Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
1002
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
1003
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
1004
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
1005
Print made by T. Clarke, 1799–1839
Plate XXII: Chantry Chapels, Section of West Entrance and Elevation of the East End, St Stephen's Chapel
1835
1006
Print made by unknown artist
Plate XXXII: Longitudinal Section through the Chantry Chapel and Cloister, St Stephen's Chapel
1835
1007
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
1008
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
1009
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
1010
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
1011
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
1012
Samuel Ireland, 1744–1800
Westminster Hall
1800
1013
Print made by Thomas Hall, active early 19th century
A South View of Westminster, from Mill-bank; Where the King's Scholars-Pond Sewer Empties Itself into the Thames
1808
1014
Print made by James Basire II, 1769–1822
Plan of the Ancient Palace of Westminster by the late Mr. William Capon, measured and drawn between 1793 and 1823
1828
1015
Print made by Day & Co., 1824–1913
Chimney piece, Star Chamber, Leasowe Castle, formerly in the King's Palace, Westminster
ca. 1845
1016
unknown artist
St. Stephen's Chapel, Speaker's House, &c. from the River
ca. 1835
1017
Print made by John Thomas Smith, 1766–1833
Cotton Garden, Westminster
1804
1018
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
1019
Print made by James Basire, 1730–1802
Plate XII: St Stephen's Chapel
1795
1020
Thomas Rowlandson, 1756–1827
Vauxhall
1021
Stella Marsden, active 1955
Engraved Brasses
1955
1022
David Gentleman, born 1930
Visitor's London
1956
1023
Joan Beales, born 1926
Cassiobury Park / Hatfield House / Hampton Court / St. Albans
1956
1024
George Chapman, 1908–1993
Competition: Sculpture Guessing: Make the most of your public transport
1955
1025
Joan Beales, born 1926
London's Museums
1955
1026
Joan Beales, born 1926
Epping / Richmond / Whipsnade / Windsor
1956
1027
Tom Eckersley, 1914–1997
The London Museum
1963
1028
Robert Tavener, active 1958
Country Walks: Summer
1958
1029
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
1030
Thomas Rowlandson, 1756–1827
Hyde Park Corner
undated
1031
Thomas Rowlandson, 1756–1827
An Audience Watching a Play at Drury Lane Theatre
ca. 1785
1032
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
1033
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
1034
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
1035
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
1036
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
1037
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
1038
Print made by Robert William Billings, 1813–1874
Vestiges of Sculpture and Painting in St Stephen's Chapel, Westminster
1836
1039
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
1040
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
1041
Print made by John Thomas Smith, 1766–1833
Oak Door Discovered in the Speaker's State Dining Room
1806
1042
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
1043
Print made by Frederick Mackenzie, 1788–1854
View of St Stephen's Chapel as it appeared after the Fire in October 1834
1843
1044
Print made by Robert William Billings, 1813–1874
Ruins of St Stephen's Chapel, Seen from the Roof of Westminster Hall
1835
1045
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
1046
Print made by John Le Keux, 1783–1846
Plate XXVII: St Stephen's Chapel, Looking East, Westminster
ca. 1836
1047
Print made by Thomas A. Woolnoth, 1785–1857
Plate III: Crypt under St Stephen's Chapel
ca. 1836
1048
George Johann Scharf, 1788–1860
View through the South East Window of the Crypt beneath St Stephen's, Westminster
1852
1049
unknown artist
Grave of the Supposed William Lyndewode
1852
1050
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
1051
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
1052
Print made by Henry Melville, active 1826–1841
The House of Commons
1834
1053
Attributed to William Capon, 1757–1827
Entrance to the House of Lords
1796
1054
Attributed to John Carter, 1748–1817
Parts in Stone Underhouse of Lords
between 1800 and 1807
1055
Attributed to John Carter, 1748–1817
View in Basement Story under House of Lords
between 1800 and 1807
1056
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
1057
Attributed to John Carter, 1748–1817
Plan of the Basement Story under the House of Lords
between 1800 and 1807
1058
Print made by unknown artist
View of the Higher House of Parliament in England
ca. 1695
1059
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
1060
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
1061
Attributed to office of Sir John Soane, 1753–1837
Part of the Construction in the Old House of Lords
1823
1062
Attributed to John Carter, 1748–1817
Elevation of the Basement Story, House of Lords
between 1800 and 1807
1063
Print made by Henry Melville, active 1826–1841
The Kind Proroguing Parliament
1834
1064
Print made by James Fittler, 1758–1835
The King on his Throne in the House of Lords
1804
1065
unknown artist
Peers' Entrance
undated
1066
unknown artist
Survey view of a lobby, Palace of Westminster
undated
1067
Attributed to office of Sir John Soane, 1753–1837
Plan of the Ground Floor, House of Lords
1835
1068
Print made by Henry Melville, active 1826–1841
House of Commons, the Speaker Reprimanding a Person at the Bar
after 1850
1069
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
1070
Attributed to office of Sir John Soane, 1753–1837
Plan of the Upper Floor of Lord Committee Rooms
1835
1071
Print made by unknown artist
Plate XXXIX: House of Commons as Fitted Up in 1835
ca. 1836
1072
unknown artist
New Rooms at Westminster for the Bishops
undated
1073
Print made by unknown artist
Staircase at Southeast Angle, Painted Chamber, Westminster
1835
1074
Print made by John Greig, active 1803–1853
The Painted Chamber, Westminster
1804
1075
Attributed to John Carter, 1748–1817
Plan of Painted Chamber
between 1793 and 1799
1076
unknown artist
Exterior of Painted Chamber, North View
undated
1077
Attributed to John Carter, 1748–1817
Palace at Westminster
between 1800 and 1807
1078
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
1079
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
1080
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
1081
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
1082
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
1083
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
1084
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
1085
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
1086
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVII: The Painted Chamber
1842
1087
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
1088
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXIX
1842
1089
Print made by G.F. Storm, active mid–19th century
Vol. 6, Plate XXVIII
1842
1090
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXVI: Chapel of St Stephen, Chapel of St Mary in the Vaults
1842
1091
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIII: The Captivity of Jehoiachin King of Israel. Continuation of the Story, of the Captivity of the Jews
1842
1092
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXII: The Story of Hezekiah
1842
1093
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXX: The Story, as it is Presumed, of Joab and Abner. The Martyrdom of the Mother and her Seven Sons, and the Sacrifice of Antiochus
1842
1094
Print made by unknown artist
Vol. 6, Plate XXXIX: The Story of St John as a Pilgrim, and King Edward the Confessor. Fragment of a Virtue Triumphant. An Ornamental Pattern Found in one of the Round Headed Windows Filled up in the Painted Chamber
undated
1095
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVI: Continuation of the Acts of the Maccabees. The Battle of Judas Maccabeus with Timotheus and the Fall of Maspha
1842
1096
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVII: The Coronation of Edward the Confessor. Warriors Flying for Refuge into a City
1842
1097
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXIV: The Story of Elijah and Ahaziah. The Miracles of Elisha
1842
1098
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXVIII: The Triumph of Largesse or Bounty over Avarice. The Triumph of Debonerete or Meekness over Anger
after 1819
1099
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXI: A Continuation, as it is Presumed, of the Story of Antiochus. The Story of Abimelech
1842
1100
Print made by James Basire II, 1769–1822
Vol. 6, Plate XXXV: Continuation as it is Presumed of the Miracles of Elisha, and the Famine of Samaria. The Acts of Judas Maccabeus