Phaeton with a Pair of Cream Ponies and a Stable-Lad
between 1780 and 1784
Not on view
2
George Stubbs, 1724–1806
Greenland Falcon
1780
Not on view
3
George Romney, 1734–1802
Mrs. Thomas Phipps
1780
Not on view
4
George Romney, 1734–1802
A Man Called Mr. Cross
ca. 1785
Not on view
5
Joseph Wright of Derby, 1734–1797
William and Margaret from Percy's 'Reliques of Ancient English Poetry'
ca. 1785
Not on view
6
George Morland, 1763–1804
Winter Landscape with Figures
ca. 1785
Not on view
7
Joseph Wright of Derby, 1734–1797
A Grotto in the Gulf of Salerno, Sunset
1780 to 1781
Not on view
8
Joseph Wright of Derby, 1734–1797
A Lake by Moonlight
1780 to 1782
Not on view
9
Paul Sandby, 1731–1809
An Unfinished View of the West Gate, Canterbury
between 1780 and 1785
Not on view
10
Joseph Wright of Derby, 1734–1797
Matlock Dale, looking toward Black Rock Escarpment
between 1780 and 1785
Not on view
11
Gilbert Stuart, 1755–1828
Colonel Isaac Barre
ca. 1785
Not on view
12
unknown artist
Brown Horse in a Hilly Landscape
ca. 1785
Not on view
13
Alexander Nasmyth, 1758–1840
Loch Awe, Argyllshire
ca. 1785
Not on view
14
Arthur William Devis, 1762–1822
Portrait of a Gentleman and an Indian Servant
ca. 1785
Not on view
15
Thomas Luny, 1759–1837
A Packet Boat Under Sail in a Breeze off the South Foreland
1780
Not on view
16
Benjamin West, 1738–1820
Study of the Lamentation on the Dead Christ
ca. 1785
Not on view
17
Anne Seymour Damer, 1748–1828
Bust of Niobe's Daughter, after the Antique
1780
Not on view
18
Josiah Wedgwood, 1730–1795
Horse Frightened by a Lion (Episode A)
modeled 1780
Not on view
19
James Tassie, 1735–1799
David Garrick
1780
Not on view
20
George Stubbs, 1724–1806
Tygers at Play
1780
21
Joseph Mallord William Turner, 1775–1851
Fisherman's Cottage, Dover
ca. 1790s
22
George Romney, 1734–1802
John Henderson as Falstaff
1780
23
Willey Reveley, 1760–1799
Views in the Levant: View of the domes and spires of Hagia Sophia, Istanbul
ca. 1785
24
Paul Sandby, 1731–1809
Views in the Levant: The Sacred Cave of Archidamus
ca. 1785
25
Paul Sandby, 1731–1809
James Gandon and Family
1780
26
Attributed to Thomas Harrison, 1744–1829
Laid Out Wall Plan of a Room for Clifton Castle
between 1780 and 1790
27
Attributed to Thomas Harrison, 1744–1829
Plan and Elevation for the Decoration of a Circular Dome for Clifton Castle, York
ca. 1780-1790
28
William Lewin, 1747–1795
Warbler: Reed Wren
before 1790
29
William Lewin, 1747–1795
Jackdaw
before 1790
30
Julius Tidd, active 1773–1779
A Bridal Pair (Figures copied from Hogarth's Rake's Progress)
1780
31
Paul Sandby, 1731–1809
Halfway House, Sadler's Wells
1780
32
Attributed to Thomas Harrison, 1744–1829
Variant Ceiling Plan for Clifton Castle
ca. 1780-1790
33
Attributed to Thomas Harrison, 1744–1829
Ceiling Plan for Clifton Castle
ca. 1780-1790
34
Attributed to Thomas Harrison, 1744–1829
Working Drawing for the Plasterwork of a Frieze for Clifton Castle
ca. 1780-1790
35
William Lewin, 1747–1795
Falcon: Hen Krestel
before 1790
36
William Lewin, 1747–1795
Hoopoe: Common Hoopoe
before 1790
37
William Lewin, 1747–1795
Roller: Garrulous Roller
before 1790
38
William Lewin, 1747–1795
Owl: Little Owl
before 1790
39
Jacob More, 1740–1793
Naples from Posillipo
1780's
40
Nicholas Pocock, 1740–1821
The Ranger, Private Ship of War, with her Prizes
1780
41
Paul Sandby, 1731–1809
Group of Figures: A Dogfight
ca. 1785
42
Angelica Kauffmann, 1741–1807
Seated Woman
1780
43
James Miller, active 1773–1814
Fountain's Boarding School, Marylebone
1780
44
William Marlow, 1740–1813
Rochester
1780
45
Robert Marris, 1750–1827
Waterfall near Lynton
1780
46
Thomas Hearne, 1744–1817
Goodrich Castle on the Wye
ca. 1785
47
unknown artist
Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style
ca. 1780-1790
48
unknown artist
Design for a blacksmith's shop
between 1780 and 1790
49
unknown artist
Design for Clifton Castle, Yorkshire: Plan and Elevation in the Classical Style
ca. 1780-1790
50
unknown artist
Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style
ca. 1780-1790
51
unknown artist
Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style
ca. 1780-1790
52
unknown artist
Design for Clifton Castle, Yorkshire: Plan and Elevation in the Romanesque Style
ca. 1780-1790
53
unknown artist
