Credit Line: Yale Center for British Art, Paul Mellon Collection / Date: 1780 / Period: 18th century

1. Greenland Falcon

Creator:: George Stubbs, 1724–1806
Date:: 1780
Materials & Techniques:: beeswax on panel
Dimensions:: 32 x 39 inches (81.3 x 99.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Phaeton with a Pair of Cream Ponies and a Stable-Lad

Creator:: George Stubbs, 1724–1806
Date:: between 1780 and 1784
Materials & Techniques:: beeswax and oil on panel
Dimensions:: 35 1/4 x 53 1/2 inches (89.5 x 135.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. A Grotto in the Gulf of Salerno, Sunset

Creator:: Joseph Wright of Derby, 1734–1797
Date:: 1780 to 1781
Materials & Techniques:: Oil on canvas
Dimensions:: 40 x 50 inches (101.6 x 127 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Matlock Dale, looking toward Black Rock Escarpment

Creator:: Joseph Wright of Derby, 1734–1797
Date:: between 1780 and 1785
Materials & Techniques:: Oil on canvas
Dimensions:: 23 x 30 inches (58.4 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Study of the Lamentation on the Dead Christ

Creator:: Benjamin West, 1738–1820
Date:: ca. 1785
Materials & Techniques:: Oil on paper on panel
Dimensions:: 11 1/2 x 9 1/4 inches (29.2 x 23.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Winter Landscape with Figures

Creator:: George Morland, 1763–1804
Date:: ca. 1785
Materials & Techniques:: Oil on canvas
Dimensions:: 28 1/2 x 36 1/2 inches (72.4 x 92.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. A Lake by Moonlight

Creator:: Joseph Wright of Derby, 1734–1797
Date:: 1780 to 1782
Materials & Techniques:: Oil on canvas
Dimensions:: 24 1/2 × 29 3/4 inches (62.2 × 75.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. William and Margaret from Percy's 'Reliques of Ancient English Poetry'

Creator:: Joseph Wright of Derby, 1734–1797
Date:: ca. 1785
Materials & Techniques:: Oil on canvas
Dimensions:: 48 x 55 inches (121.9 x 139.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. An Unfinished View of the West Gate, Canterbury

Creator:: Paul Sandby, 1731–1809
Date:: between 1780 and 1785
Materials & Techniques:: Pen and brown ink and oil on paper laid down on panel
Dimensions:: 17 7/8 x 25 inches (45.4 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Colonel Isaac Barre

Creator:: Gilbert Stuart, 1755–1828
Date:: ca. 1785
Materials & Techniques:: Oil on canvas
Dimensions:: 29 3/4 × 25 inches (75.6 × 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Brown Horse in a Hilly Landscape

Creator:: unknown artist
Date:: ca. 1785
Materials & Techniques:: Oil on canvas
Dimensions:: 25 x 30 inches (63.5 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Portrait of an Unknown Man with an Attendant

Creator:: Arthur William Devis, 1762–1822
Date:: ca. 1785
Materials & Techniques:: Oil on canvas
Dimensions:: 41 3/4 x 32 7/8 inches (106 x 83.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. A Packet Boat Under Sail in a Breeze off the South Foreland

Creator:: Thomas Luny, 1759–1837
Date:: 1780
Materials & Techniques:: Oil on canvas
Dimensions:: 33 3/8 × 57 inches (84.8 × 144.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. Loch Awe, Argyllshire

Creator:: Alexander Nasmyth, 1758–1840
Date:: ca. 1785
Materials & Techniques:: Oil on canvas
Dimensions:: 20 x 24 inches (50.8 x 61 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. Horse Frightened by a Lion (Episode A)

Creator:: Josiah Wedgwood, 1730–1795
Date:: modeled 1780
Materials & Techniques:: Solid blue jasper with white relief, shallow oval
Dimensions:: Image: 10 × 16 inches (25.4 × 40.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. David Garrick

Creator:: James Tassie, 1735–1799
Date:: 1780
Materials & Techniques:: Glass paste
Dimensions:: Overall: 4 1/2 x 4 3/16 inches (11.4 x 10.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. A Procession of the Damned: Study for Dante's "Inferno"

Creator:: George Romney, 1734–1802
Date:: 1780s
Materials & Techniques:: Brown wash with pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 x 10 3/8 inches (15.9 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: On view at YUAG

