View of the Palace and Village of Choisi, on the Banks of the Siene
1803
26402
Print made by Thomas Girtin, 1775–1802
View from Palace Terrace, at St. Germain en Laye; The Aqueduct of Marli, seen in the Distance
1803
26403
after Thomas Girtin, 1775–1802
On the Banks of the Marne below the Bridge at Charenton 1803; Plate 19 from Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2628
1803
26404
Thomas Girtin, 1775–1802
View of the Pont St.Michel, taken from the Pont Neuf
1803
26405
Print made by Frederick Christian Lewis the Elder, 1779–1856
View of the Village of Chaillot & C. taken from Pont de la Concorde
1803
26406
Print made by Thomas Girtin, 1775–1802
The Water Mill above the Bridge at Charenton 1803; Plate 20 from Views in Paris, the Emanuel Volume tracing of the plate B181.25.2629
1803
26407
Print made by Thomas Girtin, 1775–1802
View of St. Cloud and Mt. Calvary taken from Pont de Seve
1802
26408
unknown artist
Robin Hood and Clarinda hunting deer in a wooded landscape
undated
26409
Robert Dighton, 1752–1814
A Lesson Westward, or, A Morning Visit to Betsy Cole
1782
26410
Frederick Walker, 1840–1875
Strange Faces
1862 to 1863
26411
Print made by Thomas Girtin, 1775–1802
The Water Works at Marli,and St. Germain en Laye Seen in the Distance
1803
26412
Thomas Sully, 1783–1872
Town Scene on River
undated
26413
Thomas Sully, 1783–1872
Landscape with Castle in Background
undated
26414
Thomas Sully, 1783–1872
Figures at a Table Inside a Cottage
undated
26415
Robert Dighton, 1752–1814
A Lesson Westward - or A Morning Visit to Betsy Cole
1782
26416
Thomas Sully, 1783–1872
Fishermen at a Mountain Stream
undated
26417
Thomas Sully, 1783–1872
Landscape with Canal and Lock; Figures at Lock
undated
26418
Thomas Sully, 1783–1872
Rocky Landscape, Large Tree Trunk in Foreground
undated
26419
Robert Dighton, 1752–1814
Margaret Nicholson Attempting to Assassinate His Majesty, George III, at the Garden Entrance of St. James's Palace, 2nd August 1786
1786
26420
Thomas Sully, 1783–1872
Augt 15th. Conway Castle
undated
26421
Thomas Sully, 1783–1872
Mountain Scene with Stream, Cows and Figures
undated
26422
Thomas Sully, 1783–1872
Landscape Looking Through Ruined Archway
undated
26423
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape - Color Wash, Titian (no. 9); Landscape - color wash, Rubens (no. 10)
undated
26424
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape with Figure Reclining Against Hill - Titian and Venetian School (no. 7); Landscape - Variety of Watercolor Washes (no. 8)
undated
26425
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape with Large Cliff in Foreground - Cuyp's Principle (no. 3); Landscape with Tree in Foreground, Mountains in Distance - Both's Principle (no. 4)
undated
26426
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape with Mountains in Distance and Seated Figures in Foreground (no. 1); Landscape with River and Building, Mountains in Distance (no. 2)
undated
26427
Robert Dighton, 1752–1814
Bachelor's Hall
undated
26428
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape with Castle - Modern Manner (no. 13); Landscape with Figures in Foreground (no. 14)
undated
26429
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Sky Study - Turner's Principle (no. 11); Landscape With Hills and Tree (no. 12)
undated
26430
John Donowell, active 1753–1786
A View of Esq. Turner's Garden at Valence in Kent
undated
26431
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Landscape With Tree in Foreground and Mountains in Distance - Hobbema and Ruysdael's Principle (no. 5); Figure in interior Scene - Teniers and Ostade's Principle (no. 6)
undated
26432
attributed to Charles Claude Pyne, 1802–1878
View of St. Catherine's Hill near Guildford
undated
26433
Thomas Sully, 1783–1872
Landscape with Knoll with Trees, Figure on Horseback
undated
26434
Thomas Sully, 1783–1872
Two Drawings on One Sheet: Cottage with Figures in Front (no. 15); Landscape with River and Mountains - Sunshine (no. 16)
undated
26435
Jack Butler Yeats, 1871–1957
The Red Pony
undated
26436
Attributed to Peter Tillemans, 1684–1734
A View of the Garden and House at Upper Winchendon, Buckinghamshire
undated
26437
John Downman, 1750–1824
Mrs. Ives of Catton
1780
26438
Thomas Henry Wyatt, 1807–1880
