Date: 1815 - YCBA Collections Search Search Results

201. Bullock's Museum Piccadilly

Creator:: Print made by unknown artist
Date:: 1815
Materials & Techniques:: Aquatint and etching hand colored in watercolor on medium, slightly textured, cream wove paper
Dimensions:: Sheet:
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

202. John Bacon Esqr., F. A. S.

Creator:: Print made by T. Blood, active 1812–1814
Date:: 1815
Materials & Techniques:: Stipple engraving on moderately thick, slightly textured, cream wove paper, laid in mount
Dimensions:: Sheet: 7 7/8 × 4 15/16 inches (20 × 12.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

203. John Greenhill

Creator:: Print made by George T Doo, 1800–1886
Date:: undated
Materials & Techniques:: Etching and engraving with chine collé on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 12 3/16 x 8 11/16 inches (30.9 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

204. Castle above a River, Woodcutters in the Foreground

Creator:: Peter DeWint, 1784–1849
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite on medium, rough, cream wove paper
Dimensions:: Sheet: 20 1/4 x 33 3/4 inches (51.4 x 85.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

205. House in Watergate Street, Chester, Dated 1593

Creator:: Print made by George Cuitt, 1779–1854
Date:: 1815
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

206. Les Montagnes Russes, ou la Passion du Jour

Creator:: Print made by unknown artist
Date:: between 1815 and 1820
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

207. A Clerical Manoeuvre or the Way to Finish a Charity Sermon

Creator:: Charles Williams, active 1796–1830
Date:: 1815
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

208. Harvesters in Landscape in Sussex

Creator:: Peter DeWint, 1784–1849
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite with scraping out on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 25 7/8 × 38 3/4 inches (65.7 × 98.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

209. A Potter Going Out

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1815 and 1820
Materials & Techniques:: Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 x 9 3/8 inches (15.2 x 23.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

210. An Old Coquette Outstood her Market

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1815 and 1820
Materials & Techniques:: Watercolor with pen and brown and red-brown ink, over graphite, with pen and gray ink wash line on border; verso: graphite and watercolor blots on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 5 1/8 inches (16.8 x 13 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

211. A Sporting Cove

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1815 and 1820
Materials & Techniques:: Watercolor with pen and brown ink over graphite; verso: watercolor blots on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 7 3/4 x 6 inches (19.7 x 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

212. Serving Punch

Creator:: Thomas Rowlandson, 1756–1827
Date:: between 1815 and 1820
Materials & Techniques:: Watercolor with pen and brown and gray ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 5/8 x 13 7/8 inches (24.4 x 35.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

213. Women Carrying Water Pots

Creator:: Jairam Das, active 1815–1840
Date:: between 1815 and 1840
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/8 × 8 inches (23.2 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

214. Household Servants with Provisions

Creator:: Jairam Das, active 1815–1840
Date:: between 1815 and 1840
Materials & Techniques:: Watercolor and gouache on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 1/2 × 8 inches (24.1 × 20.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan

215. Chatham Dockyard from Upnor

Creator:: unknown artist
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/2 × 9 1/2 inches (16.5 × 24.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

216. Sketch of the Appearance of the Russian Army, 152,000 Men at the Grand Review, September 10, 1815

Creator:: James Pattison Cockburn, 1779–1847
Date:: 1815
Materials & Techniques:: Pen and brown ink and brown wash on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 3 7/8 × 10 1/8 inches (9.8 × 25.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

217. Girl Leaning on a Chair

Creator:: unknown artist
Date:: ca. 1820
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 × 4 1/2 inches (19.1 × 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

218. Fishermen Drawing a Net

Creator:: David Cox, 1783–1859
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 3 1/2 x 4 inches (8.9 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

219. South-East View of the Church of Ifs, Near Caen, Normandy

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1820
Materials & Techniques:: Graphite and brown wash on medium smooth cream wove paper
Dimensions:: Sheet: 18 1/4 x 11 3/8 inches (46.4 x 28.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

220. View of Frocklan Island

Creator:: William Daniell, 1769–1837
Date:: 1815
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 5/8 x 9 1/8 inches (16.8 x 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

221. From Loch Creran, Pass of Jura

Creator:: William Daniell, 1769–1837
Date:: 1815
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 × 9 1/8 inches (15.6 × 23.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

222. Breadnut (Artocarpus camansi)

Creator:: Unknown artist (Company style)
Date:: ca. 1820
Materials & Techniques:: Watercolor, gouache, and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 15 × 19 1/4 inches (38.1 × 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

