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The Stained Glass of William Morris and His Circle, edited by A. Charles Sewter, 1974
1966 2018
Archival
Forbes, James, 1749–1819
The Stinking Wood at Tellicherry. J. Forbes
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Storm-Finch, called by the Sailors Mother Carcy's Chickens. Drawn of the natural size. J. Forbes
redrawn between 1794 and 1800
Archival
Shirley Smith, Richard
The Story of the Venetian Villas. London: Visual Publications, 1973.
1973
Archival
Paul Mellon Centre for Studies in British Art
The Stranger from Paradise: A biography of William Blake, by Gerald Eades Bentley
2001
Archival
The Substance or the Shadow: Images of Victorian Womanhood
1982-04-14 1982-06-13
Archival
The Substance or the Shadow: Images of Victorian Womanhood, by Susan P. Casteras
1982
Archival
Forbes, James, 1749–1819
The Sultana or Hoopoo, at Bombay, on a Sprig of the Citron Tree. J. Forbes 1769
1769
Archival
Forbes, James, 1749–1819
The Swallow-tail Hawk, of South America. Accipiter, Cauda furcata. J. Forbes 1765
1765
Archival
Forbes, James, 1749–1819
The Sweet Potatoe. J. Forbes
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Sya-goosh, an Animal trained by the Moguls for the hunting of Antelopes, and other game. J. Forbes 1772
1772
Archival
Paul Mellon Centre for Studies in British Art
The Synagogues of Britain and Ireland: an Architecture and Social History, by Sharman Kadish
2011
Archival
The Temple of Apollo Epicurius at Bassae
undated
Archival
Kociejowski, Marius
The Testament of Charlotte B. Marlborough, Wiltshire: Libanus Press, 1988.
1988
Archival
The Thames. Barry pinxt. Clint sc.
undated
Archival
The Thirties in Britain: Concert and Symposium
1986-02-28 1986-03-01
Archival
Forbes, James, 1749–1819
The Thornback, at Tellicherry. J. Forbes 1772
1772
Archival
The Three Musketeers : drawing of a male with his right hand on his hip
circa 1886-1897
Archival
The Three Musketeers : drawing of a swordfight
circa 1886-1897
Archival
The Three Musketeers : drawing of Cardinal Richelieu and a kneeling female
circa 1886-1897
Archival
The Three Musketeers : drawings of a male and a female
circa 1886-1897
Archival
The Three Musketeers : drawings of a male with a cloak and hat
circa 1886-1897
Archival
The Three Musketeers : drawings of a male with a hat on his knee
circa 1886-1897
Archival
The Three Musketeers : drawings of a swordsman and Queen Anne
circa 1886-1897
Archival
The Three Musketeers : drawings of a swordsman
circa 1886-1897
Archival
The Three Musketeers : drawings of a swordsman in various poses and a female
circa 1886-1897
Archival
The Three Musketeers : drawings of Cardinal Richelieu and various males
circa 1886-1897
Archival
The Three Musketeers : drawings of Porthos
circa 1886-1897
Archival
The Three Musketeers : drawings of the Cardinal and a female kneeling before him
circa 1886-1897
Archival
The Three Musketeers : drawings of the Cardinal, the Cardinal on a settee, and a female
circa 1886-1897
Archival
The Three Musketeers : drawings of the Queen, Musketeers, and others
circa 1886-1897
Archival
Forbes, James, 1749–1819
The Tobacco-Plant, and Golden Tortoise-Fly, in Guzerat: drawn from Nature. J. Forbes. 1778
1778
Archival
The Toledo Museum of Art European Paintings
1976
Archival
Forbes, James, 1749–1819
The Tombsin the Dutch Burying Ground at Surat; taken from the Pavilion in the Armenian Gardens. J. Forbes 1772
1772
Archival
Forbes, James, 1749–1819
The Toohtee, of the natural size and plumage, with another kind of Vegetable Soap, called Omlah; used at Surat for washing Shauls, & rich Embroideries. J. Forbes 1772
1772
Archival
Forbes, James, 1749–1819
The top of the Mandioka or Cassava, in South America; of the natural size. J. Forbes
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Top of the Sugar-Cane, J. Forbes
1778?
