Credit Line: Yale Center for British Art, Paul Mellon Collection / Subject Terms: sitting

1. Dedham Vale

Creator:: John Constable, 1776–1837
Date:: 1802
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/8 x 16 3/8 inches (33.3 x 41.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Mary Freer

Creator:: John Constable, 1776–1837
Date:: 1809
Materials & Techniques:: Oil on canvas
Dimensions:: 30 x 25 inches (76.2 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Rievaulx Abbey

Creator:: John Wootton, 1682–1764
Date:: ca. 1745
Materials & Techniques:: Oil on canvas
Dimensions:: 22 x 22 inches (55.9 x 55.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Lord Portmore Watching Racehorses at Exercise on Newmarket Heath

Creator:: John Wootton, 1682–1764
Date:: ca. 1735
Materials & Techniques:: Oil on canvas
Dimensions:: 26 5/8 x 49 inches (67.6 x 124.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Leak Okeover, Rev. John Allen and Captain Chester at Okeover Hall, Staffordshire

Creator:: Arthur Devis, 1712–1787
Date:: between 1745 and 1747
Materials & Techniques:: Oil on canvas
Dimensions:: 38 1/2 x 48 1/2 inches (97.8 x 123.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. The Well of St. Keyne

Creator:: Thomas Creswick, 1811–1869
Date:: ca. 1838
Materials & Techniques:: Oil on panel
Dimensions:: 9 x 6 3/4 inches (22.9 x 17.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Daniel Cunyngham

Creator:: Mason Chamberlin, 1722–1787
Date:: 1766
Materials & Techniques:: Oil on canvas
Dimensions:: 55 1/2 x 41 1/2 inches (141 x 105.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Mr. and Mrs. Fraser

Creator:: Arthur William Devis, 1762–1822
Date:: 1785 to 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 35 1/2 x 27 1/2 inches (90.2 x 69.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Lady Lloyd and Her Son, Richard Savage Lloyd, of Hintlesham Hall, Suffolk

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1745 and 1746
Materials & Techniques:: Oil on canvas
Dimensions:: 25 x 30 inches (63.5 x 76.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. A Marmoset in Three Attitudes

Creator:: George Garrard, 1760–1826
Date:: 1793
Materials & Techniques:: Oil on panel
Dimensions:: 15 x 19 1/4 inches (38.1 x 48.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. British Gentlemen in Rome

Creator:: Katharine Read, 1723–1778
Date:: ca. 1750
Materials & Techniques:: Oil on canvas
Dimensions:: 37 1/4 × 53 inches (94.6 × 134.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. Tea Party at Lord Harrington's House, St. James's

Creator:: Charles Philips, 1708–1747
Date:: 1730
Materials & Techniques:: Oil on canvas
Dimensions:: 40 1/4 x 49 3/4 inches (102.2 x 126.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Conversation Piece

Creator:: Mason Chamberlin, 1722–1787
Date:: 1761
Materials & Techniques:: Oil on canvas
Dimensions:: 25 x 26 3/4 inches (63.5 x 67.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. The Interior of the British Institution Gallery

Creator:: John Scarlett Davis, 1804–1845
Date:: 1829
Materials & Techniques:: Oil on canvas
Dimensions:: 44 1/2 x 56 inches (113 x 142.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. An Unknown Woman with a Book

Creator:: Bartholomew Dandridge, baptized 1691–died in or after 1754
Date:: ca. 1735
Materials & Techniques:: Oil on canvas
Dimensions:: 20 7/8 × 16 1/2 inches (53 × 41.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Portrait of a Group of Gentleman, with the Artist

Creator:: Francis Hayman, 1707/8–1776
Date:: between 1745 and 1748
Materials & Techniques:: Oil on canvas
Dimensions:: 44 x 56 inches (111.8 x 142.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. An Unknown Man

Creator:: John Downman, 1750–1824
Date:: ca. 1780
Materials & Techniques:: Oil on panel
Dimensions:: 14 x 10 1/2 inches (35.6 x 26.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. Thomas Graham

Creator:: Thomas Hickey, 1741–1824
Date:: ca. 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 31 x 25 inches (78.7 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

19. Sir Robert Chambers

Creator:: Arthur William Devis, 1762–1822
Date:: 1784
Materials & Techniques:: Oil on canvas
Dimensions:: 42 × 28 5/8 inches (106.7 × 72.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. John Richard Comyns of Hylands, Essex, with His Daughters

Creator:: John Greenwood, 1727–1792
Date:: 1775
Materials & Techniques:: Oil on canvas
Dimensions:: 35 1/2 x 43 inches (90.2 x 109.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. The Colonnade of Queen Mary Court, Greenwich