223. Great Snoring Church, Norfolk

Creator:: John Sell Cotman, 1782–1842
Date:: 1815 to 1816
Materials & Techniques:: Graphite on medium, moderately textured, cream wove paper
Dimensions:: Sheet: 6 x 9 1/4 inches (15.2 x 23.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

224. A Chest in Dersingham Church, Norfolk

Creator:: John Sell Cotman, 1782–1842
Date:: 1815
Materials & Techniques:: Graphite and gray wash on medium, smooth, cream wove paper
Dimensions:: Sheet: 7 1/2 x 15 inches (19.1 x 38.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

225. The Princes in the Tower

Creator:: William Marshall Craig, 1763 or 1764–1829
Date:: ca. 1820
Materials & Techniques:: Brown ink with gray wash and watercolor on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 13/16 x 8 11/16 inches (27.5 x 22.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

226. Hamlet and the Ghost

Creator:: William Marshall Craig, 1763 or 1764–1829
Date:: ca. 1820
Materials & Techniques:: Brown ink with watercolor and gray wash on thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 x 8 3/16 inches (27.2 x 20.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

227. Macbeth and the Apparition of the Armed Head

Creator:: William Marshall Craig, 1763 or 1764–1829
Date:: ca. 1820
Materials & Techniques:: Brown ink with gray wash and watercolor over graphite on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 11 1/16 × 8 15/16 inches (28.1 × 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

228. Castle at Alencon

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1820
Materials & Techniques:: Graphite and brown wash on medium slightly textured cream wove paper
Dimensions:: Sheet: 9 1/2 x 13 inches (24.1 x 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

229. Ruin on a Lake, in the Manner of Richard Wilson

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1820
Materials & Techniques:: Graphite on medium smooth cream wove paper
Dimensions:: Sheet: 4 x 6 1/2 inches (10.2 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

230. Bridge and Tower, after Richard Wilson

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1820
Materials & Techniques:: Graphite on medium slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 x 6 1/2 inches (10.5 x 16.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

231. Font at Dersingham Church, Norfolk

Creator:: John Sell Cotman, 1782–1842
Date:: 1815
Materials & Techniques:: Watercolor over graphite on medium, smooth cream wove paper
Dimensions:: Sheet: 7 1/4 x 6 1/4 inches (18.4 x 15.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

232. Bridge and Ruin, after Richard Wilson; On the Tiber

Creator:: John Sell Cotman, 1782–1842
Date:: ca. 1820
Materials & Techniques:: Graphite and black chalk on medium slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/8 x 6 5/8 inches (10.5 x 16.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

233. Beach Scene - Sunrise

Creator:: David Cox, 1783–1859
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 x 7 1/2 inches (12.7 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

234. Man Leaning on a Fence

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1815
Materials & Techniques:: Graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 8 3/4 × 6 inches (22.2 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

235. Study for a Monument to the Reverend John Clowes

Creator:: John Flaxman, 1755–1826
Date:: ca. 1820
Materials & Techniques:: Gray ink with brown wash and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 7 1/2 x 10 3/8 inches (19.1 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

236. Ariadne Watching the Struggle of Theseus with the Minotaur

Creator:: Henry Fuseli, 1741–1825
Date:: 1815 to 1820
Materials & Techniques:: Brown wash, oil, white gouache, white chalk, gum and graphite on moderately thick, moderately textured, beige wove paper
Dimensions:: Sheet: 24 3/8 × 19 3/4 inches (61.9 × 50.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

237. No.3, The Windmill, Parker's Warehouse, etc., Taken from Mr. Russell's

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

238. No.4, The Parson of Clerk Rock, Part of the Warren, Babbacombe and Hills Towards Torquay, Taken from the Beacon

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

239. No.6, The Lime Kilns and Country towards Littleham, Taken near Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

240. No.5, The Rocks, Towards Salterton, Taken from the Fields Beyond the Beacon

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

241. No.8, The Milk House, Part of the Warren of Haldon in the Distance, Taken from the Lime Kilns

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

242. No.10, The Milk House, Lime Kilns, Webber's Farm, etc., Going from Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

243. No.7, The Lime Kilns and Mr. Williamson's House, Returning from the Rocks

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

244. No.9, The Milk House, Warren, etc. Returning to Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

245. No.12, Part of the Warren, Dr. Drury's, etc.

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

246. No.15, The Windmill, Parker's Warehouse with Powderham in the Distance

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

247. No.11, The Rocks Going towards Salterton

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

248. No.14, The Beacon, Taken from the Windmill

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

249. No.13, The Beacon, General Legder's, Star Cross, etc., Taken from the Beacon Fields

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

250. No.16, Lympstone Rock and Topsham Taken from the Windmill, Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

251. No.17, The Rocks, towards Salterton, Taken near the Windmill, Exmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