Archival
Paul Mellon Centre for Studies in British Art
The Tory View of Landscape, by Nigel Everett
1994
Archival
Shirley Smith, Richard
"The tower of boxes" (from a Persian folk tale)
1960s?
Archival
Shirley Smith, Richard
"The tower of boxes": slides of collages.
1960s?
Archival
Paul Mellon Centre for Studies in British Art
The Town House in Georgian London, by Rachel Stewart
2009
Archival
Shirley Smith, Richard
The Traveller, Point of Departure, Artist's Proof
1961
Archival
Forbes, James, 1749–1819
The Tree-Frog, or Flying-Frog, on the Malabar Coast. J. Forbes 1772
redrawn between 1794 and 1800
Archival
Reynolds, Ernest Edwin, 1894–
The Trial of St. Thomas More. London: Burns & Oates, Ltd., 1964.
1964
Archival
Forbes, James, 1749–1819
The Trumpet-Fish, at St. Helena. Drawn much smaller than Nature. J. Forbes 1784
1784
Archival
Paul Mellon Centre for Studies in British Art
The Tudor House and Garden: Architecture and Landscape in the Sixteenth and Early Seventeenth Centuries, by Paula Henderson
2005
Archival
Forbes, James, 1749–1819
The Tufted Fly-catcher, & Golden Icterus, at Anjengo, with a Fruit called the Wild Olive, common in the woods, on the Malabar Coast. J. Forbes 1772
1772
Archival
Forbes, James, 1749–1819
The Tufted Humming-Bird, mentioned in the preceding Letter,on a branch of the Orange Tree; of the natural size. J. Forbes 1765
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Tufted Minah; on a Sprig of the Bernah Tree. J. Forbes 1778
1778
Archival
Daly’s Theatre (London, England)
The Two Gentlemen of Verona : playbill for the Daly's Theatre production
1895 July 5
Archival
Paul Mellon Centre for Studies in British Art
The Tyranny of Taste: The Politics of Architecture and Design in Britain, 1550-1960, by Jules Lubbock
1995
Archival
Forbes, James, 1749–1819
The double Indian Pink, with a selection of Chinese Butterflies. J. Forbes
1769?
Archival
Forbes, James, 1749–1819
the double Japan Rose, or Shoe-Flower. J. Forbes
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The double Mogree, or Arabian Jessamin, a peculiar favorite of the Hindoos. J. Forbes
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Double Oleander, at Bombay; with the large Hog-Caterpillar. J. Forbes, 1769
1769
Archival
Forbes, James, 1749–1819
The Double Red Oleander; one of the most fragrant and beautiful Flowers in Hindostan. J. Forbes
redrawn between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Double White Oleander. J. Forbes
text added between 1794 and 1800
Archival
Forbes, James, 1749–1819
The Draco, or Flying-Lizard, on the Coast of Malabar: J. Forbes 1772
redrawn between 1794 and 1800
Archival
The Drawings of Sir Jeffry Wyatville
1985-11-12 1986-01-05
Archival
The Drawings of Thomas Gainsborough (Vol. I) by John Hayes
1971
Archival
The Drawings of Thomas Gainsborough (Vol. II) by John Hayes
1971
Archival
The Drawings of Thomas Rowlandson in the Paul Mellon Collection, by John Baskett and Dudley Snelgrove: book
1978
Archival
Forbes, James, 1749–1819
The Dress of the common Dutch Inhabitants at Cochin. The man is represented with a Cochin, or swelled Leg, as mentioned in the preceding Letter. J. Forbes 1772
1772
Archival
Paul Mellon Centre for Studies in British Art
The Duchess's Shells: Natural History Collecting in the Age of Cook's Voyages, by Beth Fowkes Tobin
2014
Archival
Forbes, James, 1749–1819
The Dwarf Orange, at Tellicherry; of the natural size. This Fruit was introduced into Hindostan from China. J. Forbes 1772
1772
Archival
Forbes, James, 1749–1819
The Dyal or Dominican Bird, With the Fruit called the Carombola; of the natural size. J. Forbes 1767
1767
Archival
The Early Georgian Landscape Garden, by Kimerly Rorschach
1983
Archival
Morris, Thomas, approximately 1750–approximately 1811
The East End of the Fort of Mongheer
late 18th century?
