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1. Cart Horse Being Led

Cart Horse Being Led
Creator:
James Howe, 1780–1836
Date:
undated
Materials & Techniques:
Pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 15 7/8 inches (27.3 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Three Horses and Stable Lad

Three Horses and Stable Lad
Creator:
James Howe, 1780–1836
Date:
undated
Materials & Techniques:
Pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 5/8 × 15 7/8 inches (27 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. Horse and Pony

Horse and Pony
Creator:
James Howe, 1780–1836
Date:
undated
Materials & Techniques:
Pen and brown ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 7/8 × 15 7/8 inches (27.6 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. A Cavalry Officer (Henry IV) Leading a Charge Outside a Castle

A Cavalry Officer (Henry IV) Leading a Charge Outside a Castle
Creator:
Henry William Bunbury, 1750–1811
Date:
undated
Materials & Techniques:
Watercolor, graphite and black chalk on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 20 × 15 13/16 inches (50.8 × 40.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. Scene with Horse and Rider

Scene with Horse and Rider
Creator:
James Howe, 1780–1836
Date:
undated
Materials & Techniques:
Pen and brown ink, gray wash, and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 10 3/4 × 15 7/8 inches (27.3 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. Stable Boy with Cart Horses

Stable Boy with Cart Horses
Creator:
John Frederick Tayler, 1802–1889
Date:
undated
Materials & Techniques:
Watercolor, gouache and graphite on thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 3/8 × 15 5/8 inches (31.4 × 39.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Long-tailed Porcupine

The Long-tailed Porcupine
Creator:
George Edwards, 1694–1773
Date:
1738
Materials & Techniques:
Watercolor, pen and gray ink, brown ink, and graphite on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 3/4 × 15 7/8 inches (24.8 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Horse Loaded with Artist’s Paraphernalia

Horse Loaded with Artist’s Paraphernalia
Creator:
John Sell Cotman, 1782–1842
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 9 5/8 x 12 7/8 inches (24.4 x 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Stable of an Inn

The Stable of an Inn
Creator:
Thomas Rowlandson, 1756–1827
Date:
ca. 1790
Materials & Techniques:
Watercolor, pen and black ink, graphite, gouache and brown wash on medium, moderately textured, beige laid paper
Dimensions:
Mount: 10 1/4 × 17 13/16 inches (26 × 45.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. A Weasel

A Weasel
Creator:
James Sowerby, 1756–1822
Date:
undated
Materials & Techniques:
Graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 10 1/4 × 15 7/8 inches (26 × 40.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Design for Bas-Relief of Calf in Cave of the Golden Calf

Design for Bas-Relief of Calf in Cave of the Golden Calf
Creator:
Eric Gill, 1882–1940
Date:
ca. 1912
Materials & Techniques:
Watercolor and graphite, squared for transfer on thin, smooth, cream wove paper
Dimensions:
Sheet: 9 5/16 x 15 5/8in. (23.7 x 39.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund