<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Date 1745

Remove constraint Date: 1745

Subject Terms genre subject

Remove constraint Subject Terms: genre subject

Search Results

George Smith Winter Landscape
George Smith, 1714–1776
Winter Landscape
ca. 1750
Not on view
Arthur Devis Leak Okeover, Rev. John Allen and Captain Chester at Okeover Hall, Staffordshire
Arthur Devis, 1712–1787
Leak Okeover, Rev. John Allen and Captain Chester at Okeover Hall, Staffordshire
between 1745 and 1747
Not on view
Thomas Butler of Pall Mall Learning about the Hounds
Thomas Butler of Pall Mall, active 1750
Learning about the Hounds
ca. 1750
Not on view
Katharine Read British Gentlemen in Rome
Katharine Read, 1723–1778
British Gentlemen in Rome
ca. 1750
Not on view
Joseph Francis Nollekens Children at Play, Probably the Artist's Son Jacobus and Daughter Maria Joanna Sophia
Joseph Francis Nollekens, 1702–1748
Children at Play, Probably the Artist's Son Jacobus and Daughter Maria Joanna Sophia
1745
Not on view
Samuel Scott Arches of Westminster Bridge
Samuel Scott, 1701/2–1772
Arches of Westminster Bridge
ca. 1750
Not on view
Joseph Nickolls Charing Cross, with the Statue of King Charles I and Northumberland House
Joseph Nickolls, active 1713–ca. 1755
Charing Cross, with the Statue of King Charles I and Northumberland House
ca. 1750
Not on view
Canaletto The City from Near the Terrace of Somerset House
Canaletto, 1697–1768
The City from Near the Terrace of Somerset House
ca. 1750
Not on view
Canaletto Westminster from Near the Terrace of Somerset House
Canaletto, 1697–1768
Westminster from Near the Terrace of Somerset House
ca. 1750
Not on view
unknown artist A Shepherdess with a Bird's Nest
unknown artist
A Shepherdess with a Bird's Nest
ca. 1750
Not on view
William Hogarth The First Stage of Cruelty
William Hogarth, 1697–1764
The First Stage of Cruelty
ca. 1750
Isaac Taylor Unidentified Periodical / Play Illustration
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
Isaac Taylor Unidentified Periodical/Play Illustration
Isaac Taylor, 1730–1807
Unidentified Periodical/Play Illustration
undated
Paul Sandby Cart Bearing a Large Tree Trunk
Paul Sandby, 1731–1809
Cart Bearing a Large Tree Trunk
undated
James Bruce Study for Man Playing a Harp
James Bruce, 1730–1794
Study for Man Playing a Harp
undated
James Bruce Man Playing a Harp
James Bruce, 1730–1794
Man Playing a Harp
undated
Thomas Gainsborough A Milkmaid Climbing a Stile
Thomas Gainsborough, 1727–1788
A Milkmaid Climbing a Stile
ca. 1750
Alexander Bannerman Boit. Baker.
Alexander Bannerman, ca. 1730–1780
Boit. Baker
undated
Pierre Charles Canot Moonlight
Print made by Pierre Charles Canot, ca. 1710–1777
Moonlight
1745
Guillaume Philippe Benoist Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
Guillaume Philippe Benoist The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
Guillaume Philippe Benoist Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
Guillaume Philippe Benoist Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
Isaac Taylor Unidentified Periodical / Play Illustration
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
Isaac Taylor Unidentified Periodical / Play Illustration
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
Isaac Taylor Unidentified Periodical / Play Illustration
Isaac Taylor, 1730–1807
Unidentified Periodical / Play Illustration
undated
Pierre Charles Canot Night and a Ship on Fire
Print made by Pierre Charles Canot, ca. 1710–1777
Night and a Ship on Fire
1745
Pierre Charles Canot Noon
Print made by Pierre Charles Canot, ca. 1710–1777
Noon
1745
Pierre Charles Canot Moonlight
Print made by Pierre Charles Canot, ca. 1710–1777
Moonlight
1745
Pierre Charles Canot Sun Under a Cloud
Print made by Pierre Charles Canot, ca. 1710–1777
Sun Under a Cloud
1745
Pierre Charles Canot Evening
Print made by Pierre Charles Canot, ca. 1710–1777
Evening
1745
Callender Voluntier
Print made by Callender, active mid–18th century
Voluntier
1745
Callender John's Coffee House
Print made by Callender, active mid–18th century
John's Coffee House
1745
Callender Study of a Man with a Cutlass
Print made by Callender, active mid–18th century
Study of a Man with a Cutlass
between 1745 and 1748