252. No.18, Berry Head, etc., Taken at Dawlish

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

253. No.20, Berry Head, Parson of Clerk Rock etc., Taken from Dawlish

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

254. No.21, The Signal Station and Rocks towards Salterton, Taken from Dawlish Beach

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

255. No.19, Parson of Clerk Rock, Taken between Dawlish and Teignmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

256. No.22, The Beacon, Exmouth, Taken from Wills's Green near Teignmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

257. No.23, Babbacombe and Entrance to Torquay, Taken near Shaldon

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

258. No.24, Shaldon and Hills towards Torquay, Taken from the Passage at Teignmouth

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

259. Eastern Side of Torquay, Taken from Tor Abbey

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

260. Western Side of Torquay, Tor Abbey Lies behind this Hill

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

261. Mamhead, Starcross, etc.

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

262. Chapel, Library, Fishmarket, Beacon

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

263. Lympstone, Mr. Hornell's House and Farm, The Embankment

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

264. Panoramic View from Berry Head to Powderham

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

265. Elkanah, Hannah and Samuel

Creator:: Print made by George Graham, active 1786–1813
Date:: 1815
Materials & Techniques:: Mezzotint (proof without letters) on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 20 3/4 × 25 5/8 inches (52.7 × 65.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

266. Album Drawings

Creator:: Charles Hamilton Smith, 1776–1859
Date:: ca. 1820
Materials & Techniques:: Watercolor and graphite on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 16 1/8 × 12 7/8 inches (41 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

267. No.2, Lympstone, Topsham, Exeter Cathedral & Country around Exeter

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

268. Reverend Michael Lort

Creator:: James Stow, ca. 1770–after 1820
Date:: 1815
Materials & Techniques:: Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 × 8 1/8 inches (27 × 20.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

269. Remains of Winchester Palace, Southwark (for the Antiquarian Itinerary); page 96 (Volume Three)

Creator:: J. C. Varrall, active 1815–1827
Date:: 1815
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

270. David Wilkie, Esq. R.A.

Creator:: Henry Hoppner Meyer, ca. 1782–1847
Date:: 1815
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

271. Four Engravings of Landscape. London, 1815

Creator:: unknown artist
Date:: 1815
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

272. The Prince Regent, the Emperor of Russia and the King of Prussia, etc. at a Review in Hyde Park on 20th June 1814

Creator:: Alexander Saverwied, active 1815
Date:: 1815
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

273. View of Elba and Porto Ferrajo

Creator:: Henry Aston Barker, 1774–1856
Date:: 1815
Materials & Techniques:: Pen and black ink, red ink, and gray wash on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 15 3/8 × 12 7/8 inches (39.1 × 32.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

274. The Admiralty and Horse Guards

Creator:: James S. Storer, 1771–1853
Date:: 1815
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

275. The Bishop of Winchester's Palace in Southwark

Creator:: George Hawkins, 1819–1852
Date:: 1815
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

276. Structural details and ornaments of Winchester Palace

Creator:: Barak Longmate Jr., ca. 1768–1836
Date:: 1815
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

277. North West View of the Hall of Winchester Palace, Southwark

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1815
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

278. The Pilgrim's Progress Illustrated, Uncut Panorama

Creator:: Print made by Ralph Hudson, active ca. 1820
Date:: ca. 1820
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 22 1/8 inches (30.5 × 56.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

279. Pilgrim's Progress Illustrated, Uncut Panorama

Creator:: Print made by Ralph Hudson, active ca. 1820
Date:: ca. 1820
Materials & Techniques:: Etching and aquatint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 12 × 22 1/2 inches (30.5 × 57.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

280. Views Taken at Exmouth and in Its Vicinity, Title Page, The Passage House

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

281. Sir Toby Belch, 1800

Creator:: Richard James Lane, 1800–1872
Date:: between 1815 and 1838
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

282. Signor Curione as Giasone (Volume of 102 lithographs)

Creator:: John Hayter, 1800–1895
Date:: undated
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

283. Madame Pasta as Desdemona (Volume of 102 lithographs)

Creator:: John Hayter, 1800–1895
Date:: undated
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

284. Italian Churches

Creator:: Henry Shaw, 1800–1873
Date:: undated
Materials & Techniques:: Graphite, pen and black ink, brown wash on slightly textured, medium, cream wove paper
Dimensions:: Sheet: 6 1/16 × 5 inches (15.4 × 12.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

