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For Children. The Gates of Paradise, Title Page; Plate 2
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
I Found Him Beneath a Tree; Plate 3
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Air; Plate 6
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fire; Plate 7
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
At Length for Hatching Ripe He Breaks the Shell; Plate 8
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Alas!; Plate 9
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Help! Help!; Plate 12
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Does Thy God O Priest Take such Vengeance as This?; Plate 14
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fear & Hope Are -- Vision; Plate 15
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
I Have Said to the Worm, Thou Art My Mother & My Sister; Plate 18
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
What is Man!, Frontispiece; Plate 1
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Water; Plate 4
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Earth; Plate 5
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Aged Ignorance; Plate 13
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Traveller Hasteth in the Evening; Plate 16
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Death's Door; Plate 17
Creator:
Print made by William Blake, 1757–1827
Date:
1793
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 5 1/2 inches (14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
Creator:
William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 22, "The Little Girl Found" (Bentley 36)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 35, "Earth's Answer" (Bentley 31)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching, with watercolor and pen and ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 43, "A Little Boy Lost" (Bentley 50)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)
Creator:
Print made by William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
Creator:
William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
Creator:
William Blake, 1757–1827
Date:
1794
Materials & Techniques:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in green ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/4 x 4 3/4 inches (18.4 x 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Views in the Levant: The Sacred Cave of Archidamus
Creator:
Paul Sandby, 1731–1809
Date:
ca. 1785
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 5/8 × 20 1/16 inches (29.5 × 51 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View of the Fire in Covent Garden
Creator:
Samuel Hieronymus Grimm, 1733–1794
Date:
1769
Materials & Techniques:
Etching on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 9 11/16 × 13 1/8 inches (24.6 × 33.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
William Tell's Chapel
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1829
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 × 12 inches (43.2 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Monument of King Henry III, in Westminster Abbey
Creator:
Jacob van Schley, 1715–1779
Date:
1735
Materials & Techniques:
Engraving on medium, slightly textured, white wove paper
Dimensions:
Sheet: 14 3/4 x 9 3/4 inches (37.5 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art
The Monument in Westminster Abbey of King Henry V
Creator:
George Vertue, 1684–1756
Date:
between 1699-1756
Materials & Techniques:
Engraving on medium smooth laid paper
Dimensions:
Sheet: 14 1/2 × 9 inches (36.8 × 22.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Monument of King Edward III in Westminster Abbey
Creator:
Claude Du Bosc, c.1711–1740
Date:
undated, ca. 1726-1740
Materials & Techniques:
Engraving on medium smooth laid paper
Dimensions:
Sheet: 14 3/4 × 8 3/4 inches (37.5 × 22.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Columbus Setting Sail
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/4 × 9 1/16 inches (36.2 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Herbert's Chapel
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1834
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 5/16 × 11 13/16 inches (44 × 30 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Columbus Setting Sail
Creator:
Print made by Edward Goodall, 1795–1870
Date:
1834
Materials & Techniques:
Etching and line engraving on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/8 × 11 11/16 inches (43.5 × 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Herbert's Chapel
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1834
Materials & Techniques:
Line engraving, engraver's proof on moderately thick, slightly textured, creame wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/2 × 12 inches (44.5 × 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Destruction of Both Houses of Parliament
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, engraver's proof on thick, slightly textured, beige wove paper, with cream chine collé
Dimensions:
Sheet: 16 1/8 × 11 1/2 inches (41 × 29.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
William Tell's Chapel (vignette)
Creator:
Print made by Robert Wallis, 1794–1878
Date:
1830
Materials & Techniques:
Etching and line engraving; engraver's proof on medium, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 17 1/4 × 12 7/8 inches (43.8 × 32.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Destruction of Both Houses of Parliament
Creator:
Print made by James T. Willmore, 1800–1863
Date:
1835
Materials & Techniques:
Line engraving, first published state on thick, slightly textured, cream wove paper, with cream chine collé
Dimensions:
Sheet: 16 7/8 × 11 5/16 inches (42.9 × 28.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. L'Adieu

L'Adieu
Creator:
Print made by Michael Hanhart, active 1841–1852
Date:
ca. 1858
Materials & Techniques:
Lithograph with hand coloring on medium, smooth, beige wove paper
Dimensions:
Sheet: 13 3/16 x 9 1/2 inches (33.5 x 24.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952
George Fox Talks to the People About Dreams
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/16 x 14 3/8 inches (28.1 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania
Wm. Fredk. King of Prussia (Frederick William III)
Creator:
Print made by unknown artist
Date:
1815
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/2 x 11 inches (34.3 x 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952
Edward Duke of Kent, Father of Her Majesty Queen Victoria
Creator:
Print made by unknown artist
Date:
after 1837
Materials & Techniques:
Line engraving with stipple on medium, smooth, white wove paper
Dimensions:
Sheet: 10 3/4 x 8 1/8 inches (27.3 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952
Frederick William III King of Prussia
Creator:
Print made by Charles James Canton, active 19th century
Date:
1815
Materials & Techniques:
Etching hand-colored with watercolor on thin, smooth, beige wove paper
Dimensions:
Sheet: 8 5/8 x 14 3/8 inches (21.9 x 36.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Hohenzollern-Schlaberg-Hughes Collection, Gift Thomas Lowe Hughes, Yale JD 1952
George the Third King of Great Britain &c &c &c
Creator:
Print made by William Woollett, 1735–1785
Date:
1763-1764
Materials & Techniques:
Line engraving on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 14 x 10 inches (35.6 x 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
To the British Nation
Creator:
Print made by Thomas Sutherland, ca. 1785–1838
Date:
1836
Materials & Techniques:
Colored aquatint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 26 1/16 x 39 1/4 inches (66.2 x 99.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of David Doret, Yale BA 1968, and Linda Mitchell
The Delivery of the Definitive Treaty by the Hostage Princes into the Hands of Lord Cornwallis
Creator:
Print made by Daniel Orme, 1766–1837
Date:
1793
Materials & Techniques:
Stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 20 1/4 x 25 3/8 inches (51.4 x 64.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Silas Deane
Creator:
Print made by Thomas Johnson, 1709–1767
Date:
undated
Materials & Techniques:
Etching on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 12 1/2 x 9 1/2 inches (31.8 x 24.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Manuscripts and Archives Collection, transfer from the Sterling Memorial Library
Earl Rivers Presenting His Book and Caxton, His Printer, to Edward IV
Creator:
Charles Grignion, 1717–1810
Date:
undated
Materials & Techniques:
Etching and line engraving on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 13/16 x 9 3/16 inches (30 x 23.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Herbert's Chapel
Creator:
Print made by M. H. Long
Date:
1884
Materials & Techniques:
Lithography (hand coloring)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1893
Materials & Techniques:
Aquatint and stipple engraving; color woodcut by Mockler on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, slightly textured, orange-beige wove card
Dimensions:
Mount: 8 7/8 x 6 5/16 inches (22.6 x 16 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Funeral of the Late Duke of Wellington
Creator:
Imitator of George Baxter, 1804–1867
Date:
after 1852
Materials & Techniques:
Aquatint and stipple engraving; color woodcut done by an unknown later printer on medium, slightly textured, cream wove paper, laid on contemporary mount made of thick, smooth, yellow card
Dimensions:
Mount: 7 1/2 x 5 1/2 inches (19.1 x 14 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
George Fox Shows His Leather Breeches at Hellett
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 7 15/16 x 9 15/16 inches (20.1 x 25.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania
George Fox and Captain Keat
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 8 13/16 x 10 1/4 inches (22.4 x 26.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania
George Fox in the Garden of Dr. Craddock at Coventry
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 11 9/16 x 9 7/16 inches (29.4 x 23.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania
George Fox at Launceston Gaol
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/16 x 11 5/8 inches (23.3 x 29.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania
George Fox Is Stoned by the Crowd at Walney Island
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 11 1/16 x 9 1/8 inches (28.1 x 23.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania
The Next Day Wee Passed on...
