Associated Places: United Kingdom / Subject Terms: hats / Classification: Prints

1. Column at Yarmouth to the Memory of Lord Nelson

Creator:: Print made by John Sell Cotman, 1782–1842
Date:: 1817
Materials & Techniques:: Etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 18 7/8 x 12 5/8 inches (47.9 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

2. Front of the New Mills

Creator:: Print made by John Crome, 1768–1821
Date:: 1813
Materials & Techniques:: Etching on thick, slightly textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 12 1/2 x 17 3/8 inches (31.8 x 44.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

3. Windsor Bridge

Creator:: Print made by Joseph Farington, 1747–1821
Date:: 1792
Materials & Techniques:: Etching, hand-colored on thick, slightly textured, cream laid paper
Dimensions:: Sheet: 11 15/16 × 15 3/8 inches (30.4 × 39.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

4. Edinburgh Castle and Horse Fair

Creator:: Walter Geikie, 1795–1837
Date:: 1830
Materials & Techniques:: Etching on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 × 8 1/4 inches (15.2 × 21 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

5. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

Creator:: Print made by Paul Angier, active 1749
Date:: 1749
Materials & Techniques:: Etching and line engraving with hand coloring on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 3/8 x 18 7/8 inches (31.4 x 47.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection

6. Brightlingsea Hard, Landing Oysters

Creator:: Print made by Arthur John Reginald Trevor Briscoe, 1873–1943
Date:: 1929
Materials & Techniques:: Etching and drypoint on medium, moderately textured, cream laid paper
Dimensions:: Sheet: 10 3/8 x 16 inches (26.4 x 40.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

7. The Palace of the Stuarts

Creator:: Sir David Young Cameron, 1865–1945
Date:: 1898
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 9 3/8 × 12 5/8 inches (23.8 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

8. The Building

Creator:: Sir Muirhead Bone, 1876–1953
Date:: 1904
Materials & Techniques:: Etching and drypoint, with plate tone on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 16 15/16 x 13 3/8 inches (43 x 33.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

9. Walberswick Ferry

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1913
Materials & Techniques:: Drypoint and etching on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 11 1/8 x 15 11/16 inches (28.2 x 39.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

10. Buckingham Palace from St. James's Park

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: 1842
Materials & Techniques:: Lithograph on thick, smooth, cream card
Dimensions:: Sheet: 14 15/16 x 21 13/16 inches (37.9 x 55.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

11. Westminster Abbey, Hospital &c.

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: 1842
Materials & Techniques:: Lithograph with tint on thick, slightly textured, cream card
Dimensions:: Sheet: 14 7/8 x 21 11/16 inches (37.8 x 55.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

12. St. Paul's from Ludgate Hill

Creator:: Print made by Thomas Shotter Boys, 1803–1874
Date:: 1842
Materials & Techniques:: Lithograph with tint on moderately thick, slightly textured, cream card
Dimensions:: Sheet: 21 5/8 x 14 7/8 inches (55 x 37.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

13. Auld Brig, Ayr

Creator:: Print made by Robert Bryden, 1865–1939
Date:: 1904
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Plate: 9 15/16 x 13 7/8 inches (25.3 x 35.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

14. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1893
Materials & Techniques:: Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:: Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

15. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

16. George Fox in the Garden of Dr. Craddock at Coventry

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 11 9/16 x 9 7/16 inches (29.4 x 23.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

17. George Fox at Launceston Gaol

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/16 x 11 5/8 inches (23.3 x 29.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

18. George Fox Is Stoned by the Crowd at Walney Island

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/16 x 9 1/8 inches (28.1 x 23.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

19. George Fox Is Beaten in the Steeple-House at Ulverston

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paperr
Dimensions:: Sheet: 9 5/16 x 11 11/16 inches (23.7 x 29.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

20. George Fox and Captain Keat

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 1/8 x 11 3/4 inches (23.2 x 29.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

21. George Fox in Carlisle Dungeon

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 9 3/4 x 12 5/16 inches (24.7 x 31.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

22. George Fox at Launceston Gaol

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 12 3/16 x 10 1/16 inches (31 x 25.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

23. George Fox and the Dead Cromwell

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1897 and 1898
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, greened white laid paper
Dimensions:: Sheet: 9 1/2 x 12 inches (24.2 x 30.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

