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1. Cloud Study

Creator:: John Constable, 1776–1837
Date:: 1821
Materials & Techniques:: Oil on paper laid on panel
Dimensions:: 8 3/8 x 11 1/2 inches (21.3 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

2. Cloud Study

Creator:: John Constable, 1776–1837
Date:: 1821
Materials & Techniques:: Oil on paper laid on board
Dimensions:: 9 3/4 x 11 7/8 inches (24.8 x 30.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

3. Dedham Lock

Creator:: John Constable, 1776–1837
Date:: between 1819 and 1820
Materials & Techniques:: Oil on canvas laid on board
Dimensions:: 13 1/4 x 19 5/8 inches (33.7 x 49.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

4. Cloud Study

Creator:: John Constable, 1776–1837
Date:: ca. 1821
Materials & Techniques:: Oil on paper laid on card
Dimensions:: 9 3/8 x 11 1/2 inches (23.8 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

5. Corfu from Santa Decca

Creator:: Edward Lear, 1812–1888
Date:: 1862
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/2 x 21 1/2 inches (34.3 x 54.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
On View:: Not on view

6. Butrinto, Albania

Creator:: Edward Lear, 1812–1888
Date:: 1861
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/2 x 21 1/2 inches (34.3 x 54.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
On View:: Not on view

7. Kinchinjunga

Creator:: Edward Lear, 1812–1888
Date:: 1877
Materials & Techniques:: Oil on canvas
Dimensions:: 9 1/2 x 14 1/2 inches (24.1 x 36.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Michael D. Coe, Yale MAH 1968
On View:: Not on view

8. Corfu from Ascension

Creator:: Edward Lear, 1812–1888
Date:: ca. 1860
Materials & Techniques:: oil on canvas
Dimensions:: 13 1/2 x 21 1/2 inches (34.3 x 54.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Gift of Sophie and Michael D. Coe, Yale MAH 1968
On View:: Not on view

9. Mount Athos and the Monastery of Stavronikétes

Creator:: Edward Lear, 1812–1888
Date:: 1857
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/2 x 21 1/2 inches (34.3 x 54.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

10. Portrait of an Unknown Man

Creator:: Francis Wheatley, 1747–1801
Date:: ca. 1778
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/2 x 11 1/2 inches (34.3 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

11. Design for Tiger Hunting Mural in the Cabaret Theatre Club

Creator:: Charles Ginner, 1878–1952
Date:: 1912
Materials & Techniques:: Oil and pencil on card
Dimensions:: 13 1/2 x 22 5/8 inches (34.3 x 57.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

12. Studies for the Duke of Wellington

Creator:: Sir George Hayter, 1792–1871
Date:: ca. 1820
Materials & Techniques:: Oil on millboard
Dimensions:: 13 1/4 x 16 3/4 inches (33.7 x 42.5 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

13. Study of a Coat Belonging to John, 11th Earl of Westmorland

Creator:: Joseph Edgar Boehm, 1834–1890
Date:: mid-19th century
Materials & Techniques:: Oil on panel
Dimensions:: 13 1/2 x 10 inches (34.3 x 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

14. On the Isis, Waterperry, Oxfordshire

Creator:: William Alfred Delamotte, 1775–1863
Date:: 1805
Materials & Techniques:: Oil on artist's board mounted to panel
Dimensions:: 13 1/2 x 17 inches (34.3 x 43.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

15. View on the River Thames at Richmond

Creator:: William Marlow, 1740–1813
Date:: ca. 1776
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/4 x 19 1/4 inches (33.7 x 48.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

16. Seated Turk

Creator:: Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/4 x 16 1/4 inches (33.7 x 41.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

17. Portrait of the Artist

Creator:: unknown artist
Date:: 1733 or after
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/2 x 11 1/2 inches (34.3 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

18. David, the Future King of Israel, While a Shepherd at Bethlehem

Creator:: John Rogers Herbert, 1810–1890
Date:: 1877
Materials & Techniques:: Oil on millboard
Dimensions:: 13 3/8 x 21 7/8 inches (34 x 55.6 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

19. Setters

Creator:: George Morland, 1763–1804
Date:: between 1798 and 1799
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/4 x 9 inches (33.7 x 22.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

20. Two Fishing Boats on the Banks of Inland Waters

Creator:: George Chambers, 1803–1840
Date:: 1831
Materials & Techniques:: Oil on panel
Dimensions:: 13 1/2 x 17 5/8 inches (34.3 x 44.8 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