18. Tygers at Play

Creator:: George Stubbs, 1724–1806
Date:: 1780
Materials & Techniques:: Etching, possibly finished with a graver, second state
Dimensions:: Image: 13 9/16 x 18 1/4in. (34.5 x 46.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. Fisherman's Cottage, Dover

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1790s
Materials & Techniques:: Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 7 7/8 inches (13.3 x 20 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Views in the Levant: Paestum

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and gray ink, black ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 1/8 × 18 11/16 inches (28.3 × 47.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Views in the Levant: Malta

Creator:: Attributed to Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 x 17 7/8in. (26.7 x 45.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Views in the Levant: View of the domes and spires of Hagia Sophia, Istanbul

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 9 7/8 x 18 3/4in. (25.1 x 47.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1785
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 9/16 × 18 1/2 inches (29.4 × 47 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Views in the Levant: The Sacred Cave of Archidamus

Creator:: Paul Sandby, 1731–1809
Date:: ca. 1785
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 20 1/16 inches (29.5 × 51 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Views in the Levant: Temple Ruins at Paestum

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor with pen and black ink over graphite on thick, moderately textured, brown laid paper mounted on medium, slightly textured, brown wove paper
Dimensions:: Sheet: 14 1/2 × 20 1/2 inches (36.8 × 52.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Free Natives of Dominica

Creator:: Print made by Agostino Brunias, 1728–1796
Date:: 1780
Materials & Techniques:: Stipple engraving and etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 19 3/4 x 13 5/16 inches (50.2 x 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Bucks of the First Head

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1785
Materials & Techniques:: Watercolor, with pen and black, and gray-brown ink, over graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/8 x 8 11/16 inches (18.1 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Fete Champetre, 9 June 1774 (Inside of the Supper-Room)

Creator:: James Caldwall, 1739–1819
Date:: 1780
Materials & Techniques:: Engraving
Dimensions:: Sheet: 17 1/2 x 22 3/4in. (44.5 x 57.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Inside view of the Supper-room & part of the Ball-room in a Pavilion erected for a Fete Champetre in the Garden of the Earl of Derby

Creator:: Print made by James Caldwall, 1739–1819
Date:: 1780
Materials & Techniques:: Etching and line engraving
Dimensions:: Sheet: 16 5/8 x 22 1/4in. (42.2 x 56.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Ecclesiastical, and, Political, State of the Nation

Creator:: unknown artist
Date:: 1780
Dimensions:: Sheet: 9 3/4 x 12 7/8in. (24.8 x 32.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. The Muse Erato

Creator:: Joseph Zucchi, 1730–1790
Date:: 1780
Materials & Techniques:: Stipple
Dimensions:: Sheet: 9 7/8 x 8in. (25.1 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Bacchanalian with Maiden

Creator:: Charles Reuben Ryley, 1752–1798
Date:: 1780
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Putti Dancing to the Pipe and Tambourine

Creator:: Charles Reuben Ryley, 1752–1798
Date:: 1780
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Monster with Maiden

Creator:: Charles Reuben Ryley, 1752–1798
Date:: 1780
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Fisherman

Creator:: Robert Blyth, 1750–1784
Date:: 1780
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble

Creator:: Charles Reuben Ryley, 1752–1798
Date:: 1780
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Rustick Dance

Creator:: Robert Blyth, 1750–1784
Date:: 1780
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Portraits of James Smithson, Marshall of the King's Bench 1422 and his wife Alice Whitworth (Laid down on the same sheet as B1977.14.12074)

Creator:: Robert Blyth, 1750–1784
Date:: 1780
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair

Creator:: Robert Blyth, 1750–1784
Date:: 1780
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair

Creator:: Robert Blyth, 1750–1784
Date:: 1780
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Belisarius

Creator:: Print made by Robert Blyth, 1750–1784
Date:: 1780
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper, laid on mount
Dimensions:: Sheet: 12 1/4 x 10 3/16 inches (31.1 x 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Belisarius

Creator:: Print made by Robert Blyth, 1750–1784
Date:: 1780
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper, laid on mount
Dimensions:: Sheet: 12 3/16 x 10 3/16 inches (31 x 25.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Saint Paul Preaching to the Britons

Creator:: Joseph Haynes, 1760–1829
Date:: 1780
Materials & Techniques:: Etching
Dimensions:: Sheet: 21 7/8 x 27 3/8in. (55.6 x 69.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Two Women at Toilette

Creator:: Charles Reuben Ryley, 1752–1798
Date:: 1780
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Banditti Going Out (number 52 of Catalogue Mortimer Exhibition 1968)