24. The High Street, Southampton

Creator:: Print made by Day & Co., 1824–1913
Date:: 1828
Materials & Techniques:: Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 13/16 x 18 3/4 inches (37.6 x 47.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Sir William Worthy and Patie

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

26. Sir William Worthy's Blessing

Creator:: Print made by David Allan, 1744–1796
Date:: 1808
Materials & Techniques:: Etching and aquatint on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 11 1/8 x 8 15/16 inches (28.3 x 22.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

27. Royal Crescent, County Hospital, St. George's Chapel, Kemp Town

Creator:: Print made by Day & Co., 1824–1913
Date:: 1839
Materials & Techniques:: Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 x 20 15/16 inches (35.5 x 53.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. New Steine and Rock Gardens

Creator:: Print made by Day & Co., 1824–1913
Date:: 1839
Materials & Techniques:: Lithograph with hand coloring on thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 5/16 x 20 7/16 inches (36.4 x 51.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. The Garden Front

Creator:: Print made by Sir Muirhead Bone, 1876–1953
Date:: 1901
Materials & Techniques:: Drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 12 13/16 x 17 5/8 inches (32.5 x 44.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Kenneth D. Rapoport, MD

30. Ryde Pier

Creator:: Print made by James McNeill Whistler, 1834–1903
Date:: 1887
Materials & Techniques:: Etching on medium, slightly textured, cream antique laid paper
Dimensions:: Sheet: 5 5/16 × 3 11/16 inches (13.5 × 9.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

31. Monitors

Creator:: Print made by James McNeill Whistler, 1834–1903
Date:: 1887
Materials & Techniques:: Etching on moderately thick, slightly textured, greened white laid paper
Dimensions:: Sheet: 5 5/8 × 8 11/16 inches (14.3 × 22 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Robert N. Whittemore, Yale BS 1943

32. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1893
Materials & Techniques:: Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:: Mount: 9 x 6 5/16 inches (22.9 x 16 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 1/2 inches (19 x 14 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching, drypoint print and stipple engraving on moderately thick, smooth, cream laid paper
Dimensions:: Sheet: 11 3/16 x 15 9/16 inches (28.4 x 39.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. The Highland Ferry, Scotland

Creator:: Print made by Charles William Cain, 1893–1962
Date:: undated
Materials & Techniques:: Drypoint on moderately thick, moderately textured, beige laid paper
Dimensions:: Sheet: 12 3/8 x 18 1/8 inches (31.4 x 46 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

36. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1893
Materials & Techniques:: Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:: Mount: 8 7/8 x 6 inches (22.5 x 15.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

37. View of Queen Square

Creator:: Engraved by Robert Pollard, 1755–1838
Date:: 1789
Materials & Techniques:: Etching, line engraving, and aquatint on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 19 1/2 × 24 7/16 inches (49.5 × 62.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

Creator:: Print made by Jacob Bonneau, 1741–1786
Date:: 1751
Materials & Techniques:: Etching and stipple engraving on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 10 15/16 x 15 1/2 inches (27.8 x 39.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Conversion of Elizabeth Trelawney

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1897 and 1909
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 10 1/16 x 13 9/16 inches (25.5 x 34.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

40. George Fox Is Challenged to Fight at Scarborough Castle

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1890 and 1911
Materials & Techniques:: Etching and drypoint on medium, slightly textured, beige laid paper
Dimensions:: Sheet: 9 5/8 x 12 11/16 inches (24.5 x 32.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

41. George Fox Preaching at Carlisle

Creator:: Print made by Robert Spence, 1871–1964
Date:: between 1897 and 1912
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 11 7/16 x 14 1/16 inches (29 x 35.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania

42. The National Gallery

Creator:: Print made by Stanley Anderson, 1884–1966
Date:: undated
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 1/8 x 16 inches (33.3 x 40.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Anonymous Gift, The Frederick Benjamin Kaye Memorial Collection, transfer from the Yale University Art Gallery

43. Kew

Creator:: Sir Francis Seymour Haden, 1818–1910
Date:: 1864
Materials & Techniques:: Etching and drypoint on medium, slightly textured, cream Asian paper
Dimensions:: Sheet: 8 1/4 x 6 1/8 inches (21 x 15.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna Jr., BA 1910