Creator:: James Holland, 1799–1870
Date:: 1833
Materials & Techniques:: Oil on panel
Dimensions:: 9 7/8 × 14 1/8 inches (25.1 × 35.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. Peter Dollond

Creator:: John Hoppner, 1758–1810
Date:: 1775 to 1779
Materials & Techniques:: Oil on canvas
Dimensions:: 29 7/8 × 25 inches (75.9 × 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. William Strahan

Creator:: Mason Chamberlin, 1722–1787
Date:: ca. 1775
Materials & Techniques:: Oil on canvas
Dimensions:: 49 x 39 1/2 inches (124.5 x 100.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

24. The Bell Tower of Evesham

Creator:: unknown artist
Date:: ca. 1795
Materials & Techniques:: Oil on panel
Dimensions:: 21 x 62 inches (53.3 x 157.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

25. Mountain Valley with Figures and Distant Village

Creator:: Thomas Gainsborough, 1727–1788
Date:: between 1773 and 1777
Materials & Techniques:: Oil on canvas
Dimensions:: 48 x 58 3/4 inches (121.9 x 149.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

26. Langdale Pikes from Lowood

Creator:: Julius Caesar Ibbetson, 1759–1817
Date:: between 1800 and 1806
Materials & Techniques:: Oil on canvas
Dimensions:: 14 x 19 inches (35.6 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

27. Andrew Mellon

Creator:: Augustus Edwin John, 1878–1961
Date:: ca. 1924
Materials & Techniques:: Oil on canvas
Dimensions:: 48 1/4 x 36 1/2 inches (122.6 x 92.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

28. Benjamin Cole

Creator:: Nathaniel Hone, 1718–1784
Date:: 1776
Materials & Techniques:: Oil on canvas
Dimensions:: 30 x 25 inches (76.2 x 63.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

29. Charles Pinfold

Creator:: Thomas Hudson, 1701–1779
Date:: 1756
Materials & Techniques:: Oil on canvas
Dimensions:: 50 x 40 inches (127 x 101.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

30. The Haymarket, Norwich

Creator:: David Hodgson, 1798–1864
Date:: 1825
Materials & Techniques:: Oil on panel
Dimensions:: 6 1/2 x 9 inches (16.5 x 22.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

31. Thomas Osborne

Creator:: James Cranke, 1707–1780
Date:: 1747
Materials & Techniques:: Oil on canvas
Dimensions:: 77 3/4 × 56 inches (197.5 × 142.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

32. Mountainous Landscape with Figures by a Lake

Creator:: unknown artist
Date:: 1825 to 1830
Materials & Techniques:: Oil on paper
Dimensions:: 6 5/8 x 13 1/2 inches (16.8 x 34.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

33. Apuleia in Search of Apuleius

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: between 1813 and 1823
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 × 15 3/4 inches (28.3 × 40 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Tenth Plague of Egypt

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1816
Materials & Techniques:: Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 11 × 16 3/4 inches (27.9 × 42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Achilles Wounded

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 16 3/4 x 12 3/8 inches (42.5 x 31.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Study for a Destroying Deity

Creator:: William Blake, 1757–1827
Date:: 1820 to 1825
Materials & Techniques:: Graphite on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 17 3/4 × 24 inches (45.1 × 61 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Songs of Innocence and of Experience

Creator:: William Blake, 1757–1827
Date:: 1789-1794
Materials & Techniques:: Relief etching printed in dark-brown ink, with watercolor and pen and ink on wove paper
Dimensions:: Spine: 7 3/8 inches (18.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. The Poems of Thomas Gray, Design 61, "The Bard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Poems of Thomas Gray, Design 65, "The Bard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. The Poems of Thomas Gray, Design 83, "The Descent of Odin."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching and watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1788
Materials & Techniques:: Color-printed relief etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/4 x 4 inches (13.3 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Jerusalem, Plate 41, "Bath who is Legions...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Jerusalem, Plate 85, "Became a Space & an Allegory...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Jerusalem, Plate 51

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in black ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 1/2 inches (26.4 x 34.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Jerusalem, Plate 69, "Then all the Males...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Jerusalem, Plate 78, "The Spectres of..."

Creator:: William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Poems of Thomas Gray, Design 5, "Ode on the Spring."

Creator:: William Blake, 1757–1827
Date:: between 1797 and 1798
Materials & Techniques:: Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:: Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Songs of Innocence, Plate 10, "The Ecchoing Green" (Bentley 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

Creator:: Print made by William Blake, 1757–1827
Date:: ca. 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 16 3/4 inches (42.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 7/8 x 9 5/8 inches (30.2 x 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Air; Plate 6

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Does Thy God O Priest Take such Vengeance as This?; Plate 14

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Water; Plate 4

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 5 1/2 inches (14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. America. A Prophecy, Plate 8, "The Morning Comes...."

