Fort Putnam From Capn. Philips Parlour. W. P. 1st Attempt, From Nature
1814
26402
Thomas Sully, 1783–1872
Catskill - from J R Livingstons. TS
undated
26403
Thomas Sully, 1783–1872
Girl on Lane, Entering Wooded Area
1834
26404
Print made by Thomas Girtin, 1775–1802
View of the City with the Louvre & Taken from Pont Marie
1802
26405
Print made by Thomas Girtin, 1775–1802
View of the Louvre and Bridge of the Thuilleries, taken from Pont Neuf
1802
26406
Thomas Sully, 1783–1872
Landscape with Figures in Field
undated
26407
Thomas Sully, 1783–1872
Figures Among Ruins on Hill
undated
26408
Thomas Sully, 1783–1872
Fort Putnam From Constitution Island
undated
26409
attributed to Peter DeWint, 1784–1849
Near Penrith
undated
26410
Thomas Sully, 1783–1872
Ridge Road
undated
26411
Print made by Thomas Girtin, 1775–1802
View of the Thuilleries & Bridge & C. | taken from Pont de la Concorde
1803
26412
Etched by Thomas Girtin, 1775–1802
View of the Pont St. Michael, taken from the Pont Neuf
1803
26413
Print made by Thomas Girtin, 1775–1802
View of Port Neuf, part of the Louvre, Notre Dame & the College of Four Nations
1803
26414
Print made by Thomas Girtin, 1775–1802
View of Pont au Change, the City Theatre, Pont Neuf, Conciergerie Prison, & c. Taken from Pont Notre Dame
1803
26415
Print made by Thomas Girtin, 1775–1802
A General View of Paris, taken from Chaillot 1803
1803
26416
Print made by Thomas Girtin, 1775–1802
View of Pont de la Tournelle and Notre Dame, taken from the Arsenal 1802
1802
26417
Print made by Thomas Girtin, 1775–1802
View of the Gate of St. Denis Taken from the Suburbs
1803
26418
Print made by Thomas Girtin, 1775–1802
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud
1802
26419
Print made by Thomas Girtin, 1775–1802
Views of the Pantheon, taken from the Arsenal
1803
26420
Print made by Thomas Girtin, 1775–1802
View of the Palace and Village of Choisi, on the Banks of the Siene
1803
26421
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
26422
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
26423
Thomas Girtin, 1775–1802
View of the Pont St.Michel, taken from the Pont Neuf
1803
26424
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
26425
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
26426
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
26427
unknown artist
Robin Hood and Clarinda hunting deer in a wooded landscape
undated
26428
Robert Dighton, 1752–1814
A Lesson Westward, or, A Morning Visit to Betsy Cole
1782
26429
Frederick Walker, 1840–1875
Strange Faces
1862 to 1863
26430
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
26431
Thomas Sully, 1783–1872
Town Scene on River
undated
26432
Thomas Sully, 1783–1872
Landscape with Castle in Background
undated
26433
Thomas Sully, 1783–1872
Figures at a Table Inside a Cottage
undated
26434
Robert Dighton, 1752–1814
A Lesson Westward - or A Morning Visit to Betsy Cole
1782
26435
Thomas Sully, 1783–1872
Fishermen at a Mountain Stream
undated
26436
Thomas Sully, 1783–1872
Landscape with Canal and Lock; Figures at Lock
undated
26437
Thomas Sully, 1783–1872
Rocky Landscape, Large Tree Trunk in Foreground
undated
26438
Robert Dighton, 1752–1814
Margaret Nicholson Attempting to Assassinate His Majesty, George III, at the Garden Entrance of St. James's Palace, 2nd August 1786
1786
26439
Thomas Sully, 1783–1872
Augt 15th. Conway Castle
undated
26440
Thomas Sully, 1783–1872
Mountain Scene with Stream, Cows and Figures
undated
26441
Thomas Sully, 1783–1872
Landscape Looking Through Ruined Archway
undated
26442
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape - Color Wash, Titian (no. 9); Landscape - color wash, Rubens (no. 10)
undated
26443
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape with Figure Reclining Against Hill - Titian and Venetian School (no. 7); Landscape - Variety of Watercolor Washes (no. 8)
undated
26444
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape with Large Cliff in Foreground - Cuyp's Principle (no. 3); Landscape with Tree in Foreground, Mountains in Distance - Both's Principle (no. 4)
undated
26445
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape with Mountains in Distance and Seated Figures in Foreground (no. 1); Landscape with River and Building, Mountains in Distance (no. 2)