21. Landscape at Hampstead, with Harrow in the Distance

Creator:: Lionel Constable, 1828–1887
Date:: between 1849 and 1855
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/2 × 17 inches (34.3 × 43.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

22. A Setter at the Edge of a Wood

Creator:: Sawrey Gilpin, 1733–1807
Date:: between 1775 and 1785
Materials & Techniques:: Oil on canvas
Dimensions:: 10 1/2 × 12 3/8 inches (26.7 × 31.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

23. Grand Canal, Venice

Creator:: Richard Parkes Bonington, 1802–1828
Date:: 1826
Materials & Techniques:: Oil on millboard
Dimensions:: 9 1/4 x 13 3/4 inches (23.5 x 34.9 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

24. An Enslaved African

Creator:: William James Muller, 1812–1845
Date:: 1838
Materials & Techniques:: Oil on paper laid onto panel
Dimensions:: Overall: 13 1/4 × 10 inches (33.7 × 25.4 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Fund
On View:: Not on view

25. The Rev. Samuel Uvedale

Creator:: Thomas Gainsborough, 1727–1788
Date:: 1770 to 1774
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/2 x 11 1/2 inches (34.3 x 29.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

26. The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i

Creator:: William Hamilton, 1751–1801
Date:: ca. 1790
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/2 x 17 inches (34.3 x 43.2 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

27. Gillingham on the Medway

Creator:: William James Muller, 1812–1845
Date:: 1842
Materials & Techniques:: Oil on canvas
Dimensions:: 13 1/2 × 26 1/4 inches (34.3 × 66.7 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

28. Cricketers - a pair: each in iron-red cap, spotted shirt and red sash, one bowling, one batting

Creator:: Staffordshire pottery
Date:: 19th to mid-19th century
Materials & Techniques:: Staffordshire
Dimensions:: Sheet: 13 1/2in. (34.3cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

29. Horse and Stable Lad

Creator:: Adrian Jones, 1845–1938
Date:: ca. 1890
Materials & Techniques:: Bronze
Dimensions:: Overall: 13 1/4 x 17 x 5 1/4 inches (33.7 x 43.2 x 13.3 cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

30. Cricketers - a pair: each in iron-red cap, spotted shirt and red sash, one bowling, one batting

Creator:: Staffordshire pottery
Date:: 19th-mid-19th century
Materials & Techniques:: Staffordshire
Dimensions:: Sheet: 13 1/2in. (34.3cm)
Collection:: Paintings and Sculpture
Credit Line:: Yale Center for British Art, Paul Mellon Collection
On View:: Not on view

31. Prison Scene

Creator:: George Romney, 1734–1802
Date:: ca. 1790–92
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 x 20 inches (34 x 50.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
On View:: On view at YUAG

32. The White House (Gould's Farm Luppitt)

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1920
Materials & Techniques:: Black Chalk, white chalk, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:: Sheet: 13 1/4 × 14 3/4 inches (33.7 × 37.5 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. The Bayhorse, Tattersall’s

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1921
Materials & Techniques:: Watercolor and charcoal on moderately thick, moderately textured, cream wove paper
Dimensions:: Sheet: 21 1/16 × 15 5/8 inches (53.5 × 39.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Study for Mare and Foal, Lytchetts, Clayhidon

Creator:: Robert Polhill Bevan, 1865–1925
Date:: 1917
Materials & Techniques:: Black chalk on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 9/16 × 17 inches (34.4 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. A Morning at Tattersalls (with further sketches in left margin folded over)

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Black chalk and colored washes on moderately thick, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 17 inches (34 × 43.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Sussex Landscape

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Black chalk and watercolor on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 17 3/4 inches (34.3 x 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

37. Study for "The Shearers"

Creator:: Samuel Palmer, 1805–1881
Date:: between 1833 and 1834
Materials & Techniques:: Graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:: Frame: 19 5/16 × 15 7/8 × 1 1/16 inches (49 × 40.3 × 2.7 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. A Horse Affrighted by a Lion

Creator:: Print made by George Stubbs, 1724–1806
Date:: 1777
Materials & Techniques:: Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 14 3/4 × 19 inches (37.5 × 48.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Tiger Body, Lateral View

Creator:: George Stubbs, 1724–1806
Date:: 1795 to 1806
Materials & Techniques:: Red chalk, and pen with iron gall ink on thin, slightly textured, cream wove paper
Dimensions:: Sheet: 10 3/8 x 13 5/8 inches (26.4 x 34.6 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. A Recollection of the New R.A.