Creator:: Robert Blyth, 1750–1784
Date:: 1780
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968)

Creator:: Robert Blyth, 1750–1784
Date:: 1780
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Banditti

Creator:: Joseph Haynes, 1760–1829
Date:: 1780
Materials & Techniques:: Etching and stipple engraving on thick, slightly textured, beige laid paper
Dimensions:: Sheet: 13 7/8 × 13 3/8 inches (35.2 × 34 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Lady Beauchamp

Creator:: John Raphael Smith, 1752–1812
Date:: 1780
Materials & Techniques:: Mezzotint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 16 1/8 × 12 3/16 inches (41 × 31 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. Edward Chamberlayne

Creator:: Johann Jacobé, 1733–1797
Date:: 1780
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 16 3/8 × 12 1/2 inches (41.6 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Anne Townshend, Marchioness Townshend

Creator:: Valentine Green, 1739–1813
Date:: 1780
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 26 × 16 9/16 inches (66 × 42.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Sleeping Child

Creator:: William Doughty, 1757–1782
Date:: 1780
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 15 7/8 × 17 3/16 inches (40.3 × 43.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Lucy Hardinge (née Long)

Creator:: Thomas Watson, 1743–1781
Date:: 1780
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 20 3/8 × 15 3/16 inches (51.8 × 38.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Sir Joshua Reynolds

Creator:: Valentine Green, 1739–1813
Date:: 1780
Materials & Techniques:: Mezzotint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 19 1/4 × 15 1/8 inches (48.9 × 38.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Mary Isabella, Duchess of Rutland

Creator:: Valentine Green, 1739–1813
Date:: 1780
Materials & Techniques:: Mezzotint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 26 1/8 × 16 1/4 inches (66.4 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. View of the Encampment in the Museum Gardens, August 1780

Creator:: James Fittler, 1758–1835
Date:: 1780
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. View of the Encampment in Hyde Park, from Marshal Sac's Tent

Creator:: Francis Chesham, 1749–1806
Date:: 1780
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. A North View of the Cities of London and Westminster, with part of Highgate taken from Hampstead Heath, near the Spaniards

Creator:: Daniel Lerpiniere, c.1745–1785
Date:: 1780
Materials & Techniques:: Engraving
Dimensions:: Sheet: 18 1/2 x 23 9/16in. (47 x 59.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. The Old Boat Public House, Cromer Street, Judd Street

Creator:: unknown artist
Date:: 1780
Materials & Techniques:: Reproduction
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The Three Hats Public-house and other Old House, Islington

Creator:: unknown artist
Date:: 1780
Materials & Techniques:: Reproduction
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Cadland Park, in Hampshire, the Seat of Robert Drummond, Esquire (published by W. Watts); page 56 (Volume One)

Creator:: William Watts, 1752–1851
Date:: 1780
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Soldier with A Pike

Creator:: Charles Reuben Ryley, 1752–1798
Date:: 1780
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. The Fruit Barrow

Creator:: John Raphael Smith, 1752–1812
Date:: 1780
Materials & Techniques:: Mezzotint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. A Young Man with a Horse, with Studies of Hounds and Dead Hare

Creator:: John Hoppner, 1758–1810
Date:: ca. 1785
Materials & Techniques:: Watercolor, with pen, in brown ink, with graphite, and gouache on medium, moderately textured, beige laid paper
Dimensions:: Sheet: 10 1/4 × 8 1/16 inches (26 × 20.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. An English Postilion

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, slightly textured, beige laid paper
Dimensions:: Mount: 6 3/8 × 9 3/16 inches (16.2 × 23.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Burning and Plundering of Newgate and Setting the Felons at Liberty by the Mob

Creator:: unknown artist
Date:: 1780
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. An Exact Representation of the Burning, Plundering, and Destruction of Newgate by the Rioters

Creator:: Henry Roberts, ca. 1710–1790
Date:: 1780
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. The Fruit Barrow

Creator:: John Raphael Smith, 1752–1812
Date:: 1780
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 20 3/4 x 15 1/4in. (52.7 x 38.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Free Natives of Dominica

Creator:: Print made by Agostino Brunias, 1728–1796
Date:: 1780
Materials & Techniques:: Stipple engraving and etching with hand coloring on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 7/8 × 8 1/4 inches (30.2 × 20.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. A Perspective View of the Town and Fortifications of Malta

Creator:: Thomas Bowles III, ca. 1712–1767
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket

Creator:: Print made by Thomas Bowles III, ca. 1712–1767
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

Creator:: Print made by Thomas Bowles III, ca. 1712–1767
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...

