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Ben Nicholson 1930 (playing cards)
Ben Nicholson, 1894–1982
1930 (playing cards)
1930
Not on view
Ben Nicholson July 15 1949 (St Ives harbour)
Ben Nicholson, 1894–1982
July 15 1949 (St Ives harbour)
1949
Not on view
John Constable Cloud Study
John Constable, 1776–1837
Cloud Study
1821
Not on view
George Stubbs Lion and Lioness
George Stubbs, 1724–1806
Lion and Lioness
1770
Not on view
Joseph Mallord William Turner Limekiln at Coalbrookdale
Joseph Mallord William Turner, 1775–1851
Limekiln at Coalbrookdale
ca. 1797
Not on view
John R. Skeaping The Racehorse Zanzibar with Pug Dog of the same
John R. Skeaping, 1901–1980
The Racehorse Zanzibar with Pug Dog of the same
1962
Not on view
Robert Polhill Bevan Sale at Ward's Repository, No. 2
Robert Polhill Bevan, 1865–1925
Sale at Ward's Repository, No. 2
ca. 1918
Robert Polhill Bevan The Bayhorse, Tattersall’s
Robert Polhill Bevan, 1865–1925
The Bayhorse, Tattersall’s
1921
Samuel Palmer Landscape Sketch
attributed to Samuel Palmer, 1805–1881
Landscape Sketch
undated
Samuel Palmer Study for "The Shearers"
Samuel Palmer, 1805–1881
Study for "The Shearers"
between 1833 and 1834
Samuel Palmer The Wayside Smithy
Samuel Palmer, 1805–1881
The Wayside Smithy
undated
Samuel Palmer Rustic Contentment
Samuel Palmer, 1805–1881
Rustic Contentment
undated
George Stubbs Human Figure, Anterior View, Skin and Underlying Fascial Layers Removed (Finished Study for Table XI)
George Stubbs, 1724–1806
Human Figure, Anterior View, Skin and Underlying Fascial Layers Removed (Finished Study for Table XI)
1795 to 1806
George Stubbs Human Figure, Posterior View, Partially Dissected (Finished Study for Table XII)
George Stubbs, 1724–1806
Human Figure, Posterior View, Partially Dissected (Finished Study for Table XII)
1795 to 1806
George Stubbs Study of the Human Figure, Anterior View (Probably related to Table XI)
George Stubbs, 1724–1806
Study of the Human Figure, Anterior View (Probably related to Table XI)
1795 to 1806
George Stubbs Human Figure, Posterior View (Outline drawing for the key figure of an unpublished plate)
George Stubbs, 1724–1806
Human Figure, Posterior View (Outline drawing for the key figure of an unpublished plate)
1795 to 1806
George Stubbs Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
George Stubbs, 1724–1806
Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
1795 to 1806
George Stubbs Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)
George Stubbs, 1724–1806
Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)
1795 to 1806
George Stubbs Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
George Stubbs, 1724–1806
Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
1795 to 1806
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
George Stubbs Human Skeleton, Lateral View
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
George Stubbs Human Figure, Anterior View (Largely in outline)
George Stubbs, 1724–1806
Human Figure, Anterior View (Largely in outline)
1795 to 1806
George Stubbs Human Figure, Anterior View (Outline drawing)
George Stubbs, 1724–1806
Human Figure, Anterior View (Outline drawing)
1795 to 1806
George Stubbs Human Figure, Anterior View (Finished Study of Final Stage of Dissection)
George Stubbs, 1724–1806
Human Figure, Anterior View (Finished Study of Final Stage of Dissection)
1795 to 1806
George Stubbs Human Figure, Lateral View
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
George Stubbs Dorking Hen Skeleton, Lateral View (Finished study for an unpublished table)
George Stubbs, 1724–1806
Dorking Hen Skeleton, Lateral View (Finished study for an unpublished table)
1795 to 1806
William Hogarth Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
William Hogarth, 1697–1764
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
undated