44. View of Leiston Abbey

Creator:: Print made by William Byrne, 1743–1805
Date:: 1781
Materials & Techniques:: Etching and stipple engraving on moderately thick, textured, beige laid paper
Dimensions:: Sheet: 9 11/16 x 11 3/4 inches (24.6 x 29.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Water Engine, Cold-Bath-Field's Prison

Creator:: Print made by John Bluck, active 1791–1831
Date:: 1808
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 12 5/8 x 9 7/16 inches (32 x 24 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

46. West India Docks

Creator:: Print made by John Bluck, active 1791–1831
Date:: 1810
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 9 7/16 x 12 5/8 inches (24 x 32 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Chauncey Brewster Tinker

47. Monstrosities of 1822 - Pt. 5

Creator:: Print made by George Cruikshank, 1792–1878
Date:: 1835
Materials & Techniques:: Etching, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 10 11/16 x 16 5/16 inches (27.2 x 41.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

Creator:: Print made by James Gillray, 1756–1815
Date:: 1805
Materials & Techniques:: Etching and aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 7/16 x 10 inches (36.7 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

49. A View of Erith, Looking Up the Thames

Creator:: Print made by John Boydell, 1720–1804
Date:: 1750
Materials & Techniques:: Etching with hand coloring on moderately thick, rough, cream wove paper
Dimensions:: Sheet: 12 1/4 x 18 9/16 inches (31.1 x 47.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Chain Pier at Brighton

Creator:: Print made by John Bruce, fl. 1826
Date:: ca. 1830
Materials & Techniques:: Aquatint and etching with hand coloring on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 13 7/16 x 19 1/4 inches (34.2 x 48.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. The Late Entrance to Ber Street, Norwich

Creator:: Robert Dixon, 1780–1815
Date:: 1810
Materials & Techniques:: Soft-ground etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 10 5/8 x 8 1/8 inches (27 x 20.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. Highland Dancers

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint and stipple engraving, with color woodcut on cream card mounted on beige card
Dimensions:: Image: 1 13/16 x 4 15/16 inches (4.6 x 12.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. Balmoral Castle

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Etching, stipple engraving, and color woodcut on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 10 1/4 × 7 3/8 inches (26 × 18.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. View of Tonbridge During the Late Election, December 18, 1832

Creator:: Print made by Joseph Josiah Dodd, 1809–1894
Date:: after 1832
Materials & Techniques:: Lithograph with hand coloring on thick, slightly textured, cream card with cream chine collé
Dimensions:: Sheet: 11 9/16 × 16 7/16 inches (29.3 × 41.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. St. Martin's Church

Creator:: Print made by unknown artist
Date:: between 1731 and 1754
Materials & Techniques:: Etching on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 19 5/16 x 14 3/4 inches (49 x 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. The South Sea House

Creator:: Print made by unknown artist
Date:: between 1720 and 1728
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 7/16 x 19 3/4 inches (36.7 x 50.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. The Admiralty Office

Creator:: Print made by Thomas Bowles, ca. 1712–died 1753
Date:: 1731
Materials & Techniques:: Etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 14 x 19 3/4 inches (35.5 x 50.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board

Creator:: Louis Haghe, 1806–1885
Date:: ca. 1840
Materials & Techniques:: Lithograph, hand-colored on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 1/2 x 19 3/16 inches (36.9 x 48.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. The High Street, Southampton

Creator:: Print made by William Day, 1764–1807
Date:: 1828
Materials & Techniques:: Lithograph with hand coloring on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 14 15/16 x 18 11/16 inches (38 x 47.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. A Highland Interior

Creator:: Print made by Alexander George Fraser, 1786–1865
Date:: undated
Materials & Techniques:: Etching on thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 5 1/16 x 3 1/2 inches (12.8 x 8.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of James A. Bergquist

61. Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

Creator:: James Gillray, 1756–1815
Date:: 1802
Materials & Techniques:: Etching with aquatint, hand-colored on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 14 1/16 × 10 1/16 inches (35.7 × 25.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. Frankley Chapel, S. E., Worcestershire

Creator:: Print made by James Basire the younger, 1769–1822
Date:: 1812
Materials & Techniques:: Etching on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 4 1/2 × 6 7/8 inches (11.5 × 17.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. Penzance, Cornwall