Creator:: John Constable, 1776–1837
Date:: 1837
Materials & Techniques:: Pen and brown ink on medium, smooth, cream wove paper
Dimensions:: Sheet: 13 3/8 x 10 inches (34 x 25.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. The Meet, with further sketches in margin

Creator:: Robert Polhill Bevan, 1865–1925
Materials & Techniques:: Graphite, crayon and wash heightened with white
Dimensions:: Sheet: 13 1/2 x 20 5/16in. (34.3 x 51.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. The Flying Pack

Creator:: Robert Polhill Bevan, 1865–1925
Date:: undated
Materials & Techniques:: Black chalk and graphite on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 13 5/16 × 20 9/16 inches (33.8 × 52.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

43. Horse Dealers

Creator:: Robert Polhill Bevan, 1865–1925
Date:: ca. 1918
Materials & Techniques:: Black chalk and graphite, incised for transfer; verso: red chalk on medium, slightly textured, cream laid paper
Dimensions:: Sheet: 13 3/8 × 17 1/16 inches (34 × 43.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Southwark Fair

Creator:: William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Engraving
Dimensions:: Sheet: 18 1/4 × 24 3/4 inches (46.4 × 62.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery

45. Southwark Fair

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Engraving
Dimensions:: Sheet: 13 7/16 × 17 3/4 inches (34.1 × 45.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. Chain of Alps from Grenoble to Chamberi

Creator:: Etched by Joseph Mallord William Turner, 1775–1851
Date:: 1812
Materials & Techniques:: Etching and mezzotint, printed in brown ink; engraver's proof (c) on medium, slightly textured, beige wove paper
Dimensions:: Sheet: 8 1/4 × 11 1/2 inches (21 × 29.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. St. Augustine's Gate, Canterbury

Creator:: Joseph Mallord William Turner, 1775–1851
Date:: ca. 1793
Materials & Techniques:: Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 13 1/2 x 19 3/8 inches (34.3 x 49.2 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. A Midnight Modern Conversation

Creator:: Print made by William Hogarth, 1697–1764
Date:: 1733
Materials & Techniques:: Etching with line engraving
Dimensions:: Sheet: 13 1/2 × 18 5/8 inches (34.3 × 47.3 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art,Gift of Suzanne and William H. Speaker

49. Jerusalem, Frontispiece (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: White-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. "To labours mighty, with vast strength..." (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

52. "Why wilt thou give to her a Body..." (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

53. "And that toward Eden, four..." (Plate 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

54. "One hair nor particle of dust..." (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

55. "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

56. "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

57. "His Spectre divides & Los in fury compells it to divide..." (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

58. "From every-one of the Four Regions..." (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

59. "His Children exil'd from his breast..." (Plate 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

60. Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief and white-line etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

61. "But when they saw Albion fall'n..." (Plate 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

62. "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

63. "Albion thy fear has made me tremble..." (Plate 22)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

64. "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

65. "What have I said? What have I done?..." (Plate 24)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

66. "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

67. For the Sexes: The Gates of Paradise, Title Page (Plate 1)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

68. "My son! my Son!" (Plate 10)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

69. "I want! I want!" (Plate 11)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

70. "Help! Help!" (Plate 12)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

71. Aged Ignorance (Plate 13)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

72. "Does thy God O Priest take such vengeance as this?" (Plate 14)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

73. "Fear & hope are -- Vision" (Plate 15)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

74. "The Traveller hasteth in the Evening" (Plate 16)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

75. Death's Door (Plate 17)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

76. "I have said to the Worm: Thou art my mother & my sister" (Plate 18)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

77. "To The Accuser who is The God of This World..." (Plate 19)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

78. "What is Man!"; Frontispiece (Plate 2)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

79. "He meets his Saviour in the Grave..." (Plate 20)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

80. "I found him beneath a Tree" (Plate 3)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

81. Water (Plate 4)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

82. Earth (Plate 5)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

83. Air (Plate 6)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

84. Fire (Plate 7)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

85. "At length for hatching ripe he breaks the shell" (Plate 8)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

86. Alas! (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1826
Materials & Techniques:: Etching and engraving on moderately thick, slightly textured, cream wove paper
Dimensions:: Spine: 13 3/4 inches (34.9 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

87. "Highgates heights & Hampsteads..." (Plate 84)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

88. "Became a Space & an Allegory..." (Plate 85)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

89. "I see thy Form O lovely mild Jerusalem..." (Plate 86)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

90. "Repelling weeping Enion blind & age-bent..." (Plate 87)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

91. "Los answer'd sighing like the Bellows of his Furnaces..." (Plate 88)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

92. "Tho divided by the Cross & Nails & Thorns & Spear..." (Plate 89)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

