Date: 1821 / Image Use: Free to Use - YCBA Collections Search Search Results

1. Hampstead Heath Looking Towards Harrow

Creator:: John Constable, 1776–1837
Date:: 1821
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 10 3/8 x 12 1/4 inches (26.4 x 31.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Study of Hollyhocks

Creator:: Attributed to John Constable, 1776–1837
Date:: ca. 1826
Materials & Techniques:: Oil on board
Dimensions:: 9 1/2 x 7 inches (24.1 x 17.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Fire in London, Seen from Hampstead

Creator:: Attributed to John Constable, 1776–1837
Date:: ca. 1826
Materials & Techniques:: Oil on paper laid on panel
Dimensions:: 3 3/4 x 6 inches (9.5 x 15.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Cloud Study, Early Morning, Looking East from Hampstead

Creator:: John Constable, 1776–1837
Date:: 1821
Materials & Techniques:: Oil on paper on board
Dimensions:: 5 3/4 x 12 3/4 inches (14.6 x 32.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Parham Mill, Gillingham

Creator:: John Constable, 1776–1837
Date:: ca. 1826
Materials & Techniques:: Oil on canvas
Dimensions:: 19 3/4 x 23 3/4 inches (50.2 x 60.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

6. Cloud Study

Creator:: John Constable, 1776–1837
Date:: 1821
Materials & Techniques:: Oil on paper laid on panel
Dimensions:: 8 3/8 x 11 1/2 inches (21.3 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

7. Cloud Study

Creator:: John Constable, 1776–1837
Date:: 1821
Materials & Techniques:: Oil on paper laid on board
Dimensions:: 9 3/4 x 11 7/8 inches (24.8 x 30.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

8. Cloud Study

Creator:: John Constable, 1776–1837
Date:: 1821
Materials & Techniques:: Oil on paper on board
Dimensions:: 9 3/4 x 11 7/8 inches (24.8 x 30.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

9. Cloud Study with Trees

Creator:: John Constable, 1776–1837
Date:: 1821
Materials & Techniques:: Oil on paper on board
Dimensions:: 6 3/4 × 12 inches (17.1 × 30.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Hampstead Heath looking towards Harrow

Creator:: John Constable, 1776–1837
Date:: 1821 to 1822
Materials & Techniques:: Oil on paper laid on canvas
Dimensions:: 11 5/8 x 19 inches (29.5 x 48.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. The Erechtheum, Athens, with Figures in the Foreground

Creator:: Sir Charles Lock Eastlake, 1793–1865
Date:: 1821
Materials & Techniques:: Oil on canvas
Dimensions:: 26 3/8 x 35 1/4 inches (67 x 89.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

12. A View of Trajan's Forum, Rome

Creator:: Sir Charles Lock Eastlake, 1793–1865
Date:: 1821
Materials & Techniques:: Oil on canvas
Dimensions:: 24 3/8 × 20 1/8 inches (61.9 × 51.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

13. A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1826
Materials & Techniques:: Oil on canvas
Dimensions:: 18 1/4 x 15 inches (46.4 x 38.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. Bologna

Creator:: unknown artist
Date:: ca. 1826
Materials & Techniques:: Oil on paper, laid on canvas
Dimensions:: 9 x 12 3/4 inches (22.9 x 32.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. William Howley, Bishop of London (1766-1848)

Creator:: Sir Francis Leggatt Chantrey, 1781–1841
Date:: 1821
Materials & Techniques:: Marble
Dimensions:: Overall: 23 × 13 1/2 × 10 1/2 inches (58.4 × 34.3 × 26.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Robert Stewart, Viscount Castlereagh

Creator:: Sir Francis Leggatt Chantrey, 1781–1841
Date:: 1821
Materials & Techniques:: Marble
Dimensions:: Overall: 30 x 22 x 8 1/4 inches (76.2 x 55.9 x 21 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. An Unknown Man

Creator:: Peter Turnerelli, 1774–1839
Date:: 1821
Materials & Techniques:: Marble
Dimensions:: Overall: 22 x 13 1/2 x 9 1/2 inches (55.9 x 34.3 x 24.1 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. Harvest under a Crescent Moon

Creator:: Print made by Samuel Palmer, 1805–1881
Date:: ca. 1826
Materials & Techniques:: Wood engraving on thin, smooth, cream laid paper
Dimensions:: Sheet: 5 13/16 x 5 1/4 inches (14.8 x 13.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. At Hailsham, Sussex: a Storm Approaching

Creator:: Samuel Palmer, 1805–1881
Date:: 1821
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 8 1/4 × 12 1/2 inches (21 × 31.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. Ship in a Storm