Joseph Mallord William Turner Vesuvius in Eruption
Joseph Mallord William Turner, 1775–1851
Vesuvius in Eruption
between 1817 and 1820
Joseph Mallord William Turner The Straw Yard
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
Joseph Mallord William Turner From Spenser's Fairy Queen
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
Joseph Mallord William Turner Stonehenge at Daybreak
Engraved by Joseph Mallord William Turner, 1775–1851
Stonehenge at Daybreak
1815 to 1819
Joseph Mallord William Turner Apuleia in Search of Apuleius
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
Joseph Mallord William Turner Ben Arthur, Scotland
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
Joseph Mallord William Turner Solway Moss
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
Joseph Mallord William Turner Bridge and Cows
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
Joseph Mallord William Turner Lauffenbourgh on the Rhine
Etched by Joseph Mallord William Turner, 1775–1851
Lauffenbourgh on the Rhine
1811
Joseph Mallord William Turner Windmill and Lock
Etched by Joseph Mallord William Turner, 1775–1851
Windmill and Lock
1811
Joseph Mallord William Turner Marine Dabblers
Etched by Joseph Mallord William Turner, 1775–1851
Marine Dabblers
1811
Joseph Mallord William Turner Mt. St. Gothard
Etched by Joseph Mallord William Turner, 1775–1851
Mt. St. Gothard
1808
Edward Lear People on the Road Near Kalicut, Malabar
Edward Lear, 1812–1888
People on the Road Near Kalicut, Malabar
undated
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake Illustrations to Dante's Divine Comedy
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
Joseph Farington [Landscape]
Joseph Farington, 1747–1821
[Landscape]
Luigi Balugani Astragalus Atropilosulus and Gomphocarpus Fruticosus
Luigi Balugani, 1737–1770
Astragalus Atropilosulus and Gomphocarpus Fruticosus
undated
John Boydell Greenland Fishery
Print made by John Boydell, 1720–1804
Greenland Fishery
1754
Thomas Boydell A Small Breeze
Print made by Thomas Boydell, active 1750–1751
A Small Breeze
1753
John Boydell Morning
Print made by John Boydell, 1720–1804
Morning
1753
John Boydell Noon
Print made by John Boydell, 1720–1804
Noon
1753
John Boydell A Calm
Print made by John Boydell, 1720–1804
A Calm
1754
John Browne Evening
Print made by John Browne, 1741–1801
Evening
ca. 1797
James Bretherton The Damnation of Obadiah
Print made by James Bretherton, ca. 1730–1806
The Damnation of Obadiah
1773
Luigi Balugani Kanahia Laniflora and Crotalaria Pallida
Luigi Balugani, 1737–1770
Kanahia Laniflora and Crotalaria Pallida
undated
Luigi Balugani Trifolium Polystachyum and Trifolium Rueppellianum
Luigi Balugani, 1737–1770
Trifolium Polystachyum and Trifolium Rueppellianum
undated
Sir Frank Short View of a Lake, Derwentwater
Print made by Sir Frank Short, 1857–1945
View of a Lake, Derwentwater
1891
Charles Turner The Little Cottager
Charles Turner, 1774–1857
The Little Cottager
1809
R. Martin Ancient View of the Greengate Street Stafford
R. Martin, active 1823–1840
Ancient View of the Greengate Street Stafford
1840
James Bruce Section of Amphitheatre at El Djem showing arches stairs and tiers of seats
James Bruce, 1730–1794
Section of Amphitheatre at El Djem showing arches stairs and tiers of seats
undated
Benjamin West Characters in the Streets of London
Benjamin West, 1738–1820
Characters in the Streets of London
1799
James Bruce Details of Temple at Sheitla
James Bruce, 1730–1794
Details of Temple at Sheitla
undated
James Bruce Centre Composite Temple Suttetula Modern Sheitla
James Bruce, 1730–1794
Centre Composite Temple Suttetula Modern Sheitla
undated
James Bruce Measured sketches of arch at Assuras
James Bruce, 1730–1794
Measured sketches of arch at Assuras
undated
William Havell River Scene with Boy and Sheep
William Havell, 1782–1857
River Scene with Boy and Sheep