93. "Condens'd his Emanations..." (Plate 9)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

94. "The Feminine separates from the Masculine..." (Plate 90)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

95. "It is easier to forgive an enemy..." (Plate 91)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

96. "What do I see! The Briton Saxon Roman Norman..." (Plate 92)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

97. "Enitharmon heard. She raised her head like the mild Moon..." (Plate 93)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

98. "Albion cold lays on his Rock..." (Plate 94)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

99. "As the Sun & Moon lead forward the Visions of Heaven & Earth..." (Plate 96)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor and pen and black ink on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

100. "Awake! Awake Jerusalem..." (Plate 97)

Creator:: Print made by William Blake, 1757–1827
Date:: 1804 to 1820
Materials & Techniques:: Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:: Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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1. Cloud Study

2. Cloud Study

3. Dedham Lock

4. Cloud Study

5. Corfu from Santa Decca

6. Butrinto, Albania

7. Kinchinjunga

8. Corfu from Ascension

9. Mount Athos and the Monastery of Stavronikétes

10. Portrait of an Unknown Man

11. Design for Tiger Hunting Mural in the Cabaret Theatre Club

12. Studies for the Duke of Wellington

13. Study of a Coat Belonging to John, 11th Earl of Westmorland

14. On the Isis, Waterperry, Oxfordshire

15. View on the River Thames at Richmond

16. Seated Turk

17. Portrait of the Artist

18. David, the Future King of Israel, While a Shepherd at Bethlehem

19. Setters

20. Two Fishing Boats on the Banks of Inland Waters

21. Landscape at Hampstead, with Harrow in the Distance

22. A Setter at the Edge of a Wood

23. Grand Canal, Venice

24. An Enslaved African

25. The Rev. Samuel Uvedale

26. The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i

27. Gillingham on the Medway

28. Cricketers - a pair: each in iron-red cap, spotted shirt and red sash, one bowling, one batting

29. Horse and Stable Lad

30. Cricketers - a pair: each in iron-red cap, spotted shirt and red sash, one bowling, one batting

31. Prison Scene

32. The White House (Gould's Farm Luppitt)

33. The Bayhorse, Tattersall’s

34. Study for Mare and Foal, Lytchetts, Clayhidon

35. A Morning at Tattersalls (with further sketches in left margin folded over)

36. Sussex Landscape

37. Study for "The Shearers"

38. A Horse Affrighted by a Lion

39. Tiger Body, Lateral View

40. A Recollection of the New R.A.

41. The Meet, with further sketches in margin

42. The Flying Pack

43. Horse Dealers

44. Southwark Fair

45. Southwark Fair

46. Chain of Alps from Grenoble to Chamberi

47. St. Augustine's Gate, Canterbury

48. A Midnight Modern Conversation

49. Jerusalem, Frontispiece (Plate 1)

50. "Into the Furnaces & into the valleys of the Anvils of Death..." (Plate 10)

51. "To labours mighty, with vast strength..." (Plate 11)

52. "Why wilt thou give to her a Body..." (Plate 12)

53. "And that toward Eden, four..." (Plate 13)

54. "One hair nor particle of dust..." (Plate 14)

55. "And Hand & Hyle rooted into Jerusalem..." (Plate 15)

56. "Hampstead Highgate Finchley Hendon Muswell Hill..." (Plate 16)

57. "His Spectre divides & Los in fury compells it to divide..." (Plate 17)

58. "From every-one of the Four Regions..." (Plate 18)

59. "His Children exil'd from his breast..." (Plate 19)

60. Jerusalem: The Emanation of The Giant Albion, Title Page (Plate 2)

61. "But when they saw Albion fall'n..." (Plate 20)

62. "O Vala! O Jerusalem! do you delight in my groans..." (Plate 21)

63. "Albion thy fear has made me tremble..." (Plate 22)

64. "Jerusalem! Jerusalem! deluding shadow of Albion!..." (Plate 23)

65. "What have I said? What have I done?..." (Plate 24)

66. "And there was heard a great lamenting in Beulah..."; Chapter 1 Tailpiece (Plate 25)

67. For the Sexes: The Gates of Paradise, Title Page (Plate 1)

68. "My son! my Son!" (Plate 10)

69. "I want! I want!" (Plate 11)

70. "Help! Help!" (Plate 12)

71. Aged Ignorance (Plate 13)

72. "Does thy God O Priest take such vengeance as this?" (Plate 14)

73. "Fear & hope are -- Vision" (Plate 15)

74. "The Traveller hasteth in the Evening" (Plate 16)