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/16 x 11 9/16 inches (23.4 x 29.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania
George Fox and the Old Priest
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 9 7/16 x 12 inches (24 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania
George Fox Is Beaten in the Steeple-House at Ulverston
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige wove paperr
Dimensions:
Sheet: 9 5/16 x 11 11/16 inches (23.7 x 29.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania
George Fox and Captain Keat
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, beige wove paper
Dimensions:
Sheet: 11 7/8 x 9 3/16 inches (30.2 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania
George Fox and Captain Keat
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 1/8 x 11 3/4 inches (23.2 x 29.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania
George Fox in Carlisle Dungeon
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 9 3/4 x 12 5/16 inches (24.7 x 31.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania
George Fox at Launceston Gaol
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 3/16 x 10 1/16 inches (31 x 25.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania
George Fox Walks Through Whitehall
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1890 and 1911
Materials & Techniques:
Etching and drypoint on medium, slightly textured, beige wove paper
Dimensions:
Sheet: 11 1/2 x 9 3/16 inches (29.2 x 23.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania
George Fox and the Dead Cromwell
Creator:
Print made by Robert Spence, 1871–1964
Date:
between 1897 and 1898
Materials & Techniques:
Etching and drypoint on moderately thick, slightly textured, greened white laid paper
Dimensions:
Sheet: 9 1/2 x 12 inches (24.2 x 30.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of the George School, Newtown, Pennsylvania
Picasso's Meninas
Creator:
Print made by Richard Hamilton, 1922–2011
Date:
1973
Materials & Techniques:
Etching, soft-ground etching, stipple engraving, open-bite, lift-ground, aquatint, line engraving, drypoint, and burnishing; artist's proof on moderately thick, slightly textured, white wove paper
Dimensions:
Sheet: 29 13/16 x 22 3/8 inches (75.8 x 56.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of John Russell
St. Herbert's Chapel
Creator:
Print made by Henry Le Keux, 1787–1868
Date:
1834
Materials & Techniques:
Line engraving, open etching on moderately thick, slightly textured, creame wove paper, with cream chine collé
Dimensions:
Sheet: 14 1/4 × 9 3/8 inches (36.2 × 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Mask of Comus. As Now Being Performed at the Theatre Royal, Madrid, with Amazing Success
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 1/16 x 17 5/8 inches (30.7 x 44.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Another Saint Sebastian, Shot at by Cruel Archers
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1847
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 12 x 17 9/16 inches (30.5 x 44.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Sibyl Presenting the Mysterious Writings to Tarquin, Who "With Gay Audacity" Rejects the Proferred Treasure
Creator:
Print made by John Doyle ('H.B.'), 1797–1868
Date:
1849
Materials & Techniques:
Lithograph in tan and black ink on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 11 3/4 x 17 1/16 inches (29.8 x 43.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ticket: For the Benefit of Mr. Salpietro
Creator:
Print made by Francesco Bartolozzi, 1728–1815
Date:
1799
Materials & Techniques:
Stipple engraving and etching on moderately thick, moderately textured, cream wove paper
Dimensions:
Sheet: 5 3/4 x 6 1/4 inches (14.6 x 15.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Fall of Tippoo Saib
Creator:
Print made by Walker, active 1850s
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 10 3/4 inches (17.5 × 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Frank de Caro and Rosan Augusta Jordan
The Indian Theatre
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 5/8 x 17 1/2 inches (32 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD
Ireland and Russia
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 7/8 x 12 5/8 inches (32.7 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD
From the Dome
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 11/16 x 12 5/8 inches (45 x 32.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD
Evening in Little Russia
Creator:
Print made by Sir Muirhead Bone, 1876–1953
Date:
1901
Materials & Techniques:
Etching and drypoint on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 17 11/16 x 12 5/8 inches (45 x 32 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Kenneth D. Rapoport, MD