Archival
Forbes, James, 1749–1819
The East Gate at Dhuboy, called by way of eminence the Gate of Diamonds. J. Forbes, 1780
text added between 1794 and 1800
Archival
Virgil
The Eclogues. Translated by James Michie. Introduction by Gilbert Highet. Decorations by Richard Shirley Smith. London: The Folio Society, 2000.
2000
Archival
The Edmund J. and Suzanne McCormick Collection, by Susan P. Casteras
1984
Archival
Paul Mellon Centre for Studies in British Art
The Edwardian Sense: Art, Design and Performance in Britain 1901-191, ed. Morna O'Neill and Michael Hatt
2010
Archival
The Eighteenth-Century Church in Britain, by Terry Friedman
2011
Archival
The eighth wonder of the world here in London : Thames Barrier
circa 1990
Archival
Forbes, James, 1749–1819
The Elephant, in a state of nature. J. Forbes 1775
1775
Archival
Forbes, James, 1749–1819
The Elk, in the western parts of Hindostan. J. Forbes
redrawn between 1794 and 1800
Archival
Smith, Sam, 1908–1983
The end of the day on the beach
1970s
Archival
Shirley Smith, Richard
The End, Point of Departure, Artist's Proof
1961
Archival
Paul Mellon Centre for Studies in British Art
The English Castle 1066-1650, by John Goodall
2011
Archival
Barlow, Frank
The English Church 1000 to 1060 A Constitutional History. London: Longmans, Green and Company, Ltd., 1963.
1963
Archival
The English Episcopal Portrait 1559-1835 by John Ingamells
1981
Archival
The English Icon: Elizabethan & Jacobean Portraiture, Roy Strong
1969
Archival
The English Miniature
1981-12-16 1982-02-14
Archival
The English Miniature / John Murdoch, Jim Murrell, Patrick J. Noon, Roy Strong
1981
Archival
The English Prize: The Capture of the “Westmorland,” an Episode of the Grand Tour
2012-10-04 2013-01-13
Archival
The English Prize: The Capture of Westmorland An Episode of the Grand Tour, Edited by Maria Dolores Sanchez-Jauregui and Scott Wilcox
2012
Archival
Forbes, James, 1749–1819
The Entrance of the Grand Excavation, or principal Temple at Salsette, as it first appears to the astonished Spectator on attaining the height of the Mountain, from whence it is hewn! J. Forbes 1775
1775
Archival
The Entrance to Coade and Sealy's Gallery of Sculpture of Artificial Stone, Westminster Bridge. Drawn and engraved by S. Rawle. Published by J. Sewell Cornhill. Feb. 1, 1802.
1802 February 1
Archival
Forbes, James, 1749–1819
The Erindah, or Palma-Christi, in Guzerat, from which the Indians extract a valuable oil; both for physical and domestic uses. J. Forbes 1780
1780
Archival
The Faerie Queen in the World, 1596-1996: Edmund Spenser among the Disciplines
1996-09-26 1996-09-28
Archival
Forbes, James, 1749–1819
The Faggot-Catterpillar, with its Nest; on the Yellow Acacia, or Baubel Tree. J. Forbes 1779
1779
Archival
De Lubac, Henri, 1896–1991
The Faith of Teilhard de Chardin. Translated by René Hague. London: Burns and Oates, Ltd., 1965.
1965
Archival
Forbes, James, 1749–1819
The Female, or Fruit-bearing Papah-Tree. J. Forbes 1767
1767
Archival
Forbes, James, 1749–1819
The Field Lizard at Bombay; on a branch of the Piplah, a species of the Banian Tree. J Forbes, 1769
1769
Archival
Forbes, James, 1749–1819
The Figures in the Cave at Elephanta, opposite to the Water-Cavern. J. Forbes 1775
1775
Archival
Forbes, James, 1749–1819
The Figures near the Cave of Water, in the Excavations at the Elephanta. J. Forbes 1775
1775
Archival
Forbes, James, 1749–1819
The Finger Plant, or Carrion-Plant, at St. Helena. Drawn of the natural size. J. Forbes 1784
1784
Archival
Forbes, James, 1749–1819
The FLAMINGO
1770?
Archival
Shirley Smith, Richard
The Flight, Point of Departure
1961
Archival
Leslie, Mary, 1833–1907
The Flower and the Leaf of Chaucer, illustrated
circa 1885
Archival