford his Lady & c. observing her with eagerness and admiration Mr. B struck with this scene is waiting the issue.

L. Truchy, 1721–1764

Pamela on her knees before her Father, whom she had discovered behind the door having overturned the card table in the way. Sr. Simon Darnford his Lady & c. observing her with eagerness and admiration Mr. B struck with this scene is waiting the issue

1745

Print made by Thomas Picken, 1815–1870

The Funeral of the Duke of Wellington. The Funeral Car Passing the Archway at Apsley House, November 18th 1852

1853

unknown artist

Patagonian Parakeet Macaw

1832

Paul Sandby One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of Bethlem, the Great Morovian Settlement in the Province of Pennsylvania.

Paul Sandby, 1731–1809

One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of Bethlem, the Great Morovian Settlement in the Province of Pennsylvania

1761

unknown artist

Red and Yellow Macaw

1832

William Elliot One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of the Great Cohoes on the Mohawk River; The Fall of about Seventy Feet; the River near a Quarter of a Mile Broad.

William Elliot, active 1774, died 1792

One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A View of the Great Cohoes on the Mohawk River; The Fall of about Seventy Feet; the River near a Quarter of a Mile Broad

1761

unknown artist

Dwarf Parakeet Macaw

1832

James Peak One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A Design to represent the beginning and completion of an American Settlement or Farm.

James Peak, 1703–1782

One of Six Remarkable Views in the Provinces of New York, New Jersey and Pennsylvania from SCENOGRAPHI AMERICANA: A Design to represent the beginning and completion of an American Settlement or Farm

1761

L. Truchy Pamela dressed in order to meet Mr. B. at Sir Simon Darnford's, is prevented by the sudden arrival of Lady Davers, who forceibly detains her, & loads her with the bitterest reproaches that rage & disdain could suggest, her Nephew is looking over...

L. Truchy, 1721–1764

Pamela dressed in order to meet Mr. B. at Sir Simon Darnford's, is prevented by the sudden arrival of Lady Davers, who forceibly detains her, & loads her with the bitterest reproaches that rage & disdain could suggest, her Nephew is looking over..

1745

Pierre Charles Canot, ca. 1710–1777

Views of Montreal and Louisburg: An East View of Montreal in Canada

1762

unknown artist

Spilsbury's Views of Jamaica: A Prospect of Port Antonio, and Town of Titchfield, in the Parish of Portland, on the North Side Jamaica, taken from Navy Island

1769-1770

unknown artist

Spilsbury's Views of Jamaica: A Prospect of Ora Cabeca in the Parish of St. Maries the North Side Jamaica taken from the Road leading to St. Ann's 1766

1770

unknown artist

Spilsbury's Views of Jamaica: A View Looking South of the Town and Harbour of Lucea in the Parish of Hanover the North Side of Jamaica

1770

unknown artist

Spilsbury's Views of Jamaica: A View of Dry Harbour in the Parish of St. Ann's Jamaica, Taken from the West end of the Tavern, with the Fort & Barracks view in Ruins

1769

Print made by John Simon, 1675–1751

Portraits of Four Indian Kings of Canada: Tee Yee Neen Ho Ga Row, Emperour of the Six Nations

ca. 1755

Pieter Schenck I, 1660–1719

Portraits of Four Indian Kings of Canada: On Nee Yeath Tow no Riow

1710

Pieter Schenck I, 1660–1719

Tee Yee Neen Ho Ga Row, Keyser Vande Ses Natien

1710

Print made by Bernard Lens II, 1659–1725

Portraits of Four Indian Kings of Canada: The Four Indian Kings

1710

John Faber the Elder, ca. 1660–1721

Portraits of Four Indian Kings of Canada: Sa Ga Yean Qua Rash Tow

1710

Francis Jukes Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States

Francis Jukes, 1747–1812

Four Aquatints of American Scenery: Mount Vernon in Virginia, The Seat of the Late Lieu.t General George Washington, Commander in Chief of the Armies of the United States

1800