Etched by Joseph Mallord William Turner, 1775–1851
Christ and the Woman of Samaria
1819
5
Etched by Joseph Mallord William Turner, 1775–1851
Lake of Thun, Switzerland
1808
6
William Blake, 1757–1827
The Man Sweeping the Interpreter's Parlour
ca. 1822
7
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
1789
8
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
1789
9
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
1789
10
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
1794
11
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
1789
12
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
1789
13
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
1789
14
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
1789
15
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
1794
16
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
1794
17
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)
1794
18
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)
1794
19
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)
1794
20
William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
1794
21
Print made by William Blake, 1757–1827
Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
1789
22
unknown artist
Design for Wall Paper
ca. 1760
23
Gavin Hamilton, 1723–1798
Achilles Lamenting the Death of Patroclus
between 1760 and 1763
24
Samuel Prout, 1783–1852
A Stiff Breeze
ca. 1805
25
Richard Westall, 1765–1836
Wanstead House
undated
26
Richard Westall, 1765–1836
Conversation on a Country Road
1799
27
Sir David Wilkie, 1785–1841
Shopping in the Rows, Chester
1837
28
Sir David Wilkie, 1785–1841
Scene from Quentin Durward
1833
29
Conrad Gessner, 1764–1826
A Horse, Dog and Figures outside a Cottage
undated
30
Theodor von Holst, 1810–1844
A Sheet of Sketches - Theatrical Studies
undated
31
William Henry Harriott, active 1811, died 1839
Fish Market, Hastings
1824
32
Thomas Hearne, 1744–1817
Leeds Castle, Kent
undated
33
Thomas Hearne, 1744–1817
The Gateway of Lancaster Castle
ca. 1778
34
Thomas Hearne, 1744–1817
The Ruins of Leiston Abbey
1781
35
Samuel Hieronymus Grimm, 1733–1794
East Side of Mr. Hare's New House
1783
36
Samuel Hieronymus Grimm, 1733–1794
North East View of Mr. Hare's New House
1783
37
Gangaram Chintaman Tambat, active 1790s
Two Jeyties
ca. 1792
38
Michel Jean Cazabon, 1813–1888
Avenue and Entrance to St. James Barracks
1857
39
Benjamin West, 1738–1820
Landscape at Henstead
undated
40
Michael "Angelo" Rooker, 1746–1801
Illustration to Beaumont and Fletcher
undated
41
unknown artist
Port
undated
42
unknown artist
Church Interior
undated
43
unknown artist
Three Men
undated
44
Sir David Young Cameron, 1865–1945
Via ai Prati, Genoa [North Italian Set: No. 8]
1896
45
Print made by Sir Muirhead Bone, 1876–1953
Ely Cathedral
1903
46
Print made by Charles William Cain, 1893–1962
Loading Dates
undated
47
Sir David Young Cameron, 1865–1945
Porta del Molo, Genoa [North Italian Set: No. 23]
1896
48
John Hamilton Mortimer, 1740–1779
Three Soldiers in Armour Sitting on Stone Blocks
undated
49
Cornelius Varley, 1781–1873
A Horse pulling a Drag
undated
50
Benjamin West, 1738–1820
Figures Looking out to Sea
undated
51
George Fennell Robson, 1788–1833
The Murder of Banquo
ca. 1830
52
Michael "Angelo" Rooker, 1746–1801
The Market Square, Bury St. Edmunds
undated
53
Attributed to Sir David Wilkie, 1785–1841
On the Pier, Calais
ca. 1810
54
Thomas Malton, 1726–1801
Winchester Tower, Windsor Castle
undated
55
John Varley, 1778–1842
View of New Street, near London Bridge
undated
56
Thomas Rowlandson, 1756–1827
Bucks of the First Head
ca. 1785
57
George Sidney Shepherd, 1784–1862
The Times and Evening Mail Office
1811
58
Sir Walter Westley Russell, 1867–1949
Judgement Day at the RA
undated
59
Print made by Robert Spence, 1871–1964
George Fox Talks to the People About Dreams
between 1890 and 1911
60
Thomas Rowlandson, 1756–1827
Scene Outside an Inn
undated
61
Thomas Rowlandson, 1756–1827
A Village Scene outside a Church
undated
62
Print made by James McNeill Whistler, 1834–1903
The Adam and Eve Tavern, Old Chelsea
1878
63
Lewis Morley, 1925–2013
London Café
1960s
64
Lewis Morley, 1925–2013
Aneurin Bevan, Trafalgar Square
1956
65
Alexander Bannerman, ca. 1730–1780
Talman, Sir Ralph Cole, and Marco Ricci
undated
66
Charles Grignion, 1717–1810
Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV
undated
67
Alexander Bannerman, ca. 1730–1780
Sevonyans and Herbert Tuer
1762
68
Alexander Bannerman, ca. 1730–1780
John van Belcamp and Geldorp
undated
69
Leopold Flameng, 1831–1911
Van Dyck et Son Protecteur le Comte de Bristol
undated
70
Lionel Edwards, 1878–1966
`Now then! Are you ready?'