Design for stables, plan with 2 elevations
undated
54
unknown artist
Design for Clifton Castle, Yorkshire: Plan and Elevation in the Gothic Style
ca. 1780-1790
55
unknown artist
Study of a Woman Sewing and a Girl Reading
ca. 1785
56
Henry Tresham, 1751–1814
Playing at Dice, Trepani
between 1780 and 1790
57
Paul Sandby, 1731–1809
Italianate Landscape with Castle, Cascade and Anglers
between 1780 and 1790
58
Thomas Rowlandson, 1756–1827
Bucks of the First Head
ca. 1785
59
Print made by John Raphael Smith, 1752–1812
A Lady at Haymaking
1780
60
Print made by John Raphael Smith, 1752–1812
Proverbs, Chapter VII, verses 7, 10, 13
1780
61
Print made by John Raphael Smith, 1752–1812
A Man-Trap
c.1780
62
Thomas Rowlandson, 1756–1827
George Morland
between 1780 and 1799
63
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
64
Thomas Rowlandson, 1756–1827
An Audience Watching a Play at Drury Lane Theatre
ca. 1785
65
Francis Towne, 1740–1816
The Foot Bridge
1780
66
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1780
67
Rev. William Gilpin, 1724–1804
River Forth with the Town and Castle of Stirling in the Distance
1780
68
Joseph Farington, 1747–1821
Palace on a Cliff Above a River
1780-1789 (?)
69
Thomas Gainsborough, 1727–1788
Open Landscape with Horsemen and Covered Cart
between 1780 and 1788
70
Mary Hoare, 1744–1820
Arviragus, Bearing Imogen as Dead in his Arms, 'Cymbeline', Act IV, Scene II
1780
71
Prince Hoare, 1755–1834
Head of a Young Girl
1780
72
Joseph Farington, 1747–1821
Landscape with Trees by a Lake
1780-1789
73
Thomas Daniell, 1749–1840
William Daniell, the Artist's Nephew, Sketching a Ruined Temple at Zafarabad on the Gumti River
ca. 1785
74
Thomas Daniell, 1749–1840
Boats near a Dutch Folly Fort, Canton
ca. 1785
75
Willey Reveley, 1760–1799
Views in the Levant: The Colossus of Barletta
ca. 1785
76
John Hoppner, 1758–1810
A Young Man with a Horse, with Studies of Hounds and Dead Hare
ca. 1785
77
Thomas Rowlandson, 1756–1827
An English Postilion
ca. 1785
78
Thomas Bowles, ca. 1712–died 1753
A View of Amsterdam on each side the Old Rampart as seen from the Harbor
between 1780 and 1815
79
Thomas Bowles, ca. 1712–died 1753
A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
between 1780 and 1815
80
Thomas Bowles, ca. 1712–died 1753
A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
between 1780 and 1815
81
J. Couse, active 1750
The City of Lisbon as before the dreadful Earthquake of November 1st 1755;..
between 1780 and 1815
82
Thomas Bowles, ca. 1712–died 1753
A View of Little St. Mark's Place at Venice to the Sea
between 1780 and 1815
83
Remi Parr, active 1723–1750
A Front View of the Church of Madonna della Salute belonging to the Regulars of the Congregation of Somascha with their Monastry Situate on the Grand Canal of Venice
between 1780 and 1815
84
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
85
Thomas Colley, active 1780s
The English Lion Dismember'd
1780
86
William Hodges, 1744–1797
Original Drawings for Choix de Vues de L'Inde and Others, Volume III
between 1780 and 1788
87
William Hodges, 1744–1797
Original Drawings for Choix de Vues de L'Inde and Others, Volume I
between 1780 and 1788
88
William Hodges, 1744–1797
Original Drawings for Choix de Vues de L'Inde and Others, Volume II
between 1780 and 1788
89
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
90
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
91
unknown artist
[ man with a candle ]
178-?
92
Engraved by unknown artist
The Ladies' Shooting Poney
1780
93
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
94
Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mr. Giardini
1780
95
Print made by Francesco Bartolozzi, 1728–1815
Angelica Kauffman
1780
96
Thomas Bowles, ca. 1712–died 1753
A Perspective View of the Town and Fortifications of Malta
between 1780 and 1815
97
John Bowles, 1701–1779
A Perspective View of Venice
between 1780 and 1815
98
Nathaniel Parr, active 1742–1751
A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
between 1780-1815
99
Nathaniel Parr, active 1742–1751
The Great Place or Square of St. Mark as seen from the Great Clock. On the left side is the Portal of St. Marks Church. The magnificent Building on the side in front are the dwellings of the Procurators of St. Mark