undated
William Havell Pale Melancholy
William Havell, 1782–1857
Pale Melancholy
ca. 1804
James Howe Cart Horse Being Led
James Howe, 1780–1836
Cart Horse Being Led
undated
James Howe Three Horses and Stable Lad
James Howe, 1780–1836
Three Horses and Stable Lad
undated
James Howe Horse and Pony
James Howe, 1780–1836
Horse and Pony
undated
William Payne Mill on the Tavy
William Payne, active 1850s
Mill on the Tavy
undated
Cornelius Varley Evening
Cornelius Varley, 1781–1873
Evening
1828
Thomas Smith of Derby Chiaja of Naples from Posillipo
Thomas Smith of Derby, ca. 1720–1767
Chiaja of Naples from Posillipo
ca. 1780
Henry William Bunbury A Cavalry Officer (Henry IV) Leading a Charge Outside a Castle
Henry William Bunbury, 1750–1811
A Cavalry Officer (Henry IV) Leading a Charge Outside a Castle
undated
William Bernard Cooke Dartmoor; Source of the Tamar and the Torridge
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816
Henry Le Keux Simmer Lake near Askrig
Print made by Henry Le Keux, 1787–1868
Simmer Lake near Askrig
1818-1823
Sir George Howland Beaumont seventh Baronet Romantic Landscape
Sir George Howland Beaumont seventh Baronet, 1753–1827
Romantic Landscape
1803
Sir Robert Ker Porter Near Mallwyd on the Dovey
Sir Robert Ker Porter, 1777–1842
Near Mallwyd on the Dovey
undated
John Le Keux Rome, from the Farnese Gardens
Print made by John Le Keux, 1783–1846
Rome, from the Farnese Gardens
1818-1820
W. R. Smith Amboise
Print made by W. R. Smith, active 1819–1851
Amboise
1833
Robert Brandard Rouen, looking up the river
Print made by Robert Brandard, 1805–1862
Rouen, looking up the river
1834
Cornelius Varley A Moated House
Cornelius Varley, 1781–1873
A Moated House
undated
Master of the Wire Line Country Scene: Cottage and Figures on a Winding Road
Master of the Wire Line, 18th century
Country Scene: Cottage and Figures on a Winding Road
undated
James Miller Dandelion Farm, near Margate
James Miller, active 1773–1814
Dandelion Farm, near Margate
undated
Jacob More View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
Jacob More, 1740–1793
View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
1783
William Wilkins Elevation of a Proposed Design for Cambridge Colleges
William Wilkins, 1778–1839
Elevation of a Proposed Design for Cambridge Colleges
ca. 1823
Sir Robert Taylor Thames Ditton, Surrey: Design for Gothic Church
Sir Robert Taylor, 1714–1788
Thames Ditton, Surrey: Design for Gothic Church
ca. 1776
George C. Winckler Prospect der Koniglichen Marth in London
George C. Winckler, Active 1760
Prospect der Koniglichen Marth in London
unknown artist The Foundation or Ground Plan of St. Pauls Church
unknown artist
The Foundation or Ground Plan of St. Pauls Church
undated
John S. Muller A North West View of St. Paul's Cathedral, London
John S. Muller, ca. 1715–1792
A North West View of St. Paul's Cathedral, London
1753
John S. Muller A North West View of St. Paul's Cathedral, London
John S. Muller, ca. 1715–1792
A North West View of St. Paul's Cathedral, London
1753
Thomas Bowles A View of the Custom House with Part of the Tower
Thomas Bowles, ca. 1712–died 1753
A View of the Custom House with Part of the Tower
1753
Robert Laurie Court of Equity, Belle Savage Inn, Ludgate Hill
Robert Laurie, 1755?–1836
Court of Equity, Belle Savage Inn, Ludgate Hill
1778
William Havell Landscape with figures
William Havell, 1782–1857
Landscape with figures
ca. 1804
James Howe Scene with Horse and Rider
James Howe, 1780–1836
Scene with Horse and Rider
undated
Julius Caesar Ibbetson The Sailor's Farewell
Julius Caesar Ibbetson, 1759–1817
The Sailor's Farewell
1801
Harry John Johnson On the Shores of an Italian Lake
Harry John Johnson, 1826–1884
On the Shores of an Italian Lake
undated
William Henry Hunt The Building of Waterloo Bridge
William Henry Hunt, 1790–1864
The Building of Waterloo Bridge
ca. 1816