Creator:: Print made by Joseph Mallord William Turner, 1775–1851
Date:: ca. 1826
Materials & Techniques:: Mezzotint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. Illustrations of Imitation of Eclogue I, Page 14

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Illustrations of Imitation of Eclogue I, Page 17

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Illustrations of Imitation of Eclogue I, Page 18

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

24. Illustrations of Imitation of Eclogue I, Page 15

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Illustrations of Eclogue I, Introductory, The Giant Polypheme

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Theocritus

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. Illustrations of Imitation of Eclogue I, Page 16

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. From Antique Coins

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Caius Julius Cæsar

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Octavius Augustus Cæsar

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Epicurus

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. Illustrations of Imitation of Eclogue I, Frontispiece

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Publius Virgilius Maro

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Thenot and Colinet, Frontispiece; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Thenot Remonstrates with Colinet; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Thenot and Colinet Converse Seated between Two Trees; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. Thenot Remonstrates with Colinet, Lightfoot in the Distance; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 × 6 inches (12.1 × 15.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Thenot, with Colinet Waving his Arms in Sorrow; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. The Blighted Corn; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Nor Fox, nor Wolf, nor Rat among Our Sheep; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Sabrina's Silvery Flood; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Colinet's Fond Desire Strange Lands to Know; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. A Rolling Stone is Ever Bare of Moss; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Colinet Rests by a Stream at Night; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Colinet with his Shepherd's Pipe, Mocked by Two Boys; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. For Him Our Yearly Wakes and Feasts We Hold; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Thenot and Colinet Folding their Flocks together at Sunset; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Thenot and Colinet at Supper; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. With Songs the Jovial Hinds Return from Plow; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. And Unyok'd Heifers, Loitering Homewards, Low; Imitation of Eclogue I

Creator:: Wood block engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Electrotype from original wood-engraved block on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Wood Engravings of William Blake for Thornton's 'Pastorals of Virgil'

Creator:: Wood blocks engraved by William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Seventeen electrotypes taken from the original wood-engraved blocks, each in a small folio with letterpress text on Japanese Hosho paper
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. The Pastorals of Virgil, Volume 2

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. The Pastorals of Virgil, Volume 1

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. Goetz Von Berlichingen Before The Imperial Magistrate

Creator:: Richard Parkes Bonington, 1802–1828
Date:: ca. 1826
Materials & Techniques:: Pen and brown ink and brown wash with graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 3/4 x 4 inches (12.1 x 10.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of John Morton Morris

55. Cottage with People

Creator:: Print made by Joseph Stannard, 1797–1830
Date:: ca. 1826
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. Taming of the Shrew

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 17 1/8 x 11 5/8 inches (43.5 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. Merry Wives of Windsor

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Engraving
Dimensions:: Image: 4 x 3in. (10.2 x 7.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. Merry Wives of Windsor

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Engraving
Dimensions:: Image: 4 x 3in. (10.2 x 7.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. Taming of the Shrew

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Engraving
Dimensions:: Image: 4 x 3in. (10.2 x 7.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Tempest

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Engraving
Dimensions:: Image: 4 x 3in. (10.2 x 7.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. Tempest

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Line engraving on medium, smooth, cream wove paper
Dimensions:: Sheet: 11 x 7 1/2 inches (27.9 x 19.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Merry Wives of Windsor

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Engraving
Dimensions:: Image: 4 x 3in. (10.2 x 7.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Description of the Celebrated Suspended Wooden Bridge

Creator:: Charles Augustus Busby, 1788–1834
Date:: 1821
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Single Brig with Union Jack and Three Figures

Creator:: Joseph Cartwright, c.1789–1829
Date:: 1821
Materials & Techniques:: Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Dimensions:: Mount: 12 1/16 × 16 13/16 inches (30.6 × 42.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

65. Choquer

Creator:: Print made by George Arnald, 1763–1841
Date:: 1821
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 8 7/16 × 11 inches (21.4 × 28 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

66. Choquer

Creator:: Print made by George Arnald, 1763–1841
Date:: 1821
Materials & Techniques:: Etching and mezzotint, printed in brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 11/16 × 11 1/8 inches (22 × 28.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

67. Edinbourgh vu de la Chapelle S. Antoine

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: ca. 1826
Materials & Techniques:: Lithograph on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 7/16 x 13 3/16 inches (26.5 x 33.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Les Pendus

Creator:: Print made by Richard Parkes Bonington, 1802–1828
Date:: ca. 1826
Materials & Techniques:: Lithograph on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 3/4 x 8 3/8 inches (17.2 x 21.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Horses Exercising

Creator:: Charles J. Hullmandel, 1789–1850
Date:: 1821
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Stephano and Trinculo with Caliban