1905
71
Print made by Robert Spence, 1871–1964
George Fox in the Garden of Dr. Craddock at Coventry
between 1890 and 1911
72
Print made by Robert Spence, 1871–1964
George Fox Is Stoned by the Crowd at Walney Island
between 1890 and 1911
73
Print made by Robert Spence, 1871–1964
George Fox and Captain Keat
between 1890 and 1911
74
Print made by Robert Spence, 1871–1964
George Fox and the Dead Cromwell
between 1897 and 1898
75
Print made by Sir Charles D'Oyly, 1781–1845
A Punca Bearer
ca. 1830
76
Upper print made by unknown artist
King Leopold's Public Entry into Brussels and Weighing Cotton at Bombay for the English Market; Page from Illustrated London News
1862
77
John Brown, 1749–1787
The Geographers
undated
78
unknown artist
Hudibras and Rolpho
undated
79
unknown artist
Boscastle Pier on the Coast of Cornwall
after 1814
80
Walter Richard Sickert, 1860–1942
Sketch for Dieppe Sands
1919
81
Henry Fuseli, 1741–1825
Percival Frees Belisane from the Spell of Urma
1811
82
Samuel Hieronymus Grimm, 1733–1794
At Mortlake
1773
83
Samuel Hieronymus Grimm, 1733–1794
On the Thames at Barnes
ca. 1773
84
Print made by James McNeill Whistler, 1834–1903
Visitors' Boat
1887
85
James McNeill Whistler, 1834–1903
The "Adam and Eve," Old Chelsea
1879
86
Henry Thomas Alken, 1785–1851
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
87
Henry Thomas Alken, 1785–1851
Symptoms: of to be Sold, of Despair, of Who is There, of Sold and Had Him a Week
between 1818 and 1822
88
Henry Thomas Alken, 1785–1851
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832
89
Henry Thomas Alken, 1785–1851
"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
undated
90
Henry Thomas Alken, 1785–1851
Symptoms: of Being Drawn, of a Fine Song, of Troting, of Being In, of Being Out, of a Recoil
between 1822 and 1827
91
Henry Thomas Alken, 1785–1851
Symptoms: of Being Wanted, of Anxiety, of a Has Been, of Duck Catching
between 1822 and 1827
92
Henry Thomas Alken, 1785–1851
Symptoms: of Tragedy, of Comedy, of What Do You Say, of Can't You Hear, of the Ornamental, of the Old Story,
between 1822 and 1827
93
Henry Thomas Alken, 1785–1851
Symptoms: of The Manager's Judgement, of Being on Board a Packet, of Having Enough to Live Upon, of the Laddle Mis-Placed
between 1822 and 1827
94
Henry Thomas Alken, 1785–1851
Symptoms: of Doubtful Amusement - or Craneing, of Anxious Amusement - or Sure of a Bite, of Public Amusement - or No Taxes, Dangerous Amusement - or a Slapper, Private Amusement - or Cruelty
between 1822 and 1827
95
Henry Thomas Alken, 1785–1851
Symptoms: of Sporting Friends Likely-to Go Together, of a Double Entendre, of Sporting Friends Likely-to Seperate, of Sure to HIt the Mark