285. Views Taken at Exmouth and in Its Vicinity. Exmouth, 1815-1816

Creator:: unknown artist
Date:: 1815-1816
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

286. Thomas Stothard, Esq. R.A.

Creator:: Henry Hoppner Meyer, ca. 1782–1847
Date:: 1815
Materials & Techniques:: Stipple engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

287. The Banqueting House, Whitehall

Creator:: unknown artist
Date:: 1815
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

288. Dr. Samuel Johnson

Creator:: unknown artist
Date:: 1815
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 3/8 x 3 3/4in. (16.2 x 9.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

289. Dr. Samuel Johnson

Creator:: unknown artist
Date:: 1815
Materials & Techniques:: Engraving
Dimensions:: Sheet: 6 3/8 x 3 3/4in. (16.2 x 9.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

290. St. Frideswide's Shrine, in Christ-Church Cathedral

Creator:: Print made by Joseph Skelton, active 1820–1850
Date:: 1815
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/4 × 19 1/2 inches (36.2 × 49.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Linda G. Mitchell and David M. Doret, Yale BA 1968

291. North-Country Mails at the Peacock, Islington

Creator:: James Pollard, 1792–1867
Date:: 1815 to 1823
Materials & Techniques:: Graphite and pen and brown ink, numbered for transfer on medium, slightly textured, beige wove paper, mounted on board
Dimensions:: Sheet: 22 7/8 x 31 7/8 inches (58.1 x 81 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

292. Sir Thomas Bernard, Bart. L.L.D.

Creator:: Print made by Charles Picart, c.1780–1837
Date:: 1815
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 17 1/4 × 14 3/8 inches (43.8 × 36.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

293. Conversation cards, or, Pleasing pastimes for winter evenings : [game]

Date:: [ca. 1815?]
Physical Description:: [26] pictorial cards : ill. ; 65 x 45 mm.
Collection:: Rare Books and Manuscripts

294. Violettes du 20 Mars 1815 / Cana fecit.

Creator:: Canu, Jean Dominique Etienne, 1768–
Date:: 20 Mars 1815
Physical Description:: 1 print : hand colored engraving. ; 14 x 10 cm, on sheet 25 x 18 cm
Collection:: Rare Books and Manuscripts

295. Corporal Violette!!

Date:: [1815?]
Physical Description:: 1 sheet ([1] page) ; 31 x 21 cm
Collection:: Rare Books and Manuscripts

296. Passions of the soul and the anatomy of the human face : delineated in a series of twenty-four chalk engraved heads / by Henry Singleton, Esq. ; and engraved by Charles Knight.

Passions of the soul and the anatomy of the human face : delineated in a series of twenty-four chalk engraved heads / by Henry Singleton, Esq. ; and engraved by Charles Knight.

Date:: 1815
Collection:: Rare Books and Manuscripts

297. Walkers' tour through France. Being a new geographical game, containing many interesting particulars of the present state of the principal cities, towns, villages, mountains, rivers, &c. in that kingdom.

Walkers' tour through France. Being a new geographical game, containing many interesting particulars of the present state of the principal cities, towns, villages, mountains, rivers, &c. in that kingdom.

Date:: 1815
Physical Description:: 1 game ; 53 x 55 cm. fold. to 18 x 15 cm. & booklet (84 p.)
Collection:: Rare Books and Manuscripts

298. Billhead recording fabric purchased by Robert Campbell, Esq. from John Sinclair, Edinburgh.

Creator:: Sinclair, John, active 1815
Date:: 1815
Physical Description:: 1 sheet ; 20 x 13 cm
Collection:: Rare Books and Manuscripts

299. Views in St. Helena.

Creator:: Tobin, George, 1768–1838
Date:: [Nov. 1, 1815]
Physical Description:: [1] leaf, [4] leaves of plates : illustrations ; 35 cm x 51 cm
Collection:: Rare Books and Manuscripts

300. Advantages of the Cremerian Boot : to elevate the wearer : to improve the instep : to produce an arched and hollow waist : to give a symmetrical form to the foot.

Advantages of the Cremerian Boot : to elevate the wearer : to improve the instep : to produce an arched and hollow waist : to give a symmetrical form to the foot.