undated
26446
Robert Dighton, 1752–1814
Bachelor's Hall
undated
26447
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape with Castle - Modern Manner (no. 13); Landscape with Figures in Foreground (no. 14)
undated
26448
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Sky Study - Turner's Principle (no. 11); Landscape With Hills and Tree (no. 12)
undated
26449
John Donowell, active 1753–1786
A View of Esq. Turner's Garden at Valence in Kent
undated
26450
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape With Tree in Foreground and Mountains in Distance - Hobbema and Ruysdael's Principle (no. 5); Figure in interior Scene - Teniers and Ostade's Principle (no. 6)
undated
26451
attributed to Charles Claude Pyne, 1802–1878
View of St. Catherine's Hill near Guildford
undated
26452
Thomas Sully, 1783–1872
Landscape with Knoll with Trees, Figure on Horseback
undated
26453
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Cottage with Figures in Front (no. 15); Landscape with River and Mountains - Sunshine (no. 16)
undated
26454
Jack Butler Yeats, 1871–1957
The Red Pony
undated
26455
Attributed to Peter Tillemans, 1684–1734
A View of the Garden and House at Upper Winchendon, Buckinghamshire
undated
26456
John Downman, 1750–1824
Mrs. Ives of Catton
1780
26457
Thomas Henry Wyatt, 1807–1880
Jedburgh Parish Church
undated
26458
Isaac Weld, 1774–1856
View of Mount Vernon, the seat of General Washington
1795
26459
Isaac Weld, 1774–1856
American Stage Wagon
undated
26460
Richard Doyle, 1824–1883
Design for the Title Page of Punch
undated
26461
Jack Butler Yeats, 1871–1957
Roundstone, Connemara
undated
26462
Samuel Woodforde, 1763–1817
A Bard and a Shepherd
undated
26463
Isaac Weld, 1774–1856
View of the Falls of Niagara
between 1795 and 1797
26464
Isaac Weld, 1774–1856
View of Niagara Falls with Two Figures Sitting on a Rock Center Foreground
between 1795 and 1797
26465
Isaac Weld, 1774–1856
Dunloh Castle, Killarney, Ireland
ca. 1807
26466
Isaac Weld, 1774–1856
Canadian Calash or Marche-Donc
between 1795 and 1797
26467
Sir Charles D'Oyly, 1781–1845
The Summer Room in the Artist's House at Patna
1824
26468
Isaac Weld, 1774–1856
View on the River Between the Lakes
between 1800 and 1807
26469
Isaac Weld, 1774–1856
View of Niagara Falls with the Falls in the Background, Right, and Landscape with Houses in the Foreground
between 1795 and 1797
26470
Edward Duncan, 1803–1882
Sailing Barge at Sea
undated
26471
Le Blond & Co., 1819–1894
St. Paul Preaching at Athens
26472
Le Blond & Co., 1819–1894
Scene at Windsor Castle and the Whole of the Royal Family
1850
26473
Print made by Percy Thomas, 1846–1922
The Dining Hall of the Middle Temple
1897
26474
Le Blond & Co., 1819–1894
Lake Lugano, Italy
26475
Le Blond & Co., 1819–1894
Elymas Smitten Blind
26476
Le Blond & Co., 1819–1894
The Brittania Bridge
26477
Sir Charles D'Oyly, 1781–1845
The Winter Room in the Artist's House at Patna
1824
26478
Le Blond & Co., 1819–1894
Her Majesty at Windsor
26479
Edward Duncan, 1803–1882
Study of a Pollarded Tree - a Willow
undated
26480
Le Blond & Co., 1819–1894
Stolen Pleasures
26481
Le Blond & Co., 1819–1894
Lake Katrine, Scotland
26482
Print made by Jacob Hogg, active 1751
John Howard, Esq. Visiting and Relieving the Miseries of a Prison
1790
26483
Le Blond & Co., 1819–1894
Bingen:Rhine
26484
Domenico Cunego, 1726–1803
Andromache Bewailing the Death of Hector
1764
26485
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
1797
26486
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)
1797
26487
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)
1797
26488
Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
1797
26489
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
1797
26490
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
1797
26491
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)
1797
26492
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
1797
26493
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
1797
26494
Henry Edridge, 1769–1821
Windsor Castle from the Brocas
1802
26495
Henry Edridge, 1769–1821
Arundel Castle, Sussex
undated
26496
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
1797
26497
George Frederic Watts, 1817–1904
Studies of Death and the Resurrection, and a Head of a Man