Human Figure, Anterior View, Skin and Underlying Fascial Layers Removed (Finished Study for Table XI)
1795 to 1806
11
George Stubbs, 1724–1806
Human Figure, Posterior View, Partially Dissected (Finished Study for Table XII)
1795 to 1806
12
George Stubbs, 1724–1806
Study of the Human Figure, Anterior View (Probably related to Table XI)
1795 to 1806
13
George Stubbs, 1724–1806
Human Figure, Posterior View (Outline drawing for the key figure of an unpublished plate)
1795 to 1806
14
George Stubbs, 1724–1806
Human Figure, Lateral View (Outline Study in Reverse of Table VIII)
1795 to 1806
15
George Stubbs, 1724–1806
Human Figure, Lateral View (Preliminary draft for the final study for Table VIII)
1795 to 1806
16
George Stubbs, 1724–1806
Human Figure, Lateral View (Related to Table XIII, detailed study of the blood vessels supplying the muscles)
1795 to 1806
17
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
18
George Stubbs, 1724–1806
Human Skeleton, Lateral View
1795 to 1806
19
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
20
George Stubbs, 1724–1806
Human Figure, Anterior View (Largely in outline)
1795 to 1806
21
George Stubbs, 1724–1806
Human Figure, Anterior View (Outline drawing)
1795 to 1806
22
George Stubbs, 1724–1806
Human Figure, Anterior View (Finished Study of Final Stage of Dissection)
1795 to 1806
23
George Stubbs, 1724–1806
Human Figure, Lateral View
1795 to 1806
24
George Stubbs, 1724–1806
Dorking Hen Skeleton, Lateral View (Finished study for an unpublished table)
1795 to 1806
25
William Hogarth, 1697–1764
Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
undated
26
Print made by William Hogarth, 1697–1764
Plate 11, The Idle 'Prentice Executed at Tyburn
1747
27
Print made by William Hogarth, 1697–1764
Plate 12, The Industrious 'Prentice Lord Mayor of London
1747
28
Joseph Mallord William Turner, 1775–1851
Vesuvius in Eruption
between 1817 and 1820
29
Print made by Joseph Mallord William Turner, 1775–1851
Ship in a Storm
between 1820 and 1826
30
Etched by Joseph Mallord William Turner, 1775–1851
The Straw Yard
1808
31
Etched by Joseph Mallord William Turner, 1775–1851
From Spenser's Fairy Queen
1811
32
Engraved by Joseph Mallord William Turner, 1775–1851
Stonehenge at Daybreak
1815 to 1819
33
Etched by Joseph Mallord William Turner, 1775–1851
Apuleia in Search of Apuleius
between 1813 and 1823
34
Etched by Joseph Mallord William Turner, 1775–1851
Ben Arthur, Scotland
1819
35
Etched by Joseph Mallord William Turner, 1775–1851
Solway Moss
1816
36
Etched by Joseph Mallord William Turner, 1775–1851
Bridge and Cows
1807
37
Etched by Joseph Mallord William Turner, 1775–1851
Lauffenbourgh on the Rhine
1811
38
Etched by Joseph Mallord William Turner, 1775–1851
Windmill and Lock
1811
39
Etched by Joseph Mallord William Turner, 1775–1851
Marine Dabblers
1811
40
Etched by Joseph Mallord William Turner, 1775–1851
Mt. St. Gothard
1808
41
Edward Lear, 1812–1888
Mqabba, Qrendi
1866
42
Edward Lear, 1812–1888
People on the Road Near Kalicut, Malabar
undated
43
George Romney, 1734–1802
Lear Awakened by Cordelia
ca. 1774
44
William Blake, 1757–1827
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
45
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
46
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
47
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
48
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
49
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
50
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
51
Joseph Farington, 1747–1821
[Landscape]
52
Luigi Balugani, 1737–1770
Astragalus Atropilosulus and Gomphocarpus Fruticosus
undated
53
Print made by John Boydell, 1720–1804
Greenland Fishery
1754
54
Print made by Thomas Boydell, active 1750–1751
A Small Breeze
1753
55
Print made by John Boydell, 1720–1804
Morning
1753
56
Print made by John Boydell, 1720–1804
Noon
1753
57
Print made by John Boydell, 1720–1804
A Calm
1754
58
Print made by John Browne, 1741–1801
Evening
ca. 1797
59
Print made by James Bretherton, ca. 1730–1806
The Damnation of Obadiah
1773
60
Luigi Balugani, 1737–1770
Kanahia Laniflora and Crotalaria Pallida
undated
61
Luigi Balugani, 1737–1770
Trifolium Polystachyum and Trifolium Rueppellianum
undated
62
Print made by Sir Frank Short, 1857–1945
View of a Lake, Derwentwater
1891
63
Charles Turner, 1774–1857
The Little Cottager
1809
64
R. Martin, active 1823–1840
Ancient View of the Greengate Street Stafford
1840
65
James Bruce, 1730–1794
Section of Amphitheatre at El Djem showing arches stairs and tiers of seats
undated
66
Benjamin West, 1738–1820
Characters in the Streets of London
1799
67
James Bruce, 1730–1794
Details of Temple at Sheitla
undated
68
James Bruce, 1730–1794
Centre Composite Temple Suttetula Modern Sheitla
undated
69
James Bruce, 1730–1794
Measured sketches of arch at Assuras
undated
70
William Havell, 1782–1857
River Scene with Boy and Sheep
undated
71
William Havell, 1782–1857
Pale Melancholy
ca. 1804
72
James Howe, 1780–1836
Cart Horse Being Led
undated
73
James Howe, 1780–1836
Three Horses and Stable Lad
undated
74
James Howe, 1780–1836
Horse and Pony
undated
75
William Payne, active 1850s
Mill on the Tavy
undated
76
Cornelius Varley, 1781–1873
Evening
1828
77
Thomas Smith of Derby, ca. 1720–1767
Chiaja of Naples from Posillipo
ca. 1780
78
Henry William Bunbury, 1750–1811
A Cavalry Officer (Henry IV) Leading a Charge Outside a Castle
undated
79
Print made by William Bernard Cooke, 1778–1855
Dartmoor; Source of the Tamar and the Torridge
1816
80
Print made by Henry Le Keux, 1787–1868
Simmer Lake near Askrig
1818-1823
81
Sir George Howland Beaumont seventh Baronet, 1753–1827
Romantic Landscape
1803
82
Sir Robert Ker Porter, 1777–1842
Near Mallwyd on the Dovey
undated
83
Print made by John Le Keux, 1783–1846
Rome, from the Farnese Gardens
1818-1820
84
Print made by W. R. Smith, active 1819–1851
Amboise
1833
85
Print made by Robert Brandard, 1805–1862
Rouen, looking up the river
1834
86
Cornelius Varley, 1781–1873
A Moated House
undated
87
Master of the Wire Line, 18th century
Country Scene: Cottage and Figures on a Winding Road
undated
88
James Miller, active 1773–1814
Dandelion Farm, near Margate
undated
89
Jacob More, 1740–1793
View Near the Mill Looking Toward Licenza: Horace's Villa on the Left
1783
90
William Wilkins, 1778–1839
Elevation of a Proposed Design for Cambridge Colleges