Jedburgh Parish Church
undated
26439
Isaac Weld, 1774–1856
View of Mount Vernon, the seat of General Washington
1795
26440
Isaac Weld, 1774–1856
American Stage Wagon
undated
26441
Richard Doyle, 1824–1883
Design for the Title Page of Punch
undated
26442
Jack Butler Yeats, 1871–1957
Roundstone, Connemara
undated
26443
Samuel Woodforde, 1763–1817
A Bard and a Shepherd
undated
26444
Isaac Weld, 1774–1856
View of the Falls of Niagara
between 1795 and 1797
26445
Isaac Weld, 1774–1856
View of Niagara Falls with Two Figures Sitting on a Rock Center Foreground
between 1795 and 1797
26446
Isaac Weld, 1774–1856
Dunloh Castle, Killarney, Ireland
ca. 1807
26447
Isaac Weld, 1774–1856
Canadian Calash or Marche-Donc
between 1795 and 1797
26448
Sir Charles D'Oyly, 1781–1845
The Summer Room in the Artist's House at Patna
1824
26449
Isaac Weld, 1774–1856
View on the River Between the Lakes
between 1800 and 1807
26450
Isaac Weld, 1774–1856
View of Niagara Falls with the Falls in the Background, Right, and Landscape with Houses in the Foreground
between 1795 and 1797
26451
Edward Duncan, 1803–1882
Sailing Barge at Sea
undated
26452
Le Blond & Co., 1819–1894
St. Paul Preaching at Athens
26453
Le Blond & Co., 1819–1894
Scene at Windsor Castle and the Whole of the Royal Family
1850
26454
Print made by Percy Thomas, 1846–1922
The Dining Hall of the Middle Temple
1897
26455
Le Blond & Co., 1819–1894
Lake Lugano, Italy
26456
Le Blond & Co., 1819–1894
Elymas Smitten Blind
26457
Le Blond & Co., 1819–1894
The Brittania Bridge
26458
Sir Charles D'Oyly, 1781–1845
The Winter Room in the Artist's House at Patna
1824
26459
Le Blond & Co., 1819–1894
Her Majesty at Windsor
26460
Edward Duncan, 1803–1882
Study of a Pollarded Tree - a Willow
undated
26461
Le Blond & Co., 1819–1894
Stolen Pleasures
26462
Le Blond & Co., 1819–1894
Lake Katrine, Scotland
26463
Print made by Jacob Hogg, active 1751
John Howard, Esq. Visiting and Relieving the Miseries of a Prison
1790
26464
Le Blond & Co., 1819–1894
Bingen:Rhine
26465
Domenico Cunego, 1726–1803
Andromache Bewailing the Death of Hector
1764
26466
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
1797
26467
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)
1797
26468
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)
1797
26469
Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
1797
26470
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
1797
26471
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
1797
26472
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)
1797
26473
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
1797
26474
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
1797
26475
Henry Edridge, 1769–1821
Windsor Castle from the Brocas
1802
26476
Henry Edridge, 1769–1821
Arundel Castle, Sussex
undated
26477
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
1797
26478
George Frederic Watts, 1817–1904
Studies of Death and the Resurrection, and a Head of a Man
ca. 1860
26479
George Frederic Watts, 1817–1904
Studies of a kneeling knight
undated
26480
George Frederic Watts, 1817–1904
Studies for the Angels in The Court of Death
undated
26481
George Frederic Watts, 1817–1904
Studies of a Seated Draped Figure with a Book
undated
26482
George Frederic Watts, 1817–1904
Study for the head of a boy in "Peasants of the Campagne" during the Vintage
ca. 1860
26483
Augustus William Reeve, active 1831–1888
In the Channel
undated
26484
Frederick William Burton, 1816–1900
Dreams
ca. 1861
26485
George Frederic Watts, 1817–1904
Study for a Circular Ceiling Decoration
undated
26486
Joseph Wright of Derby, 1734–1797
Landscape with Ruins
undated
26487
Edward Swinburne, 1765–1847
Dustanborough Castle
undated
26488
Attributed to Edward Edwards, 1738–1806
St. Winifred's Well, Holywell, Flintshire, Wales with the Artist in the Foreground..
undated
26489
Isaac Weld, 1774–1856
Turk Lake looking Across the River and Brikeen Island (Ireland)
between 1800 and 1807
26490
Isaac Weld, 1774–1856
Killarney (Ireland)
ca. 1807
26491
Isaac Weld, 1774–1856
Vesuvius
ca. 1818
26492
Isaac Weld, 1774–1856
View on the Upper Lake (Ireland)
ca. 1806
26493
Attributed to John Hassell, 1767–1825
Rustic Sketches: 32 hand-colored aquatint illustrations on 13 plates bound in original wrappers