Creator:: Print made by James C. Allen, active 1821–1831
Date:: 1833
Materials & Techniques:: Line engraving and etching on moderately thick, slightly textured, beige wove paper with beige chine collé
Dimensions:: Plate: 5 11/16 x 9 inches (14.5 x 22.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. Winter Amusement: A View in Hyde Park from the Sluice at the East End

Creator:: Print made by James Tookey, active 1787–1805
Date:: 1787
Materials & Techniques:: Aquatint, printed in color and colored by hand
Dimensions:: Sheet: 12 3/8 x 15 3/8in. (31.4 x 39.1cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. The Ceremony of Opening London Bridge, August 1, 1831

Creator:: Print made by Thomas Allom, 1804–1872
Date:: undated
Materials & Techniques:: Lithograph on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 10 1/16 x 14 inches (25.5 x 35.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. The Great Exhibition: Exterior View from the Southwest

Creator:: Print made by George Baxter, 1804–1867
Date:: 1851
Materials & Techniques:: Aquatint, stipple engraving, and etching with color woodcut on medium, smooth, cream wove paper, surrounded with gold dome-shaped border, laid on contemporary mount made of thick, smooth, beige card
Dimensions:: Sheet: 5 11/16 × 12 5/8 inches (14.4 × 32.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. Castles in England

Creator:: Print made by Bradshaw & Blacklock, active ca.1850
Date:: after 1850
Materials & Techniques:: Aquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
Dimensions:: Image: 6 7/8 x 4 3/4 inches (17.4 x 12 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. Funeral of the Late Duke of Wellington

Creator:: Imitator of George Baxter, 1804–1867
Date:: after 1852
Materials & Techniques:: Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:: Mount: 7 1/2 x 5 9/16 inches (19 x 14.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. Part of Waterloo Bridge with the Shot Tower, &c.

Creator:: Print made by George Cooke, 1781–1834
Date:: 1832
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper with cream chine collé
Dimensions:: Sheet: 17 1/2 x 11 13/16 inches (44.5 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

Creator:: Print made by Thomas Barber, ca. 1768–1843
Date:: 1829
Materials & Techniques:: Etching on moderately thick, slightly textured, cream wove paper with beige chine collé
Dimensions:: Sheet: 5 11/16 x 8 7/8 inches (14.5 x 22.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

Creator:: Print made by William Angus, 1752–1821
Date:: 1793
Materials & Techniques:: Line engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 8 11/16 x 11 3/16 inches (22 x 28.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. Baskerville House, the Residence of John Ryland, Esq.

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 1/2 x 10 3/8 inches (21.6 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. Bordesley Hall, the Seat of John Taylor, Esq.

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 9/16 x 10 9/16 inches (21.7 x 26.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. Buckingham House, St. James' Park

Creator:: Print made by John Burnet, 1784–1868
Date:: 1810
Materials & Techniques:: Etching and line engraving on moderately thick, smooth, beige wove paper
Dimensions:: Sheet: 5 5/16 × 8 9/16 inches (13.5 × 21.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. A Perspective View of the Foundling Hospital with Emblematic Figures

Creator:: Charles Grignion, 1717–1810
Date:: 1749
Materials & Techniques:: Etching and line engraving on moderately thick, moderately textured, beige laid paper, pasted on mount
Dimensions:: Sheet: 13 3/4 × 17 3/8 inches (35 × 44.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. Tynemouth Castle and Priory, Northumberland

Creator:: Print made by Benjamin Comte, 1760–1851
Date:: 1802
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 6 1/8 x 9 3/4 inches (15.5 x 24.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. The House of William Russell, Esq., Showell Green

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint and etching on moderately thick, moderately textured, cream laid paper, pasted on left edge to B1977.14.14752b
Dimensions:: Sheet: 8 9/16 x 11 13/16 inches (21.8 x 30 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. The House of William Russell, Esq., Showell Green: English and French Text

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Letterpress on medium, slightly textured, cream wove paper (page in book), pasted on left edge to B1977.14.14752a
Dimensions:: Sheet: 8 1/8 x 11 15/16 inches (20.6 x 30.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. The House of George Humphrys, Esq., Spark Brook