Creator:: Print made by William Blake, 1757–1827
Date:: 1793
Materials & Techniques:: Color-printed relief etching in green-black ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. For the Sexes: The Gates of Paradise, Plate 6, "Air"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Creator:: Print made by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 17 1/2 inches (44.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in brown ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 3/8 x 9 inches (28.9 x 22.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in orange-brown ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 x 7 1/8 inches (25.4 x 18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. For the Sexes: The Gates of Paradise, Plate 4, "Water"

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1789
Materials & Techniques:: Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Europe. A Prophecy, Plate 8 (Bentley 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1794
Materials & Techniques:: Color-printed relief etching in dark brown ink, with oil, watercolor, and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 3/4 x 10 1/2 inches (37.5 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Road Scene, Trowse Hall, near Norwich

Creator:: Print made by John Crome, 1768–1821
Date:: 1813
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/4 x 12 1/16 inches (23.5 x 30.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Cottage at Diss

Creator:: Robert Dixon, 1780–1815
Date:: 1811
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 8 1/4 inches (25.6 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. West Tower, Wymondham Church

Creator:: Robert Dixon, 1780–1815
Date:: 1810
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 11/16 x 8 1/4 inches (27.1 x 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. View of the Clifton Suspension Bridge

Creator:: James Duffield Harding, 1798–1863
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, beige wove paper with gray chine collé
Dimensions:: Sheet: 15 9/16 x 21 3/16 inches (39.6 x 53.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Portrait of a Girl Sketching

Creator:: William Henry Brooke, 1772–1860
Date:: undated
Materials & Techniques:: Pen and brown ink, watercolor and gouache on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 3/4 × 6 1/2 inches (22.2 × 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. Characters in the Streets of London

Creator:: Benjamin West, 1738–1820
Date:: 1799
Materials & Techniques:: Brown wash with pen and brown ink on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 7/8 x 15 13/16 inches (30.2 x 40.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Birmingham

Creator:: Print made by James S. Storer, 1771–1853
Date:: 1795
Materials & Techniques:: Line engraving, 1st published state on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 9 3/4 inches (19.1 × 24.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Study of a Seated Lady

Creator:: Hubert-François Gravelot, 1699–1773
Date:: ca. 1740
Materials & Techniques:: Graphie, black chalk, and white chalk on moderately thick, moderately textured, brown wove paper
Dimensions:: Sheet: 13 5/8 x 10 1/2 inches (34.6 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Falstaff Inspecting the Recruits

Creator:: Francis Hayman, 1707/8–1776
Date:: between 1761 and 1765
Materials & Techniques:: Black chalk, gouache, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 7 3/8 × 9 5/8 inches (18.8 × 24.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. View of Bath from Spring Gardens

Creator:: Thomas Hearne, 1744–1817
Date:: 1790
Materials & Techniques:: Watercolor, pen and gray ink, and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 12 1/8 x 18 1/8 inches (30.8 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. Windsor Castle from the Eton Playing Fields

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Black ink and gray wash on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 5/8 x 7 3/4 inches (14.3 x 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. The Welsh Curate

Creator:: Thomas Hearne, 1744–1817
Date:: undated
Materials & Techniques:: Gray wash, pen and gray ink, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Contemporary drawn border: 7 1/4 × 9 7/8 inches (18.4 × 25.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. Three Seated Ladies

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: undated
Materials & Techniques:: Pens, brown ink and watercolor on medium, slightly textured, beige laid paper, mounted to medium, slightly textured, cream laid paper
Dimensions:: Sheet: 5 1/8 × 6 3/8 inches (13 × 16.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Man in Ragged Clothes Seated with Right Arm Over Another Chair

Creator:: Louis Philippe Boitard, active 1734–1760
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 4 1/2 × 7 3/4 inches (11.4 × 19.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Avenue and Entrance to St. James Barracks

Creator:: Michel Jean Cazabon, 1813–1888
Date:: 1857
Materials & Techniques:: Pen and black ink, gray ink, black wash, gray wash, graphite, ang gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/8 × 10 inches (18.1 × 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. A Black Boy

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1835
Materials & Techniques:: Watercolor and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/4 x 4 1/8 inches (15.9 x 10.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. Sophy Steadman Reading

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1830
Materials & Techniques:: Graphite on moderately thick, slightly textured, gray laid paper
Dimensions:: Sheet: 7 3/4 x 4 5/8 inches (19.7 x 11.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. A Young Scholar Goes Fishing

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 5/8 x 8 inches (21.9 x 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. Aldenham Church

Creator:: William Henry Hunt, 1790–1864
Date:: ca. 1817
Materials & Techniques:: Watercolor and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Contemporary drawn border: 10 x 12 7/8 inches (25.4 x 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. Millbank

Creator:: John Linnell, 1792–1882
Date:: 1806
Materials & Techniques:: Black and white chalk on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 8 5/8 x 6 5/8 inches (21.9 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. Study of a Young Girl, Seated

Creator:: Daniel Maclise, 1806–1870
Date:: undated
Materials & Techniques:: Pen and brown ink with graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 3/8 × 6 9/16 inches (21.3 × 16.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. The Woman at the Well

Creator:: Attributed to John Martin, 1789–1854
Date:: undated
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. Henry Sass

Creator:: Daniel Maclise, 1806–1870
Date:: between 1830 and 1835
Materials & Techniques:: Black chalk, graphite, watercolor, and red chalk on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 7 7/16 × 5 1/2 inches (18.9 × 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. A Wooded Track

Creator:: Henry Monro, 1791–1814
Date:: 1813
Materials & Techniques:: Gray wash, pen and black ink, white chalk, and graphite on medium, slightly textured, blue wove paper
Dimensions:: Sheet: 14 7/8 x 10 7/8 inches (37.8 x 27.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. Man Seated on a Bank

Creator:: George Morland, 1763–1804
Date:: undated
Materials & Techniques:: Black chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 6 3/8 × 5 1/8 inches (16.2 × 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. Mrs. William Wilberforce and Child

Creator:: John Linnell, 1792–1882
Date:: 1824
Materials & Techniques:: Watercolor, gouache, graphite, and scored gesso ground on panel
Dimensions:: Sheet: 14 x 10 1/4 inches (35.6 x 26 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. Dedham Vale

2. Mary Freer

3. Rievaulx Abbey

4. Lord Portmore Watching Racehorses at Exercise on Newmarket Heath

5. Leak Okeover, Rev. John Allen and Captain Chester at Okeover Hall, Staffordshire

6. The Well of St. Keyne

7. Daniel Cunyngham

8. Mr. and Mrs. Fraser

9. Lady Lloyd and Her Son, Richard Savage Lloyd, of Hintlesham Hall, Suffolk

10. A Marmoset in Three Attitudes

11. British Gentlemen in Rome

12. Tea Party at Lord Harrington's House, St. James's

13. Conversation Piece

14. The Interior of the British Institution Gallery

15. An Unknown Woman with a Book

16. Portrait of a Group of Gentleman, with the Artist

17. An Unknown Man

18. Thomas Graham

19. Sir Robert Chambers

20. John Richard Comyns of Hylands, Essex, with His Daughters

21. The Colonnade of Queen Mary Court, Greenwich

22. Peter Dollond

23. William Strahan

24. The Bell Tower of Evesham

25. Mountain Valley with Figures and Distant Village

26. Langdale Pikes from Lowood

27. Andrew Mellon

28. Benjamin Cole

29. Charles Pinfold

30. The Haymarket, Norwich

31. Thomas Osborne

32. Mountainous Landscape with Figures by a Lake

33. Apuleia in Search of Apuleius

34. Tenth Plague of Egypt

35. Achilles Wounded

36. Study for a Destroying Deity

37. Songs of Innocence and of Experience

38. The Poems of Thomas Gray, Design 61, "The Bard."

39. The Poems of Thomas Gray, Design 65, "The Bard."

40. The Poems of Thomas Gray, Design 83, "The Descent of Odin."

41. There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

42. There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

43. Jerusalem, Plate 41, "Bath who is Legions...."

44. Jerusalem, Plate 85, "Became a Space & an Allegory...."

45. Jerusalem, Plate 51

46. Jerusalem, Plate 69, "Then all the Males...."

47. Jerusalem, Plate 78, "The Spectres of..."

48. The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"

49. The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."

50. The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."

51. The Poems of Thomas Gray, Design 5, "Ode on the Spring."

52. Songs of Innocence, Plate 10, "The Ecchoing Green" (Bentley 6)

53. Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

54. Young's Night Thoughts, Page 31, "'Tis greatly wise to talk with our past hours"

55. Young's Night Thoughts, Page 35, "Teaching, we learn; and giving, we retain"

56. The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)

57. Air; Plate 6

58. Does Thy God O Priest Take such Vengeance as This?; Plate 14

59. I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18

60. Water; Plate 4

61. Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)

62. Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)

63. America. A Prophecy, Plate 8, "The Morning Comes...."

64. For the Sexes: The Gates of Paradise, Plate 6, "Air"

65. Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)

66. Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)

67. Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

68. The Book of Thel, Plate 7, "But he that loves the lowly . . . ."

69. The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)

70. For the Sexes: The Gates of Paradise, Plate 14, "Does thy God O Priest take such vengeance as this?"

71. For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

72. For the Sexes: The Gates of Paradise, Plate 4, "Water"

73. Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

74. Europe. A Prophecy, Plate 8 (Bentley 9)