Creator:: Print made by John Couse, active 1753–1764
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 10 1/4 × 15 3/4 inches (26 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. A Perspective View of Venice

Creator:: Print made by Thomas Bowles III, ca. 1712–1767
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice

Creator:: Print made by Remi Parr, 1743–after 1750
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving
Dimensions:: Sheet: 12 1/2 x 18in. (31.8 x 45.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. A View of Little St. Mark's Place at Venice to the Sea

Creator:: Print made by Thomas Bowles III, ca. 1712–1767
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front

A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front

Creator:: Print made by Nathaniel Parr, active 1742–1751
Date:: between 1780-1815
Materials & Techniques:: Hand colored engraving
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark

Creator:: Print made by Nathaniel Parr, active 1742–1751
Date:: between 1780-1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Plate: 11 1/2 × 15 3/4 inches (29.2 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. Medallions of F. Hutcheson and L. Natter

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1780
Materials & Techniques:: Mezzotint, stipple engraving, and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 1/2 x 10 7/16 inches (36.9 x 26.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. A View of Amsterdam on each side the Old Rampart as seen from the Harbor

Creator:: Print made by Thomas Bowles III, ca. 1712–1767
Date:: between 1780 and 1815
Materials & Techniques:: Hand-colored engraving on wove paper
Dimensions:: Sheet: 60 1/2in. (153.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Skating in Hyde Park

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, brown ink, gray ink, and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 15/16 × 13 15/16 inches (25.2 × 35.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Angelica Kauffman

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1780
Materials & Techniques:: Stipple engraving, mezzotint, and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 13 13/16 x 10 13/16 inches (35.1 x 27.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Cupid's Manufactory

Creator:: Francesco Bartolozzi, 1728–1815
Date:: ca.1785
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Paris and Oenone

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1780
Materials & Techniques:: Mezzotint and etching on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 11 7/8 x 9 7/16 inches (30.2 x 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Sir Henry Clinton

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1780
Materials & Techniques:: Stipple engraving on thin, smooth, cream laid paper, laid on contemporary mount made of medium, slightly textured, cream wove paper
Dimensions:: Mount: 7 7/8 x 6 7/16 inches (20 x 16.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Sir Henry Clinton

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1780
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/16 x 7 1/2 inches (25.9 x 19 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Sir Henry Clinton

Creator:: Print made by Francesco Bartolozzi, 1728–1815
Date:: 1780
Materials & Techniques:: Stipple engraving on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 10 7/8 x 7 15/16 inches (27.6 x 20.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Concert Ticket: Benefit Night of Luigi Borghi

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1780
Materials & Techniques:: Stipple engraving and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 6 5/8 inches (19.1 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Concert Ticket: Benefit Night of Luigi Borghi

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1780
Materials & Techniques:: Stipple engraving and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 1/4 x 6 1/2 inches (21 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. John Bull Triumphant

Creator:: James Gillray, 1756–1815
Date:: 1780
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 3/8 x 13 1/8in. (21.3 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. The Triumphant Britons

Creator:: James Gillray, 1756–1815
Date:: 1780
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 8 1/2 x 13 1/8in. (21.6 x 33.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It...

Creator:: James Gillray, 1756–1815
Date:: 1780
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 7 3/4 x 6 1/4in. (19.7 x 15.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. Ah, Grant A Me Von Letel Bite

Creator:: James Gillray, 1756–1815
Date:: 1780
Materials & Techniques:: Etching, hand-colored
Dimensions:: Sheet: 5 3/8 x 5 3/8in. (13.7 x 13.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Nap in the Country - Nap in Town

Creator:: Thomas Rowlandson, 1756–1827
Date:: ca. 1785
Materials & Techniques:: Etching
Dimensions:: Sheet: 13 x 8 7/8in. (33 x 22.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Views in the Levant: View From a Hillside Over Looking a Seaside Village in Turkey

Creator:: Attributed to Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 14 13/16 × 24 3/4 inches (37.6 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Views in the Levant: A Ruined Byzantine Church

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, graphite, and pen and brown ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 1/4 × 13 5/16 inches (23.5 × 33.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. Views in the Levant: Place of Worship with Three Bell Towers with Crosses

Creator:: Workshop of Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, and pen and black ink on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 9 13/16 × 14 3/16 inches (24.9 × 36 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Views in the Levant: View of a Harbour and Town From the Sea, Turkey