Creator:: William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint and etching on moderately thick, moderately textured, cream laid paper
Dimensions:: Sheet: 8 11/16 x 10 1/2 inches (22 x 26.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. View of Lichfield, The Birth Place of Dr. Samuel Johnson

Creator:: Edward Francis Finden, 1791–1857
Date:: 1835
Materials & Techniques:: Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:: Sheet: 6 1/4 × 9 5/16 inches (15.9 × 23.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Games at Vauxhall: Playing at Cricket

Creator:: Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Date:: ca. 1743
Materials & Techniques:: Etching with stipple engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 10 1/2 x 14 13/16 inches (26.7 x 37.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Founders Tomb, Winchester

Creator:: Hedley Fitton, 1859–1929
Date:: undated
Materials & Techniques:: Etching and drypoint on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 21 7/8 x 14 15/16 inches (55.6 x 38 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

83. Clapham

Creator:: Print made by William Ellis, 1747–1810
Date:: 1792
Materials & Techniques:: Aquatint and etching on moderately thick, slightly textured, cream wove paper
Dimensions:: Sheet: 5 3/4 × 7 5/8 inches (14.6 × 19.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Associated Places United Kingdom

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1. Column at Yarmouth to the Memory of Lord Nelson

2. Front of the New Mills

3. Windsor Bridge

4. Edinburgh Castle and Horse Fair

5. A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir

6. Brightlingsea Hard, Landing Oysters

7. The Palace of the Stuarts

8. The Building

9. Walberswick Ferry

10. Buckingham Palace from St. James's Park

11. Westminster Abbey, Hospital &c.

12. St. Paul's from Ludgate Hill

13. Auld Brig, Ayr

14. Funeral of the Late Duke of Wellington

15. Funeral of the Late Duke of Wellington

16. George Fox in the Garden of Dr. Craddock at Coventry

17. George Fox at Launceston Gaol

18. George Fox Is Stoned by the Crowd at Walney Island

19. George Fox Is Beaten in the Steeple-House at Ulverston

20. George Fox and Captain Keat

21. George Fox in Carlisle Dungeon

22. George Fox at Launceston Gaol

23. George Fox and the Dead Cromwell

24. The High Street, Southampton

25. Sir William Worthy and Patie

26. Sir William Worthy's Blessing

27. Royal Crescent, County Hospital, St. George's Chapel, Kemp Town

28. New Steine and Rock Gardens

29. The Garden Front

30. Ryde Pier

31. Monitors

32. Funeral of the Late Duke of Wellington

33. Funeral of the Late Duke of Wellington

34. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

35. The Highland Ferry, Scotland

36. Funeral of the Late Duke of Wellington

37. View of Queen Square

38. One of six perspective designs for the Concave Mirror and engraved mirrors in Vauxhall Gardens

39. Conversion of Elizabeth Trelawney

40. George Fox Is Challenged to Fight at Scarborough Castle

41. George Fox Preaching at Carlisle

42. The National Gallery

43. Kew

44. View of Leiston Abbey

45. Water Engine, Cold-Bath-Field's Prison

46. West India Docks

47. Monstrosities of 1822 - Pt. 5

48. The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing

49. A View of Erith, Looking Up the Thames

50. Chain Pier at Brighton

51. The Late Entrance to Ber Street, Norwich

52. Highland Dancers

53. Balmoral Castle

54. View of Tonbridge During the Late Election, December 18, 1832

55. St. Martin's Church

56. The South Sea House

57. The Admiralty Office

58. His Majesty's Ship Britannia Leaving Hamoaze with the Lord High Admiral On Board

59. The High Street, Southampton

60. A Highland Interior

61. Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets

62. Frankley Chapel, S. E., Worcestershire

63. Penzance, Cornwall

64. Winter Amusement: A View in Hyde Park from the Sluice at the East End

65. The Ceremony of Opening London Bridge, August 1, 1831

66. The Great Exhibition: Exterior View from the Southwest

67. Castles in England

68. Funeral of the Late Duke of Wellington

69. Part of Waterloo Bridge with the Shot Tower, &c.

70. Apsley House, Hyde Park Corner: the Residence of his Grace the Duke of Wellington

71. Bradwell Lodge in Essex, the Seat of the Revd. Henry Bate Dudley

72. Baskerville House, the Residence of John Ryland, Esq.

73. Bordesley Hall, the Seat of John Taylor, Esq.