Creator:: Cremer & Co. (Firm : London, England)
Date:: 1851
Physical Description:: 1 sheet : illustrations ; 21 cm
Collection:: Rare Books and Manuscripts

YCBA Collections Search

Refine your search

Search Constraints

Date 1815

Search Results

201. Bullock's Museum Piccadilly

202. John Bacon Esqr., F. A. S.

203. John Greenhill

204. Castle above a River, Woodcutters in the Foreground

205. House in Watergate Street, Chester, Dated 1593

206. Les Montagnes Russes, ou la Passion du Jour

207. A Clerical Manoeuvre or the Way to Finish a Charity Sermon

208. Harvesters in Landscape in Sussex

209. A Potter Going Out

210. An Old Coquette Outstood her Market

211. A Sporting Cove

212. Serving Punch

213. Women Carrying Water Pots

214. Household Servants with Provisions

215. Chatham Dockyard from Upnor

216. Sketch of the Appearance of the Russian Army, 152,000 Men at the Grand Review, September 10, 1815

217. Girl Leaning on a Chair

218. Fishermen Drawing a Net

219. South-East View of the Church of Ifs, Near Caen, Normandy

220. View of Frocklan Island

221. From Loch Creran, Pass of Jura

222. Breadnut (Artocarpus camansi)

223. Great Snoring Church, Norfolk

224. A Chest in Dersingham Church, Norfolk

225. The Princes in the Tower

226. Hamlet and the Ghost

227. Macbeth and the Apparition of the Armed Head

228. Castle at Alencon

229. Ruin on a Lake, in the Manner of Richard Wilson

230. Bridge and Tower, after Richard Wilson

231. Font at Dersingham Church, Norfolk

232. Bridge and Ruin, after Richard Wilson; On the Tiber

233. Beach Scene - Sunrise

234. Man Leaning on a Fence

235. Study for a Monument to the Reverend John Clowes

236. Ariadne Watching the Struggle of Theseus with the Minotaur

237. No.3, The Windmill, Parker's Warehouse, etc., Taken from Mr. Russell's

238. No.4, The Parson of Clerk Rock, Part of the Warren, Babbacombe and Hills Towards Torquay, Taken from the Beacon

239. No.6, The Lime Kilns and Country towards Littleham, Taken near Exmouth

240. No.5, The Rocks, Towards Salterton, Taken from the Fields Beyond the Beacon

241. No.8, The Milk House, Part of the Warren of Haldon in the Distance, Taken from the Lime Kilns

242. No.10, The Milk House, Lime Kilns, Webber's Farm, etc., Going from Exmouth

243. No.7, The Lime Kilns and Mr. Williamson's House, Returning from the Rocks

244. No.9, The Milk House, Warren, etc. Returning to Exmouth

245. No.12, Part of the Warren, Dr. Drury's, etc.

246. No.15, The Windmill, Parker's Warehouse with Powderham in the Distance

247. No.11, The Rocks Going towards Salterton

248. No.14, The Beacon, Taken from the Windmill

249. No.13, The Beacon, General Legder's, Star Cross, etc., Taken from the Beacon Fields

250. No.16, Lympstone Rock and Topsham Taken from the Windmill, Exmouth

251. No.17, The Rocks, towards Salterton, Taken near the Windmill, Exmouth

252. No.18, Berry Head, etc., Taken at Dawlish

253. No.20, Berry Head, Parson of Clerk Rock etc., Taken from Dawlish

254. No.21, The Signal Station and Rocks towards Salterton, Taken from Dawlish Beach

255. No.19, Parson of Clerk Rock, Taken between Dawlish and Teignmouth

256. No.22, The Beacon, Exmouth, Taken from Wills's Green near Teignmouth

257. No.23, Babbacombe and Entrance to Torquay, Taken near Shaldon

258. No.24, Shaldon and Hills towards Torquay, Taken from the Passage at Teignmouth

259. Eastern Side of Torquay, Taken from Tor Abbey

260. Western Side of Torquay, Tor Abbey Lies behind this Hill

261. Mamhead, Starcross, etc.

262. Chapel, Library, Fishmarket, Beacon

263. Lympstone, Mr. Hornell's House and Farm, The Embankment

264. Panoramic View from Berry Head to Powderham

265. Elkanah, Hannah and Samuel

266. Album Drawings

267. No.2, Lympstone, Topsham, Exeter Cathedral & Country around Exeter

268. Reverend Michael Lort

269. Remains of Winchester Palace, Southwark (for the Antiquarian Itinerary); page 96 (Volume Three)

270. David Wilkie, Esq. R.A.

271. Four Engravings of Landscape. London, 1815

272. The Prince Regent, the Emperor of Russia and the King of Prussia, etc. at a Review in Hyde Park on 20th June 1814

273. View of Elba and Porto Ferrajo

274. The Admiralty and Horse Guards

275. The Bishop of Winchester's Palace in Southwark