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, brown ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 7 1/2 × 14 1/8 inches (19.1 × 35.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. Views in the Levant: Burial Ground Surrounded by Ruined Columns and Pinetrees....Turkey

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, gray ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 12 13/16 × 18 1/4 inches (32.5 × 46.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Views in the Levant: Corner of Stone and Wood Building, with Inscription on Wall

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, and pen and black ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 11/16 × 9 3/4 inches (32.2 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Views in the Levant: Study of a Woman Wearing Turkish Costume

Creator:: Willey Reveley, 1760–1799
Date:: ca. 1785
Materials & Techniques:: Watercolor, pen and black ink, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 9/16 × 7 11/16 inches (34.4 × 19.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Search Constraints

Credit Line Yale Center for British Art, Paul Mellon Collection

Date 1780

Period 18th century

Search Results

1. Greenland Falcon

2. Phaeton with a Pair of Cream Ponies and a Stable-Lad

3. A Grotto in the Gulf of Salerno, Sunset

4. Matlock Dale, looking toward Black Rock Escarpment

5. Study of the Lamentation on the Dead Christ

6. Winter Landscape with Figures

7. A Lake by Moonlight

8. William and Margaret from Percy's 'Reliques of Ancient English Poetry'

9. An Unfinished View of the West Gate, Canterbury

10. Colonel Isaac Barre

11. Brown Horse in a Hilly Landscape

12. Portrait of an Unknown Man with an Attendant

13. A Packet Boat Under Sail in a Breeze off the South Foreland

14. Loch Awe, Argyllshire

15. Horse Frightened by a Lion (Episode A)

16. David Garrick

17. A Procession of the Damned: Study for Dante's "Inferno"

18. Tygers at Play

19. Fisherman's Cottage, Dover

20. Views in the Levant: Paestum

21. Views in the Levant: Malta

22. Views in the Levant: View of the domes and spires of Hagia Sophia, Istanbul

23. Views in the Levant: Ruined Temple on Hill at Suninum Overlooking Islands

24. Views in the Levant: The Sacred Cave of Archidamus

25. Views in the Levant: Temple Ruins at Paestum

26. Free Natives of Dominica

27. Bucks of the First Head

28. Fete Champetre, 9 June 1774 (Inside of the Supper-Room)

29. Inside view of the Supper-room & part of the Ball-room in a Pavilion erected for a Fete Champetre in the Garden of the Earl of Derby

30. Ecclesiastical, and, Political, State of the Nation

31. The Muse Erato

32. Bacchanalian with Maiden

33. Putti Dancing to the Pipe and Tambourine

34. Monster with Maiden

35. Fisherman

36. The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble

37. Rustick Dance

38. Portraits of James Smithson, Marshall of the King's Bench 1422 and his wife Alice Whitworth (Laid down on the same sheet as B1977.14.12074)

39. Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair

40. Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair

41. Belisarius

42. Belisarius

43. Saint Paul Preaching to the Britons

44. Two Women at Toilette

45. Banditti Going Out (number 52 of Catalogue Mortimer Exhibition 1968)

46. Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968)

47. Banditti

48. Lady Beauchamp

49. Edward Chamberlayne

50. Anne Townshend, Marchioness Townshend

51. The Sleeping Child

52. Lucy Hardinge (née Long)

53. Sir Joshua Reynolds

54. Mary Isabella, Duchess of Rutland

55. View of the Encampment in the Museum Gardens, August 1780

56. View of the Encampment in Hyde Park, from Marshal Sac's Tent

57. A North View of the Cities of London and Westminster, with part of Highgate taken from Hampstead Heath, near the Spaniards

58. The Old Boat Public House, Cromer Street, Judd Street

59. The Three Hats Public-house and other Old House, Islington

60. Cadland Park, in Hampshire, the Seat of Robert Drummond, Esquire (published by W. Watts); page 56 (Volume One)

61. Soldier with A Pike

62. The Fruit Barrow

63. A Young Man with a Horse, with Studies of Hounds and Dead Hare

64. An English Postilion

65. The Burning and Plundering of Newgate and Setting the Felons at Liberty by the Mob

66. An Exact Representation of the Burning, Plundering, and Destruction of Newgate by the Rioters

67. The Fruit Barrow

68. Free Natives of Dominica

69. A Perspective View of the Town and Fortifications of Malta

70. A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket

71. A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London

72. The City of Lisbon as before the dreadful Earthquake of November 1st 1755;...

73. A Perspective View of Venice