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Brown wash with gouache and oil over graphite on medium, smooth, cream wove paper
Dimensions:: Sheet: 6 x 4 1/4 inches (15.2 x 10.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Ferdinand Reunited with his Father

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, and gouache on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 15/16 x 4 5/16 inches (15.1 x 11 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Christopher Sly and the Page, as His Wife

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache, and oil on moderately thick, slightly textured, beige wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 7/16 x 4 7/16 inches (16.3 x 11.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Katherina and Grumio

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache, oil, and graphite on moderately thick, slightly textured, cream beige paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 3/8 x 4 3/8in. (16.2 x 11.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Ford in a Rage After Seeing Falstaff

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 15/16 x 4 1/2 inches (15.1 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Falstaff at Herne's Oak

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/16 x 4 1/2 inches (18.6 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Master William Page and Sir Hugh Evans

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Pen and brown ink, brown wash, gouache and oil on moderately thick, slightly textured, cream wove paper pasted on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 7 5/16 x 4 1/2 inches (18.5 x 11.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. Tempest

Creator:: Robert Smirke, 1752–1845
Date:: 1821
Materials & Techniques:: Engraving
Dimensions:: Image: 4 x 3in. (10.2 x 7.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The Three Swords

Creator:: Print made by unknown artist
Date:: 1821
Materials & Techniques:: Watercolor, (As issued (colored by hand)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. Floating Dock at Rotherhithe

Creator:: James C. Allen, active 1821–1831
Date:: undated
Materials & Techniques:: Engraving on smooth, moderately thick, white wove paper
Dimensions:: Sheet: 8 5/16 × 10 3/8 inches (21.1 × 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. A Scene in the New Farce - as Performed at the Royalty Theatre!

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1821
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/2 × 13 5/8 inches (24.2 × 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

81. Mr. W. J. Hammond and Miss Daly as Othello and Desdemona at the New Strand Theatre

Creator:: Print made by John W. Gear, 1806–1866
Date:: undated
Materials & Techniques:: Lithograph with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/16 x 14 9/16 inches (26.2 x 37 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

82. The Celebrated Wooden Bridge across the Delaware at Trenton

Creator:: Charles Augustus Busby, 1788–1834
Date:: 1821
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. The Church of St. Laurent

Creator:: John Skinner Prout, 1806–1876
Date:: undated
Materials & Techniques:: Watercolor, pen and black ink and white gouache on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 21 5/8 × 13 inches (54.9 × 33 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

84. Plan of Westminster Abbey and Environs for the Coronation of George IV

Creator:: James Wyld, 1790–1836
Date:: 1821
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

85. The Arms and Seals of the Priory and Convent of St. Saviour at Bermondsey

Creator:: Bartholomew Howlett, 1767–1827
Date:: 1821
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Part of the Choir wiith the remains of the South Transept of St. Barts the Great

Creator:: unknown artist
Date:: 1821
Materials & Techniques:: Engraving
Dimensions:: Sheet: 12 5/16 x 10 3/16in. (31.3 x 25.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. A General Ground Plan of the Church Cloisters etc, of the Priory of St. Barts the Great

Creator:: unknown artist
Date:: 1821
Materials & Techniques:: Engraving
Dimensions:: Sheet: 16 1/2 x 13 1/4in. (41.9 x 33.7cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. Interior of Salters Hall Meeting

Creator:: Thomas Hosmer Shepherd, 1792–1864
Date:: 1821
Materials & Techniques:: Watercolor
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. Enfield Church, Middlesex, Outer Suburb North

Creator:: unknown artist
Date:: 1821
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. Bridge of the Sambre at Namur

Creator:: Print made by William Ward, 1766–1826
Date:: 1821
Materials & Techniques:: Etching and mezzotint; proof on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 9 × 11 5/8 inches (22.9 × 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

91. The Right Honorable George Lord Anson

Creator:: James McArdell, ca. 1729–1765
Date:: 1821
Materials & Techniques:: Mezzotint
Dimensions:: Sheet: 11 x 14 7/8in. (27.9 x 37.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. J. Richardson Dilworth

92. Revolutionaire Oct 7 1821

Creator:: Joseph Cartwright, c.1789–1829
Date:: 1821
Materials & Techniques:: Watercolor, pen and brown ink, and graphite on medium, moderately textured, beige wove paper
Dimensions:: Mount: 15 1/16 × 17 inches (38.3 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

93. Revolutionaire July 20, 1821

Creator:: Joseph Cartwright, c.1789–1829
Date:: 1821
Materials & Techniques:: Pen and brown ink, gray wash, and graphite on medium, slightly textured, beige wove paper
Dimensions:: Mount: 9 7/16 × 16 11/16 inches (24 × 42.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

94. Tom, Jerry and Logic 'tasting' Wine...

Creator:: George Cruikshank, 1792–1878
Date:: 1821
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

