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Date 1670
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- Date:
- between 1670 and 1695
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
2. Charles II
- Date:
- between 1670 and 1700
- Materials & Techniques:
- Engraving
- Collection:
- Prints and Drawings
- Credit Line:
- Yale Center for British Art, Paul Mellon Fund
- Date:
- MDC LXX [1670]
- Physical Description:
- [18], 38, [2], 39-146, [2], 147-281, [3], 283-304, [2], 305-314, [2], 315-488, [2], 489-632, [2], 633-658, [2], 659-767, [1] pages, [98] leaves of plates : illustrations, maps, plans ; 41 cm (folio)
- Collection:
- Rare Books and Manuscripts
![Advertisement [graphic] : All noble men and gentlemen that please to have their mansion houses design'd on copper plates, to be printed for composeing a volume of the prospects of the principall houses of England, may have them done by Mr Hen. Winstanley by way of subscription ...](https://media.collections.yale.edu/thumbnail/ycba/15fcc3d9-fe58-43fb-96f8-7db48bc2b2fe)
- Date:
- 1670s?]
- Physical Description:
- 1 print on laid paper : etching ; plate mark 35.2 x 40.9 cm., on sheet 35.4 x 47.5 cm.
- Collection:
- Rare Books and Manuscripts
![Practical perspective, or, Perspective made easie : teaching, by the opticks, how to delineate all bodies, buildings, or landskips, &c. : by the catoptricks, how to delineate confused appearences so as when seen in a mirror or pollisht body of any intended shape, the reflection shall shew a designe : by the dioptircks [sic], how to draw parts of many figures into one when seen through a glass or christal cut into many faces : usefull for all painters, engravers, architects, &c. and all others that are any waies inclined to speculatory ingenuity / by Joseph Moxon ; hydrographer to the Kings Most Excellent Majesty.](https://media.collections.yale.edu/thumbnail/ycba/bea2b2a2-7a36-4e4d-a2e3-8f691863231a)
- Date:
- 1670. (fol.)
- Physical Description:
- [6], 66 p., LX [i.e. 42] leaves of plates (2 folded) : ill. ; 32 cm. (fol.)
- Collection:
- Rare Books and Manuscripts
- Date:
- 1670-75
- Physical Description:
- 2 v. in 1. 81 plates (part fold.; incl. plans) 38 cm.
- Collection:
- Rare Books and Manuscripts
- Date:
- 1670
- Physical Description:
- [8], 611 p. : ill. ; 19 cm.
- Collection:
- Rare Books and Manuscripts
- Date:
- MDCLXX [1670]
- Physical Description:
- 3 volumes ; 18 cm
- Collection:
- Rare Books and Manuscripts
- Date:
- 1670
- Physical Description:
- 2 p.., 31, [1] p. 44 pl. (incl. plans) 40 cm.
- Collection:
- Rare Books and Manuscripts
- Date:
- 167-?]
- Physical Description:
- 1 p.., 100 plates. 33 cm.
- Collection:
- Rare Books and Manuscripts
- Date:
- 1670
- Physical Description:
- [30] leaves : chiefly ill. ; 29 cm.
- Collection:
- Rare Books and Manuscripts
- Date:
- 1670
- Physical Description:
- [12], 113, [5], 82, [4], 138, [6], 56, [2], 55, [1] pages, [25] folded leaves of plates : 25 maps ; 43 cm (folio)
- Collection:
- Rare Books and Manuscripts
- Date:
- 1670]
- Physical Description:
- [8] p., [21] leaves of plates (some folded) : ill. ; 32 x 54 cm.
- Collection:
- Rare Books and Manuscripts
- Date:
- 1670
- Physical Description:
- 2 v. in 1. : ill. ; 15 cm.
- Collection:
- Rare Books and Manuscripts
- Date:
- late 17th to early 18th century
- Materials & Techniques:
- Carved wood, later gilding over original gilding and sanded frieze
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- late 17th century to early 18th century
- Materials & Techniques:
- Carved wood, original parcel gilding and black tempera
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- late 17th to early 18th century
- Materials & Techniques:
- Carved wood, original lacquered silverleaf
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- late 17th century
- Materials & Techniques:
- Carved wood, later oil and water gilding over original
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- late 17th century to early 18th century
- Materials & Techniques:
- Carved wood, later gilding and over original oil and water gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- late 17th to early 18th century
- Materials & Techniques:
- Carved wood, later gilding over original gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- late 17th to early 18th century
- Materials & Techniques:
- Carved wood, later oil gilding and lacquer over original gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- late 17th to early 18th century
- Materials & Techniques:
- Carved wood, sucessive later oil gildings over original gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- late 17th to early 18th century
- Materials & Techniques:
- Carved wood, canvas, patinated bronze leaf
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- late 17th century
- Materials & Techniques:
- Carved wood, later oil gilding over original oil and water gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- late 17th century
- Materials & Techniques:
- Carved wood, later oil and water gilding over original gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- late 17th century
- Materials & Techniques:
- Carved wood; canvas inlay; partially regilded over original water gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- late 17th to early 18th century
- Materials & Techniques:
- Carved wood, later oil gilding over original gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- late 17th century to early 18th century
- Materials & Techniques:
- Carved wood, later gilding over original gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- late 17th to early 18th century
- Materials & Techniques:
- Carved wood, partially regilded over original water gilding and sanded frieze
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- late 17th to early 18th century
- Materials & Techniques:
- Carved wood, partially regilded over original oil and water gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- late 17th to early 18th century
- Materials & Techniques:
- Carved wood, later oil gilding over original gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- late 17th to early 18th century
- Materials & Techniques:
- Carved wood, regilded over original gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- late 17th to early 18th century
- Materials & Techniques:
- Carved wood, regilded over original gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- late 17th to early 18th century
- Materials & Techniques:
- Carved wood, regilded over original gilding
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- late 17th century to early 18th century
- Materials & Techniques:
- Fruitwood, ebonized, original patina
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art
- Date:
- late 17th century to early 18th century
- Materials & Techniques:
- Fruitwood, ebonized, original patina
- Collection:
- Frames
- Credit Line:
- Yale Center for British Art