95. Jerry 'beat to a standstill!'

Creator:: George Cruikshank, 1792–1878
Date:: 1821
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

96. Art of self defense

Creator:: George Cruikshank, 1792–1878
Date:: 1821
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

97. Ups and downs of life in London

Creator:: George Cruikshank, 1792–1878
Date:: 1821
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

98. Life in London, Peep o'day Boys

Creator:: George Cruikshank, 1792–1878
Date:: 1821
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

99. Tom, Jerry and Logic making the most of an evening...

Creator:: George Cruikshank, 1792–1878
Date:: 1821
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale University Art Gallery Collection

100. The 'ne plus ultra' of 'Life in London'...

Creator:: George Cruikshank, 1792–1878
Date:: 1821
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Yale University Art Gallery Collection

YCBA Collections Search

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Date 1821

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Search Results

1. Hampstead Heath Looking Towards Harrow

2. Study of Hollyhocks

3. Fire in London, Seen from Hampstead

4. Cloud Study, Early Morning, Looking East from Hampstead

5. Parham Mill, Gillingham

6. Cloud Study

7. Cloud Study

8. Cloud Study

9. Cloud Study with Trees

10. Hampstead Heath looking towards Harrow

11. The Erechtheum, Athens, with Figures in the Foreground

12. A View of Trajan's Forum, Rome

13. A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )

14. Bologna

15. William Howley, Bishop of London (1766-1848)

16. Robert Stewart, Viscount Castlereagh

17. An Unknown Man

18. Harvest under a Crescent Moon

19. At Hailsham, Sussex: a Storm Approaching

20. Ship in a Storm

21. Illustrations of Imitation of Eclogue I, Page 14

22. Illustrations of Imitation of Eclogue I, Page 17

23. Illustrations of Imitation of Eclogue I, Page 18

24. Illustrations of Imitation of Eclogue I, Page 15

25. Illustrations of Eclogue I, Introductory, The Giant Polypheme

26. Theocritus

27. Illustrations of Imitation of Eclogue I, Page 16

28. From Antique Coins

29. Caius Julius Cæsar

30. Octavius Augustus Cæsar

31. Epicurus

32. Illustrations of Imitation of Eclogue I, Frontispiece

33. Publius Virgilius Maro

34. Thenot and Colinet, Frontispiece; Imitation of Eclogue I

35. Thenot Remonstrates with Colinet; Imitation of Eclogue I

36. Thenot and Colinet Converse Seated between Two Trees; Imitation of Eclogue I

37. Thenot Remonstrates with Colinet, Lightfoot in the Distance; Imitation of Eclogue I

38. Thenot, with Colinet Waving his Arms in Sorrow; Imitation of Eclogue I

39. The Blighted Corn; Imitation of Eclogue I

40. Nor Fox, nor Wolf, nor Rat among Our Sheep; Imitation of Eclogue I

41. Sabrina's Silvery Flood; Imitation of Eclogue I

42. Colinet's Fond Desire Strange Lands to Know; Imitation of Eclogue I

43. A Rolling Stone is Ever Bare of Moss; Imitation of Eclogue I

44. Colinet Rests by a Stream at Night; Imitation of Eclogue I

45. Colinet with his Shepherd's Pipe, Mocked by Two Boys; Imitation of Eclogue I

46. For Him Our Yearly Wakes and Feasts We Hold; Imitation of Eclogue I

47. Thenot and Colinet Folding their Flocks together at Sunset; Imitation of Eclogue I

48. Thenot and Colinet at Supper; Imitation of Eclogue I

49. With Songs the Jovial Hinds Return from Plow; Imitation of Eclogue I

50. And Unyok'd Heifers, Loitering Homewards, Low; Imitation of Eclogue I

51. The Wood Engravings of William Blake for Thornton's 'Pastorals of Virgil'

52. The Pastorals of Virgil, Volume 2

53. The Pastorals of Virgil, Volume 1

54. Goetz Von Berlichingen Before The Imperial Magistrate

55. Cottage with People

56. Taming of the Shrew

57. Merry Wives of Windsor

58. Merry Wives of Windsor

59. Taming of the Shrew

60. Tempest

61. Tempest

62. Merry Wives of Windsor

63. Description of the Celebrated Suspended Wooden Bridge

64. Single Brig with Union Jack and Three Figures

65. Choquer

66. Choquer

67. Edinbourgh vu de la Chapelle S. Antoine

68. Les Pendus

69. Horses Exercising

70. Stephano and Trinculo with Caliban

71. Ferdinand Reunited with his Father

72. Christopher Sly and the Page, as His Wife

73. Katherina and Grumio

74. Ford in a Rage After Seeing Falstaff